Your (Almost) Daily Playlist: 11-26-23

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Superstar producer Phil Spector went to see Ike Turner. He told Ike that he wanted to record a song with Tina that would become a number one smash on the pop charts and break them bigger. However, Ike could have nothing to do with the recording. Ike agreed, provided his name was still on the record label, which led to the awkwardly phrased Ike & Tina Turner featuring Tina. The track, “River Deep—Mountain High,” was recorded over five sessions. At various times during the recordings, studio guests included Mick Jagger, Brian Wilson, and Dennis Hopper. After subjecting Tina to take after take, Spector finally got what he wanted. He knew he had a smash on his hands.

In the US, the single debuted on the Hot 100 at number 98. The following week it was up to number 94. The next week, number 93. Then number 88. And that was that. Its chart run was over. In the UK the record went to number 2, but that wasn’t enough to satisfy Spector, who retreated from music production for the next couple of years.  

The late great Tina Turner was born on this date in 1939. Lots of Tina on today’s playlist.

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The Adventures Of Grandmaster Flash On The Wheels of Steel

by with One Comment playlists

“Today is Grandmaster Flash’s birthday and schools are closed. Thank you, President Obama.”
– Chris Rock

My plan was to write a post about how great “The Adventures of Grandmaster Flash on the Wheels of Steel” is, but the website Songfacts expressed it perfectly, so I’ll reprint what they wrote:

Folks born after the dawn of Hip-Hop will probably read about this song, listen to it, and wonder what all the fuss is about. After all, it’s just a bunch of dance songs mixed together, and it’s kind of a harsh mix. The big deal is that it was the first song ever made by chopping up pieces of other songs and connecting them in a way to create a new track. It introduced sampling, and spotlighted the cutting and scratching techniques that were the hallmarks of early Hip Hop. Today, any kid can easily make something like this with software that probably came preloaded on his computer, but in 1981, it required 2 turntables and some serious beatmixing skills. Grandmaster Flash was a DJ, not a rapper, and he had been performing in New York city since 1976, often as the entertainment at parties. His art was in figuring out how to mix songs together using their breakbeats, so the music would keep going. He was also one of the first to do scratching, which was moving the record back and forth on the turntable, which made the transitions a lot easier.

There was no editing on this track – Grandmaster Flash did it live in the studio after mapping out his cuts. He would put marks on the labels of his records so he would know when to bring the next one in, which is something he learned playing years of parties. It took him a few takes to get all his cues in the right place, but the end result at the time sounded like perfection. In the era of remixing and editing, every beat can be scrutinized and altered, but considering what Flash accomplished with what he had to work with, it was remarkable and extraordinary. It also demonstrated what you would hear at one of his live performances.

Today’s playlist is inspired by this old school hip-hop classic.