Your (Almost) Daily Playlist: 12-10-23
“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there.
Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.
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Your (Almost) Daily Playlist: 6-16-23
Back in 2016, when Donald Trump was a candidate for president of the United States of America without impeachments and indictments on his resume, the classic song “Love Train” was played at the Republican National Convention. The O’Jays were not supportive of this use of their hit. Group member Walter Williams said “Our music, and most especially ‘Love Train,’ is about bringing people together, not building walls. I don’t appreciate being associated with Mr. Trump and his usage of our music without permission.” Added group member Eddie Levert, “I don’t agree, whatsoever, with Trump’s politics to the point where I think he just may be the anti-Christ.”
The O’Jays’ Eddie Levert turns 81 today. A few of his group’s hits are included on today’s playlist.
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Your (Almost) Daily Playlist: 8-20-22
Today’s playlist celebrates the August 20 birthdays of Isaac Hayes, Led Zeppelin’s Robert Plant, Kraftwerk’s Ralf Hütter, Thin Lizzy’s Phil Lynott, Boogie Down Productions’ KRS-One, Hawkwind’s Dave Brock, John Hiatt, Pantera’s Dimebag Darrell, The Knack’s Doug Fieger, The Seeds’ Sky Saxon, Jim Reeves, Limp Bizkit’s Fred Durst, Demi Lovato, and Nikki & Rich’s Nikki Leonti.
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Throwback Thursday: 1971
I recently read a book about the music of 1971. It was pretty bad. I should have been clued off seeing that the book derived its title from the name of a Rod Stewart album that came out in…1972. The author and I agree that 1971 was a great year for music, though he focused mainly on white acts. Marvin Gaye’s What’s Going On, recently named the number one album of all-time in Rolling Stone, was dismissed as being overrated due to white guilt, something the author clearly doesn’t feel. I humbly suggest that the playlist below shows more of the greatness (and diversity) of 1971’s music than this book.
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