Inspired by the March 5 birthdays of Andy Gibb, The Fall’s Mark E. Smith, Teena Marie, Eddy Grant, Murray Head, Steve Arrington, the Proclaimers, Tommy Tucker and Rex Harrison.
Your (Almost) Daily Playlist (2-28-20)
Why is there a comma in the title of “Paint It, Black?” Keith Richards replied “Don’t ask me…that’s Decca’s.” So there we have it.
Today’s playlist is inspired by the February 28 birthdays of The Rolling Stones’ Brian Jones, The B-52’s’ Cindy Wilson (why is there a comma in 52’s?), Zero Mostel, Jake Bugg, Joe South, Donnie Iris, The Records’ John Wicks and Barbara Acklin; and the February 27 birthdays of TLC’s Rozonda “Chilli” Thomas and Bobby Valentino.
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Your (Almost) Daily Playlist (2-24-20)
Inspired by the February 24 birthdays of N.E.R.D.’s Chad Hugo, Manfred Mann’s Paul Jones, M People’s Mike Pickering, George Thorogood, Rupert Holmes, Plastic Bertrand and Barry Bostwick.
Not Your Typical LGBTQ+ Pride Playlist
June is LGBTQ+ Pride Month. Tune du Jour celebrates with this playlist consisting of two hundred songs by and/or about Ls, Gs, Bs, Ts and Qs. Happy Pride!
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A Hint Of Mint – Volume 71: LGBTQ Music From 1978 To 1979
Discotheques played an important part in the lives of gay men in the 1970s. It was our safe place, where we could celebrate who we are. It makes sense that much of the popular disco music was created by gays.
Punk rock was a reaction to the mainstream led by outcasts. It makes sense that many gays were drawn to punk.
This playlist consists of twenty songs, some disco, some punk, some neither, some performed by artists who fall somewhere under the LGBTQ umbrella, others with queer lyrical content. Performers include Joe Jackson, Mitch Ryder and Machine.
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Throwback Thursday – 1982
As a songwriter, Gloria Jones charted with Gladys Knight & the Pips’ “If I Were Your Woman,” the Four Tops’ “Just Seven Numbers (Can Straighten Out My Life),” and Marvin Gaye and Diana Ross’ “My Mistake (Was to Love You).” As a producer, Gloria Jones hit the top ten on the disco chart with Gonzalez’s “Haven’t Stopped Dancing Yet.” But as a lead singer, Jones failed to make the pop, r&b or dance charts.
In 1973, while on a trip to the United States, British DJ Richard Searling purchased a copy of a Gloria Jones single from 1965. The A-side was a song called “My Bad Boy’s Comin’ Home,” but it was the B-side that really got Searling’s attention.
Northern soul music (uptempo American soul music in a sixties Motown vein yet without commercial success) had a large cult following in the northern England at that time, and Searling played the Gloria Jones b-side during his sets.
Northern soul fan David Ball loved the song. When he and his musical partner, Mark Almond, who together comprised the duo Soft Cell, were looking for a song to cover, they went with the Jones song, thinking it would be interesting for a synth band to cover a soul tune. Their record label asked them to add guitar, bass and drums to the track, but the duo refused. Despite this, the label put out the singer. Almond told Rolling Stone magazine “We thought if we were really lucky, we’d scrape into the top 75 in Britain. We didn’t think anything would happen over here [in the US].”
Soft Cell’s recording of “Tainted Love” became a smash worldwide. In the US, it spent 43 weeks on Billboard’s Hot 100, a record at that time. Said Gloria Jones of the Soft Cell recording “Their version was far better than mine.”
This week, Tunes du Jour celebrates Throwback Thursday with twenty great tunes from 1982, kicking off with Soft Cell’s version of “Tainted Love,” but first, check out Gloria Jones’ original:
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A Hint Of Mint – Volume 45: I’m Givin’ You Back A Good Time
New wave? Check. Eighties alternative? Check. Seventies power pop? Check. Alright, then. Let’s do this!
Artists include Frankie Goes to Hollywood, R.E.M., and Joe Jackson.
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A Hint Of Mint – Volume 41: Alone On Valentine’s Day
A playlist for anybody who has ever spent a Valentine’s Day alone, whether that made (makes) him/her/you feel lonesome, thrilled, vengeful or apathetic.
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