Produced by Mike Chapman

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You may not know the name Mike Chapman. Then again, maybe you do. Chances are I don’t know you, so I have no idea what familiarity you may have with the name Mike Chapman. Even if I do know you, I don’t know everything that you know. I mean, I don’t know how much familiarity you have on certain subjects. Of course, you know things I don’t. Where am I going with this? I forgot. I’ll start over.

Mike Chapman. Even if you don’t recognize the name, chances are you recognize his hit songs. He produced Blondie’s Parallel Lines album. He produced Get the Knack. He produced lots more, some of his earlier efforts with his former business partner Nicky Chinn. The Chapman-Chinn team is also credited with writing many hit songs, as is Chapman without Chinn. Have you ever heard Toni Basil’s “Mickey?” Of course you have. It was written by Chapman and Chinn. Do you know Tina Turner’s “Better Be Good to Me?” That was written by Chapman and Chinn with Holly Knight.

Today’s playlist consists of nineteen songs on which Mike Chapman has a production credit, with Sweet’s “Ballroom Blitz” as a bonus track. Chapman didn’t produce that, though he and Chinn wrote it, as they did Sweet’s hit “Little Willy.” I love both of those records! Chapman and Chinn also wrote but didn’t produce the Huey Lewis and the News hit “Heart and Soul.” It’s no “Ballroom Blitz.” If you want to listen to it, you’re on your own.

Today may be Mike Chapman’s birthday. Then again, maybe it isn’t. It depends on what website you look to to get your information. Either way, the man is responsible for so many great hits, and that’s reason enough to post a playlist of some of his finest work (plus Rod Stewart’s “Love Touch,” which Rod agrees isn’t his finest, but whatevs). Included are the original versions (produced by Chapman) of the previously-mentioned hits for Toni Basil and Tina Turner.

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RPJ + Winston

It’s Ray Parker, Jr.’s Birthday And I Need To Dance!

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“Which song is better – ‘Ghostbusters’ or ‘Total Eclipse of the Heart?’”

That question was posed by a co-worker. Are you fudgetown kidding me? It’s like asking “Which movie is better – The Godfather or Paul Blart-Mall Cop 2?”

Okay. That comparison is unfair. “Total Eclipse of the Heart” is far more enjoyable than Paul Blart-Mall Cop 2. I haven’t seen Paul Blart-Mall Cop 2, but I’m confident that “Total Eclipse…” is funnier. “I don’t know what to do, I’m always in the dark / We’re living in a powder keg and giving off sparks.” Ha! And how ‘bout dem sleigh bells?!? How many other summer hits employed sleigh bells?

So yes, I love “Total Eclipse of the Heart,” because it’s so delightfully awful. “Ghostbusters,” on the other hand, is genius. If you were called to write the theme song for a Bill Murray/Ernie Hudson feature film entitled Ghostbusters, would you turn in “Ghostbusters” or “Total Eclipse of the Heart?” Exactly!

RPJ + Winston
“Ghostbusters” is so danged catchy. A lot of people thought so. Huey Lewis thought so. Lewis accused Parker, Jr. of ripping off the Huey Lewis and the News hit “I Want a New Drug” for the melody of “Ghostbusters.” I hear a similarity, but to me it’s like “Hey, Ray – there’s a shitty song called ‘I Want a New Drug.’ Can you make it better, please?” And he did.

“I Want a New Drug” isn’t even fun bad. “I want a new drug – one that won’t make me sick / One that won’t make me crash my car, or make me feel three feet thick.” Really? Did someone misplace their rhyming dictionary?

“Ghostbusters” has no clumsy lyrics. It’s all very efficient. “Who you gonna call? Ghostbusters! Who you gonna call? Ghostbusters! I think you better call. Ghostbusters! Ha ha. Who you gonna call? Ghostbusters! I can’t hear you. Who you gonna call? Ghostbusters! Louder! Ghostbusters! Who you gonna call? Ghostbusters! Who can you call? Ghostbusters! Who you gonna call? Ghostbusters! Ha ha ha. Uh, it likes the girls, too. Ghostbusters!” Then fade, way too soon if you ask me.

“Ghostbusters” was nominated for an Oscar for Best Original Song, but it lost to Stevie Wonder’s “I Just Called to Say I Love You,” a far shittier song than “Total Eclipse of the Heart” and “I Want a New Drug.” I’m not going to quote any lyrics from “I Just Called…,” as I’m pissed off that someone wrote and recorded that atrocity and then Motown stuck Stevie Wonder’s name on it. There’s no way the man who wrote “Maybe Your Baby” also wrote “I Just Called….” By the way, who plays guitar on Stevie Wonder’s “Maybe Your Baby?” Ray Parker, Jr.

Today is Ray Parker, Jr.’s 61st birthday. His hits, solo and with his band Raydio, include “A Woman Needs Love (Just Like You Do),” “Jack and Jill,” “You Can’t Change That” and “The Other Woman.” He also wrote or co-wrote hits for Rufus featuring Chaka Khan and New Edition and has appeared on records by Aretha Franklin, The Carpenters, Barry White, Bill Withers, Deniece Williams, yes I said The Carpenters, The Temptations, Spinners, Boz Scaggs, Gladys Knight and the Pips, Tina Turner, Herbie Hancock, Diana Ross, Cheryl Lynn, LaToya Jackson and Jack Wagner. Jack Wagner. Hey, Jack Wagner – who you gonna call? Ray Parker, Jr.

Our weekly dance party kicks off with Parker, Jr.’s most beloved song, “Ghostbusters.” Try dancing to Bonnie Tyler’s “Total Eclipse of the Heart.” You can’t! Another point for “Ghostbusters.” (Let’s not discuss Nicki French’s hi-NRG remake of “Eclipse” at this time.)


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