Your (Almost) Daily Playlist: 12-31-23

The year after I graduated from college I moved out of my parents’ house into my own apartment in Woodbridge, New Jersey, where I lived for two years before moving into Manhattan. Woodbridge was no great shakes, though there was one cool thing about it. Around the corner from me was an independent record store whose name I will never recall. Always on the hunt for new music, I would spend hours there flipping through the racks. It was on one of those occasions, in 1986 or ’87, that I chanced upon an album named Let It Be. I already had an album at home called Let It Be by a different band, and that one was pretty good, so I figured I’d take a chance on this Let It Be. It’s by a band named The Replacements, and while I had never heard their music, I did recall reading positive things about them in the music press. I splurged the $9 + tax on the still sealed vinyl LP, took that baby home, and have never looked back. I now own every album ever released by The Replacements in triplicate plus one (is that called quadruplicate?), not because I’m an obsessive, but because I worked for their record company. And because I’m an obsessive.

The Replacements’ Paul Westerberg was born on this date in 1959. A few of the band’s earlier recordings are included on today’s playlist.

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Your (Almost) Daily Playlist: 11-18-23

In early 1980 newspaper The Village Voice published the results of its poll of 155 music critics. Voted the best album of 1979 was Graham Parker & The Rumour’s Squeezing Out Sparks. The rest of the top ten was:

Neil Young – Rust Never Sleeps

The Clash – The Clash

Talking Heads – Fear of Music

Elvis Costello – Armed Forces

Van Morrison – Into the Music

The B-52s – The B-52s

Tom Petty & the Heartbreakers – Damn the Torpedoes

Pere Ubu – Dub Housing

Donna Summer – Bad Girls                                                                                                                                                                  Graham Parker was born on this date in 1950. A handful of his songs are included on today’s playlist.

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Your (Almost) Daily Playlist: 6-5-23

“Pretty In Pink,” The Psychedelic Furs’ 1981 song about a woman named Caroline who sleeps with different men who mock her for being so “loose,” became the title song to a 1986 movie scripted by John Hughes about a teenager named Andie who “must choose between the affections of dating her childhood sweetheart or a rich but sensitive playboy.” I pulled that from IMDB, as I’ve never seen the movie. At the time of this movie’s release I had already seen two other movies based on Hughes scripts, Sixteen Candles and The Breakfast Club, both of which he also directed, and didn’t care much for either, the performances of Molly Ringwald and Anthony Michael Hall notwithstanding. (Make that three previous Hughes scripts. Looking at IMDB, I notice that he wrote Class Reunion, a movie I saw only because my dad was an investor in it. It wasn’t good.) I’ll give Hughes this – the music used in his films was, for the most part, winning. So while the song “Pretty In Pink” resembles the storyline of the movie Pretty In Pink as much as I resemble Janelle Monae, it is a good one.

The Psychedelic Furs’ Richard Butler turns 67 today. A couple of his bands songs are included on today’s playlist, including the original mix of “Pretty In Pink.”

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