Thirty more holiday tunes!
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Tunes Du Jour Presents 2004
While 2004 may not be remembered as a revolutionary year in music history, it certainly left its mark with a diverse range of sounds that reflected the changing trends of the early 2000s. From catchy pop anthems to rock revival and emerging indie scenes, the year offered a solid foundation for the musical directions that would unfold in the years to come.
In the realm of pop and R&B, established stars and newcomers alike dominated the charts. Britney Spears continued her reign with the provocative “Toxic,” while Usher’s infectious club anthem “Yeah!” featuring Ludacris and Lil’ Jon became a dance-floor staple. Gwen Stefani made a successful foray into solo artistry with “What You Waiting For?”, blending pop with a hint of electronic edge. These tracks, along with hits from Destiny’s Child and Ciara, exemplified the slick production and catchy hooks that defined mainstream music of the era.
Hip-hop saw significant releases from both veterans and newcomers, showcasing the genre’s versatility. Snoop Dogg teamed up with Pharrell Williams for the minimalist masterpiece “Drop It Like It’s Hot,” while Kanye West’s “Jesus Walks” stood out for its bold lyrics and gospel influences, hinting at his future influence on the genre. In the UK, The Streets and Dizzee Rascal pushed the boundaries of British hip-hop with “Dry Your Eyes” and “Fix Up, Look Sharp” respectively, bringing grime to a wider audience.
Rock music in 2004 was marked by a resurgence of garage rock and post-punk influences. Green Day found renewed relevance with their politically charged “American Idiot,” perfectly capturing the frustrations of the early 2000s. Franz Ferdinand’s “Take Me Out” and The Killers’ “Somebody Told Me” brought angular guitar riffs and danceable rhythms to the forefront, becoming surprise radio hits. The Libertines’ “Can’t Stand Me Now” and The Darkness’ “I Believe in a Thing Called Love” added to the garage rock revival energy. Meanwhile, indie rock had its moment with Arcade Fire’s debut album “Funeral,” offering sprawling, emotional soundscapes with tracks like “Neighborhood #1 (Tunnels).”
Beyond the mainstream, 2004 offered glimpses of what was to come in the music world. Tracks like “Slow Hands” by Interpol and “The Rat” by The Walkmen showcased the growing popularity of darker, moodier sounds that would define the latter part of the decade. Modest Mouse gained mainstream attention with “Float On,” while Yeah Yeah Yeahs pushed the boundaries of alternative rock.
In retrospect, 2004 wasn’t a year that rewrote the rulebook of music, but it was a period that gave us a diverse range of memorable tracks. From pop to hip-hop, rock to indie, the year’s music scene was a reflection of a time when genres were both distinct and increasingly willing to blur their boundaries. It provided a soundtrack rich in diversity and creativity, setting the stage for the musical evolution that would follow in subsequent years.
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Your (Almost) Daily Playlist (11-11-20)
Inspired by the November 11 birthdays of XTC’s Andy Partridge, LaVern Baker, Wu-Tang Clan’s U-God, Marshall Crenshaw, Stubby Kaye, Peaches, Mose Allison, Raveonettes’ Sharin Foo, Dennis Coffey, Chris Smither, Static Major, The Ides of March’s Jim Peterik, and The Blasters’ Dave Alvin.
Your (Almost) Daily Playlist (7-6-20)
Inspired by the passings of Ennio Morricone and Charlie Daniels and the July 6 birthdays of 50 Cent, Wu-Tang Clan’s Inspectah Deck, Das Racist/Swet Shop Boys’ Heems, Bill Haley, Gene Chandler, Weather Girls’ Izora Armstead, Jet’s Nic Cester, Jennifer Saunders, and Sylvester Stallone.
The Unsung Genius Of Billy Preston
Today is the birthday of the late, great Billy Preston. You may be familiar with his #1 hits “Will It Go Round in Circles” and “Nothing from Nothing.” Preston has many more accomplishments on his resume. Here are ten things you may not know about him:
1. He is the only person to be given a featuring credit on a Beatles single. The #1 smash “Get Back” and its b-side, “Don’t Let Me Down,” also a top 40 hit, were credited to The Beatles with Billy Preston. He also played on the band’s Abbey Road, Let It Be and self-titled albums (the latter often referred to as The White Album) and in their famous final rooftop concert. At one point John Lennon suggested having Preston become one of The Beatles.
2. He played on several albums by The Rolling Stones, including Exile on Main Street, Sticky Fingers, Tattoo You, It’s Only Rock‘n Roll and Goats Head Soup.
3. In 1958, twelve-year-old Preston played “Father of the Blues” W.C. Handy as a child in the Handy biopic St. Louis Blues.
4. At age 15 Preston joined Little Richard’s band.
5. In 1967 Preston joined Ray Charles’ band.
6. He played on Sam Cooke’s final studio album, the critically-acclaimed Night Beat. Preston was 16 years old at the time.
7. Other artists on whose records Preston played include Barbra Streisand, Elton John, Peter Frampton, Eric Clapton, MeShell NdegéOcello, Joni Mitchell, Jet, Neil Diamond, Sly & the Family Stone, Aretha Franklin, Red Hot Chili Peppers, Luther Vandross, the Everly Brothers, and Johnny Cash.
8. Preston co-wrote “You Are So Beautiful,” a top five single for Joe Cocker in 1975.
9. It has been written that Stephen Stills got the expression “If you can’t be with the one you love, love the one you’re with” from Preston. (Some reports say it was Doris Troy who gave Stills that phrase.)
10. George Harrison wrote and co-produced “My Sweet Lord” for Preston. It appeared on Billy’s 1970 Encouraging Words album, released on The Beatles’ Apple Records. Harrison went on to record his own version of the song for his All Things Must Pass album, on which Preston played. Perhaps you’ve heard the Harrison version.
11. Preston introduced George Harrison to a woman named Olivia Arias, who worked at A&M Records, for whom Billy recorded after he left Apple. Arias soon became Olivia Harrison.
12. So impressed by Preston’s music was Miles Davis that the jazz legend recorded a song called “Billy Preston” for his 1974 album Get Up With It.
13. Preston’s primary instrument was the organ. The first time he played the clavinet was on his hit “Outa-Space,” which reached #2 on the pop charts. The first time he played the Arp synthesizer was on his hit “Space Race,” which reached #4 on the pop chart.
14. Preston’s singles “Will It Go Round in Circles,” “Nothing from Nothing,” “Outa-Space” and “Space Race” each sold over one million copies in the United States alone.
15. As a solo artist Preston had ten top 40 hits on Billboard’s R&B chart.
16. Preston played Sgt. Pepper in the ill begotten film Sgt. Pepper’s Lonely Hearts Club Band, one of my favorite bad movies. In the film he sings “Get Back” to Billy Shears, played by Peter Frampton, just after Shears jumped off of a roof to kill himself. Perhaps I should have written SPOILER ALERT, but you can’t spoil something that stinks to begin with.
17. In 1972 Preston became the first rock performer to headline at New York’s Radio City Music Hall.
18. Preston was a musical guest on the first episode of Saturday Night Live.
19. Preston started playing piano and singing church. About being gay in the church, Preston told writer David Ritz “In the community outside the church, gay men were called sissies. There was zero tolerance. But inside the church, a lot of music was created by gay men. It was almost a tradition. Everyone knew that my mentor James Cleveland, who became the King of Gospel, was gay….So many of the other major figures – like Professor J. Earle Hines out of Los Angeles and Professor Alex Bradford out of Chicago – were gay. Mahalia [Jackson] surrounded herself with gay men her entire life. In the neighborhood they made you ashamed of being gay, but in the church you were almost proud to be part of the gay elite of musicians.”
20. Preston died on June 6, 2006, from complications from malignant hypertension. He was 59 years old.
Here are twenty of the many highlights of Billy Preston’s recording career:
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Happy Australia Day – Twenty Australian Music Acts You Should Know
Today is Australia Day, unless you are in Australia, in which case it was yesterday, because by the time I post this it will be tomorrow there, which is their today but our tomorrow. Therefore, our today is Australia Day, which makes no sense, really, as the holiday is celebrated in Australia, where, as I pointed out, today is tomorrow, the day after Australia Day.
Australia Day commemorates the day the British proclaimed sovereignty over the eastern seaboard of the country/continent, or at least that’s what someone entered in Wikipedia.
Today’s playlist is made up of twenty acts that hail from Australia. Before anyone asks, AC/DC’s music is not on Spotify, hence their exclusion.
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