Ringo + Sam Fox

It’s Samantha Fox’s Birthday And I Need To Dance!

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In 1982, Carole Ann Wilken of London sent photos she took of her 16-year-old daughter wearing lingerie to the newspaper The Sunday People as part of an amateur modeling contest. The girl, Samantha, placed second. Newspaper The Sun took note of the pics and, with her parents’ permission, soon published topless photos of the teenager on page three of the paper. News. England.

Before long Samantha Fox became a household name in the United Kingdom. In 1986 she released the single “Touch Me (I Want Your Body),” which went to #1 in 17 countries. In the U.S. it peaked at #4.

Her music career graced us with four top 40 hits stateside and nine in her home country. England.

For my money, her best single is easily 1989’s “I Wanna Have Some Fun,” which hit #8 in the U.S., but only reached #63 in the U.K. It was her last solo single to chart there.

In 2009, Fox announced her engagement to her longtime girlfriend/manager, Myra Stratton. Stratton lost her battle with cancer last summer.

Ringo + Sam Fox
Today Tunes du Jour celebrates the 50th birthday of Samantha Fox. Our party playlist should kick off with her best track, “I Wanna Have Some Fun.” However, that track is not on Spotify. Spotify. England. Sheesh.


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bird001

It’s Draw A Bird Day And I Need To Dance!

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From the Draw a Bird Day website:
In 1943, Dorie Cooper was a 7 year old living in England. Her mother took her to a hospital in to visit her uncle who was wounded in the war. While they were there, Dorie’s uncle was very distraught, having lost his right leg to a land mine. In an attempt to cheer him up, she asked him “Draw a bird for me, please” Even though he was unwell, he decided to do as Dorie asked. He looked out his window and drew a picture of a robin.

After seeing her uncle’s bird picture, Dorie laughed out loud and proclaimed that he was not a very good artist, but that she would hang the picture in her room nonetheless. Her uncle’s spirits were lifted by his niece’s complete honesty and acceptance. Several other wounded soldiers also had their day brightened by the event and every time Dorie came to visit thereafter, they held drawing contests to see who could produce the best bird pictures. Within several months, the entire ward’s walls were decorated by bird drawings.

3 years later, Dorie was killed after being struck by a car. At her funeral, her coffin was filled with bird images that had been made by soldiers, nurses and doctors from the ward where her uncle had been. Ever since then, those men and women remembered the little girl that brought hope to the ward by drawing birds on her birthday, April 8th.

Draw a Bird Day was never declared an official holiday, but it grew through those soldiers and medical personnel and their families. Today, it is celebrated world wide as a way to express joy in the very simplest of things in life and as a way to help soldiers everywhere forget war and suffering even if only for a short time.

bird001This blogger’s drawing of a bird

After you draw your bird, continue expressing joy through dance. Tunes du Jour’s weekly dance party kicks off with The Time.


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Throwback Thursday – 1991

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“It was a 5-minute song with no chorus and a mandolin as the lead instrument. So for us to hold that as the bar we have to jump over every time we write a song would be ridiculous.”

In the summer of 1990, R.E.M. demoed a song in the studio with the working title of “Sugar Cane.” The band’s guitarist, Peter Buck, had recently purchased a mandolin and while learning how to play it, came up with the song’s main riff and chorus.

Lyrics about obsession and unrequited love were added, including an expression from the southern part of the United States that means “being at the end of one’s rope.” That expression became the song’s new title. The band’s singer, Michael Stipe, recorded his vocals in one take.

Though in the liner notes the R.E.M.’s career retrospective, Part Lies, Part Heart, Part Truth, Part Garbage 1982-2011, Stipe wrote “I don’t think any of us had any idea it would ever be … anything,” the group wanted it to be the first single released from their album Out of Time. Their record label, Warner Bros., didn’t think that was a good idea, as it was, in the words of one of the company’s executives, an “unconventional track.” After much discussion, Warner relented.

That record, with the title “Losing My Religion,” went to #4 on Billboard’s Hot 100 and became a smash worldwide. The album from which it was taken, Out of Time, sold over 18 million copies, far more than any of their previous releases.

Out of Time won the Grammy Award for Best Alternative Music Album and was nominated for Album of the Year. “Losing My Religion” won Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video and was nominated for Record of the Year and Song of the Year, which it lost to “Unforgettable,” which was written in 1951.

When asked at the time if he was worried that the song’s success might alienate older fans, Peter Buck told Rolling Stone, “The people that changed their minds because of ‘Losing My Religion’ can just kiss my ass.”

“Losing My Religion” made Rolling Stone’s list of the 500 Greatest Songs of All Time, VH1’s list of the 100 Greatest Songs of the 90s, Blender’s list of The 500 Greatest Songs Since You Were Born, and The Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll. On their annual music critics poll, the Village Voice had “Losing My Religion” as the #2 single of 1991, just behind Nirvana’s “Smells Like Teen Spirit.”

For this Throwback Thursday, Tunes du Jour presents twenty of the best tracks from 1991. (I didn’t include “Smells Like Teen Spirit” because I base this not on year of release, but on the year a song peaked in popularity. “Smells Like Teen Spirit” hit the top ten on the Hot 100 in 1992.)


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100 Greatest Artists

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Last week my close friend Laura forward to me a link to Rolling Stone magazine’s “100 Greatest Artists” and asked for my impression.

My 100 Greatest Artists list includes many of the same acts as Rolling Stone’s list; however, there is a large handful of acts on my roll that are not on that publication’s slate.

I won’t disparage their choices (but seriously, Aerosmith at #59?). Instead, I will share with you music from twenty artists that made my roster but are not among Rolling Stone’s top 100.

Feel free to share your choice acts in the Comments section.


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Throwback Thursday – 1999

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Eminem has often been accused of being homophobic. Maybe it’s because he rapped “I’ll still be able to break a motha-fuckin’ table over the back of a couple of faggots and crack it in half.” Maybe it’s because he rapped “My words are like a dagger with a jagged edge / That’ll stab you in the head whether you’re a fag or lez.” And “All you lil’ faggots can suck it / No homo, but I’ma stick it to ’em like refrigerator magnets.” And “Little gay-looking boy / So gay I can barely say it with a straight face-looking boy / You witnessing massacre like you watching a church gathering taking place-looking boy / ‘Oy vey, that boy’s gay,’ that’s all they say looking-boy / You take a thumbs up, pat on the back, the way you go from your label every day-looking boy.” And “You fags think it’s all a game.” Anyone can see how the artist born Marshall Mathers got labeled a homophobe, even if he pretends he doesn’t see it.

So it’s ironic that in his first hit single, the song that put him on the map and into the international consciousness, the music bed is based around a sample from an openly gay singer-songwriter.

“My Name Is” became Eminem’s first single to crack the Billboard Hot 100, peaking at #36. Its music is taken from a 1975 release called “I Got the…,” written and performed by Labi Siffre. Siffre, who was born in England in 1945, says he knew he was gay since age four. He met his life partner, Peter John Carver Lloyd, in 1964. They remained a couple for 49 years, until Lloyd’s death in 2013.

Before Siffre would allow Eminem to use the sample, he made the rapper change some of the words on “My Name Is.” The lyric “My English teacher wanted to have sex in junior high / The only problem was, my English teacher was a guy” became “My English teacher wanted to flunk me in junior high / Thanks a lot, next semester I’ll be 35.” The lyric “Extraterrestrial killing pedestrians, raping lesbians while they’re screaming, ‘Let’s just be friends!’” became “Extraterrestrial running over pedestrians in a spaceship while they’re screaming, ‘Let’s just be friends!’”.” Said Siffre, “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims. I denied sample rights till that lazy writing was removed. I should have stipulated “all versions” but at that time knew little about rap’s “clean” & “explicit” modes, so they managed to get the lazy lyric on versions other than the single and first album.”

For Throwback Thursday this week, Tunes du Jour revisits some of the musical highlights of 1999, kicking off with Eminem’s “My Name Is.”


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Throwback Thursday – 1989

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During the February 22, 1989 telecast of the Grammy Awards, Pepsi premiered a thirty-second spot that featured a new song by Madonna, “Like a Prayer.” It was the first time a major artist’s new single was used in a television commercial prior to being released to radio or record stores.

The following week, a two-minute version of the commercial aired during The Cosby Show, at the time a highly-rated program starring America’s favorite dad, Bill Cosby. The ad, part of a $5 million endorsement deal Pepsi struck with Madonna that also included tour sponsorship, featured Madonna dancing in the street, in a school hallway, and in a church.

The song’s music video premiered the following day on MTV. In the video, Madonna witnesses the murder of a white girl by white supremacists. A black man gets arrested for the killing. Madonna seeks refuge in a church, where she has a dream that includes stigmata on her hands, kissing a black saint, and dancing in front of burning crosses.

The Vatican and other religions organizations condemned the video and threatened a protest against Pepsi products. Pepsi dropped its sponsorship of Madonna, never again aired the television spot, and let Madonna keep the $5 million they paid her.

“Like a Prayer” became Madonna’s seventh #1 pop hit in the United States. It also topped the charts in the United Kingdom, Australia, Canada, the Netherlands, Sweden, Japan, Italy, Spain, Norway, Denmark, Finland, Ireland, New Zealand, Belgium, and Switzerland.

“Like a Prayer” won the Viewers Choice award at the 1989 MTV Music Video Awards, a program that incidentally was sponsored by Pepsi. In her speech, Madonna said “I would really like to thank Pepsi for causing so much controversy.”

Tunes du Jour’s playlist this Throwback Thursday spotlights the year 1989, and kicks off with Madonna’s “Like a Prayer.”


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Throwback Thursday – 1990

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Take a DJ from the Ukraine, a style icon from Ohio, a graphic arts student from Tokyo, three legendary funk musicians from James Brown’s band, a homophobic rapper named after a personal hygiene implement, and a reference to a Dr. Seuss book, and you have the single that was named the best of 1990 by the Village Voice and New Music Express and the second best dance record of all-time (after Donna Summer’s “I Feel Love”) by Slant magazine.

The song is “Groove is in the Heart,” and it kicks off this week’s Throwback Thursday playlist, in which we’ll hear twenty of the best hits of 1990.


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It’s Sia’s Birthday And I Need To Dance!

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The Guardian described Sia’s “Chandelier” as “a warning about the pitfalls of a party lifestyle.” About the song, MTV News wrote “Sia serves party-girl darkness, toeing the line between celebration and self-destruction as it becomes increasingly more blurred.” Now sober, the singer/songwriter struggled with alcoholism in the past. She told NPR “I wrote [“Chandelier”] because there’s so many party-girl anthems in pop, and I thought it’d be interesting to do a different take on that.”

Friday is dance day at Tunes du Jour. Our weekly party kicks off with “Chandelier,” co-written and performed by Sia, who turns 40 years old today.


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It’s Jay-Z’s Birthday And I Need To Dance!

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Back in July of this year, Morrissey, who used to make news for his music, posted on fan site True to You that a Transportation Security Administration official at the San Francisco International Airport touched his junk (i.e. his genitals, not his recently-published novel, List of the Lost). This week, Morrissey continued the one-sided conversation, saying about the TSA “It is unlikely that ISIS would stoop so low.” ISIS, the Islamic State of Iraq and Syria, frequently makes the news for bombings, shooting people, beheading people, and throwing people off of buildings to their death, among other things. All horrible things, to be sure, but not as horrible as having someone touch your testicles. Morrissey for president! Oh, wait – he’s British. Darn!

This week Thom Yorke of Radiohead compared YouTube to Nazis, as YouTube makes its money from the work of artists, “like what the Nazis did during the Second World War.” He asked “What’s the difference?” Hmmm…I’m stumped. What is the difference between the political party that put Jews, homosexuals, Africans, the disabled and Jehovah’s Witnesses into concentration camps and murdered eleven million of them and the Internet site that gave people the opportunity to watch and share “Gangnam Style?” You’re right, Thom. There is no difference. YouTube are monsters! Thom Yorke for president! Oh, wait – he’s British. Darn!

Though Morrissey and Yorke cannot run for president of the United States of America, they remind me of someone who can and is running for president, Dr. Ben Carson. Carson said that the Affordable Care Act is “the worst thing that has happened in this nation since slavery.” He’s right! One consisted of being kidnapped from one’s home, separated from one’s family, shackled, treated as someone else’s property, being forced to work in inhumane conditions, and being abused, while the other provides Americans with health insurance. I bet you don’t know which one is which! They’re practically the same thing! Ben Carson for president! Oh, wait – he’s a fucking moron. Darn!

Until one of these geniuses becomes president, or until YouTube puts me in a camp, a TSA agent throws me off a building or Blue Shield forces me to pick their cotton, I’m going to keep on dancing. Tunes du Jour’s weekly dance party kicks off with Beyoncé’s “Déjà Vu,” which features Jay-Z, who turns 46 today.


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