Today is Moby’s birthday. A buncha Moby tracks are included on today’s playlist.
Your (Almost) Daily Playlist: 12-25-23
Along with a handful of other folks, I was invited to a friend’s home today for a celebration, which I can only assume is in honor of the birthday today of Nicolas Godin of the French duo Air. Nicolas provides vocals and plays keyboards, bass, and guitar, or should I say Air guitar. Man, I’m funny!
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Your (Almost) Daily Playlist: 7-31-23
You’ve Come A Long Way, Baby by Fatboy Slim holds the Guinness World Record for the most significant number of samples used on a single album, with more than 60.
FatBoy Slim was born Quentin Cook on this date in 1963. A few of the classics from his You’ve Come A Long Way, Baby album are among the tunes in today’s playlist.
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It’s Alison Goldfrapp’s Birthday And I Need To Dance!
Translated literally, the French expression “ooh la la” means “Oh there there.”
Per About.com, “ooh la la” is an interjection that “can indicate surprise, disappointment, commiseration, distress, annoyance… any moderately strong reaction to something that was just said or done. Note that there is no connotation of sexiness or impropriety in French.”
Per UrbanDictionary.com, “ooh la la” is “a universally understood way of saying ‘check out that hot piece of ass.’” I detect a slight connotation of sexiness and impropriety.
Per OxfordDictionaries.com, “ooh la la” is “used to express surprise or excitement” or “to convey a sexual innuendo.”
The music duo Goldfrapp, made up of Alison Goldfrapp and Will Gregory, released a single called “Ooh La La” in 2005. Written by the duo, the song tells of Alison’s lust for someone without a romantic component.
Goldfrapp’s “Ooh La La” became their first top ten pop single in the UK and their third #1 on the US dance chart. It was nominated for a Grammy Award for Best Dance Recording, and Rolling Stone magazine placed it at #10 on their list of the year’s best singles.
Today, Alison Goldfrapp turns 50 years old. Tunes du Jour’s weekly dance party is heavy on her group’s music, kicking off with “Ooh La La.”
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It’s Q-Tip’s Birthday And I Need To Dance!
Here’s the thing…I started writing today’s blog entry about mishaps I’ve recently encountered in on-line dating, specifically with an app I downloaded last week that despite my creating a profile that says I’m a man looking for a man, keeps trying to set me up with straight guys. I tied that into today’s birthday, Q-Tip from A Tribe Called Quest, by saying he’s one straight guy who wouldn’t date me. I quoted lyrics from Tribe’s song “Georgy Porgy.” While I was typing those lyrics, my stomach turned. I had trouble finding the humor in a song that refers to a gay guy as gross, ill, a fag, wounded, weak, a fucking faggot, and then some. The post started out funny but when I got to Q-Tip’s lyric “You can call me homophobic but I know it and you know it/ you’re filthy and funny to the utmost,” I decided I may be funny, but he isn’t, nor is he worth celebrating.
Odd that such a hateful bigot should appear on a record by Deee-Lite, a trio of gay and gay-friendly performers. Q-Tip appears on a lot of good records.
Friday is dance day at Tunes du Jour. Today’s playlist doesn’t celebrate the loathsome Q-Tip, but rather twenty great club tracks, a few of which feature Q-Tip. I’ll fill you in on my dating app experiences later.
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The Problem With Music Streaming Exclusives | It’s Florence Welch’s Birthday And I Need To Dance!
Dr. Dre recently released a new album, Compton. If you want to stream it, the only place to do so is on Apple iTunes’ new streaming service, Apple Music.
Prince announced that his new album would be available for streaming exclusively on Tidal.
Both Apple Music and Tidal charge monthly subscription fees. Unlike paying a monthly subscription fee to HBO and Showtime, thereby giving you access to exclusive content on each network, the majority of material on Tidal is also on Apple Music. If you pay for Apple’s service, is it worth paying an additional amount to Tidal just to hear Prince and see a few behind the scenes videoclips?
The situation reminds me of what happened in the late 1990s. Record companies stopped releasing commercial singles, so if a consumer wished to own, say, “Tubthumping,” that consumer had to purchase a Chumbawamba CD for $18.98. “Tubthumping” is a great song, but is it $18.98 great? Yes, you get other songs on the album, but be honest – it’s all about “Tubthumping.”
It turns out an alternative appeared – illegal downloading. Consumers rebelled against being forced to pay $18.98 to get that one song they wanted, so they found a copy of it on the Internet for free. And while browsing the store known as the World Wide Web, they found some other selections that they felt were well worth the price of nothing.
Many folks want to hear the new Dr. Dre album. Many folks will want to hear the new Prince album. Many of those folks don’t want to pay for both or either streaming service. Many will download the albums for free from places not owned by Apple of Tidal. The services likely paid Dre and Prince and their record labels a pretty penny for the exclusivity. That’s the only way I can see anyone winning in this scenario, though will those labels win in the long run?
I subscribe to neither Apple Music nor Tidal. I have access to Amazon’s streaming service via my Amazon Prime subscription, but I can’t recommend that streaming service, as their music library is paltry. I use Spotify’s free tier. Its library is a good size and it is convenient. Because it is the most popular streaming service and available to everyone at no fee, I use it for this blog’s playlists.
Spotify isn’t perfect, however. Far from it. Many songs are misidentified and there are far too many cheesy re-recordings of songs in place of the original hit versions. Many of the tracks I’d love to include on our Friday dance playlists – Amii Stewart’s “Knock on Wood,” Club Nouveau’s “Lean on Me,” David Naughton’s “Makin’ It,” Junior’s “Mama Used to Say,” – are not available, save for crappy-sounding covers by the original acts.
Therefore, our weekly dance party doesn’t include any of those (or anything by Prince, who removed his music from Spotify to make his catalogue exclusive to Tidal). However, it does include twenty tunes to get you jumping, kicking off this week with Florence + the Machine, whose Florence Welch turns 29 today.
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It’s Björk’s Birthday And I Need To Dance!
“I think everyone’s bisexual to some degree or another; it’s just a question of whether or not you choose to recognize it and embrace it. Personally, I think choosing between men and women is like choosing between cake and ice cream. You’d be daft not to try both when there are so many different flavors.”
– Björk, Diva Magazine, October 2004
I love cake, but I prefer ice cream. I’m not into vanilla – it’s too…vanilla. I’ll eat it if there are no other options, but I prefer chocolate. I could eat a big dish of chocolate ice cream every night and never tire of it.
However, my favorite flavor is chocolate chip mint. Everything is better with a hint of mint. Chocolate and mint together? If one has that at home there is no reason to ever leave the house.
Dulce de leche is next on my list. Mmm mmm. That sweet caramel makes my tongue so damn happy! Throw a little hot fudge and whipped cream on top and it’s the perfect late night snack to enjoy before dozing off to sleep.
While I prefer ice cream, I enjoy going to a good bakery to check out the cakes. As with ice cream, I love the chocolate cakes. (“Chocolate Cake,” by the way, is the title of an underrated song by Crowded House.)
I like many cakes, but I don’t care for fruity ones. I’m not referring to fruitcake. I have no idea what a fruitcake is; it’s something I’ve heard used as a punchline on Christmas specials, but I don’t think I’ve ever encountered one in real life. I’m referring to cakes that have jelly in them, or strawberries or anything else that may be construed as healthy. It’s a friggin’ cake! Don’t be getting your healthy fruits mixed up in my cake. A banana is welcome, but that’s it. Chocolate and banana is a combination I love. Add a hint of mint and I’m all set.
Today Björk turns 49 years old. Celebrate with some cake and ice cream. Our weekly dance party kicks off with her first post-Sugarcubes single, “Human Behaviour.”
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It’s Friday And I Need To Dance!
Gwen Stefani, the lead singer and lyricist of the band No Doubt, wanted to do a dance-oriented solo album, but when the band finished its Rock Steady tour in November 2002, all she wanted to do was sleep. “I wanted to take a break and was really burned out, but the record company were ready to go.” Her label, Interscope, wanted her to work on her solo album with singer-songwriter Linda Perry, who was available for only five days.
Without the time to recharge, Stefani’s anxieties about doing the record rose to the surface and she spent a lot of time crying in bed. She’d been with the guys in No Doubt for seventeen years at that point; could she do a record without them?
On their second day in the studio together, Perry presented Stefani with the music of a song she stayed up the previous night to write. Stefani was to come up with lyrics, and she took the speed with which Perry came up with the song as a dare, as if to ask her “What are you waiting for?”
That was the inspiration Stefani needed. She wrote the lyrics to “What You Waiting For?,” addressing her fears about doing the record, her lack of inspiration, and the pressure the felt her label was putting on her. The song opens with Stefani referencing her bandmates and their years together – “What an amazing time / What a family/ How did the years go by?/ Now it’s only me.” Then the repeated background vocals of “tick tock” suggest the clock is ticking and she needs to get to work on this solo venture. Her nervous side sings “I’m worried if I go it alone,” to which her confident persona responds “You never know, it could be great” and “Take a chance, you might grow.”
“What You Waiting For?” was the first single released from Stefani’s first solo venture, Love, Angel, Music, Baby. The album sold seven million copies worldwide and was nominated for a Grammy Award for Album of the Year. Hit singles from the album were “Hollaback Girl,” “Rich Girl,” “Cool” and “Luxurious.”
Of the experience making the record, Stefani said “I think it’s very important to put yourself in a situation that’s uncomfortable to be able to grow.”
Is there something you wish to do but have not yet started to tackle? What you waiting for?
Friday is dance day at Tunes du Jour. We kick off this week’s party with Gwen Stefani’s “What You Waiting For?”
#1 In Glenn’s Ten On This Day Throughout History
Today’s playlist consists of songs that were #1 in Glenn’s Ten, the weekly tally of my favorite current songs, on this date going back to 1981, the year I started tracking such things (click here for more background).
My #1 on March 3, 1981 was Don McLean’s cover of Roy Orbison’s “Crying.” My #1 this week is Pharrell Williams’ “Happy.” It took me thirty-three years to go from “Crying” to “Happy.”
In 1981 I was a shy, skinny high school student who felt like he didn’t belong. I wished I was more popular but hard as I tried, I just wasn’t cool.
I worked to better myself. Gaining weight was a challenge, as was overcoming my shyness. To achieve the latter I ultimately turned to stand-up comedy. Getting up on stage in front of a group of strangers to express my thoughts was what I needed. It gave me confidence and got me an agent and positive reviews in publications including Backstage.
To gain weight I ate a banana split every night right before bed. I didn’t put on any pounds, but I did develop lactose-intolerance.
Eventually my metabolism slowed down and I filled out.
I also became successful in corporate America, most recently as the Vice President of Licensing at Warner Music Group. That shy, introverted kid made something of himself.
In retrospect, I’ve been cool this whole time. Perhaps my fellow high school students didn’t think so, but what did they know? I’m going to rely on the impressions of 16 year-olds as to my coolness? It takes more guts to be a non-conformist. I learned to love myself as I am.
Loving yourself is the subject of a few #1 songs of this date. There’s 1991’s “I Touch Myself” by Divinyls, but that’s not the self-love to which I refer. Lady Gaga’s self-empowerment anthem “Born This Way” topped my chart for several weeks n 2011. Madonna, Gaga’s spiritual predecessor, sang “You’re frozen when your heart’s not open” in 1998.
It’s now 2014. I’m unemployed for the first time since graduating college. I’m also the happiest I’ve ever been. I am confident. I feel positive and energized about my future. If I have to, I can do anything. I am strong. I am invincible. I am…happy.
Here is the chronological soundtrack of my March 3 journey from “Crying” to “Happy,” with videoclips for the two entries not available on Spotify.