Elenore Gee, I think you’re swell And you really do me well You’re my pride and joy, et cetera…
After the huge success of their “Happy Together,” The Turtles’ record label asked them for another love song in a similar vein. Jokingly, they turned in “Elenore.” It became their eighth US top 40 hit, reaching number 6 on the Billboard Hot 100.
The Turtles’ Mark Volman was born on this date in 1947. A few songs from his band are included on today’s playlist.
The theme of today’s playlist is cover versions of songs that originated in stage musicals. Here are the songs listed with the shows that introduced them:
Mack the Knife by Bobby Darin – From The Threepenny Opera (1928)
Till There Was You by The Beatles – From The Music Man (1957)
Smoke Gets In Your Eyes by The Platters – From Roberta (1933)
Little Girl Blue by Nina Simone – From Jumbo (1935)
You’ll Never Walk Alone by Gerry & The Pacemakers – From Carousel (1945)
I Am What I Am by Gloria Gaynor – From La Cage aux Folles (1983)
On The Street Where You Live by Vic Damone – From My Fair Lady (1956)
Everything’s Coming Up Roses by The Replacements – From Gypsy (1959)
Send In The Clowns by Judy Collins – From A Little Night Music (1973)
I Don’t Know How to Love Him by Helen Reddy – From Jesus Christ Superstar (1970)
Hair by The Cowsills – From Hair (1967)
Put On A Happy Face by Diana Ross & The Supremes – From Bye Bye Birdie (1960)
Losing My Mind by Liza Minnelli – From Follies (1971)
Tomorrow by Grace Jones – From Annie (1977)
My Favorite Things by John Coltrane – From The Sound of Music (1959)
Well Did You Evah? by Debbie Harry & Iggy Pop – From DuBarry Was a Lady (1939)
The Man I Love by Kate Bush – From Lady, Be Good! (1924)
If My Friends Could See Me Now by Linda Clifford – From Sweet Charity (1966)
Summertime by Big Brother & The Holding Company – From Porgy and Bess (1935)
Cabaret by Harold Melvin & The Blue Notes – From Cabaret (1966)
I Get A Kick Out Of You by Frank Sinatra – From Anything Goes (1934)
Don’t Cry For Me Argentina by Festival – From Evita (1978)
Somewhere by Pet Shop Boys – From West Side Story (1957)
The Lady is a Tramp by Tony Bennett & Lady Gaga – From Babes in Arms (1937)
I’ll Never Fall In Love Again by Dionne Warwick – From Promises, Promises (1968)
I Love Paris by Screamin’ Jay Hawkins – From Can-Can (1953)
Night + Day by U2 – From Gay Divorce (1932)
There Are Worse Things I Could Do by Alison Moyet – From Grease (1971)
Corner of the Sky by The Jackson 5 – From Pippin (1972)
I Enjoy Being a Girl by Phranc – From Flower Drum Song (1958)
I say let the sun catch you crying. You have control over your own life. As long as you’re not impinging on someone else’s rights or happiness, do it. Cry.
The late Gerard Marsden of Gerry and The Pacemakers was born on this date in 1942. A couple of his group’s tunes are on this week’s playlist.
The Spencer Davis Group were under pressure from their manager, Chris Blackwell, to come up with a hit single. He put them in a studio. By around 11:30 AM they had a riff. By noon the song was written and the band headed to a café down the road for lunch. Blackwell was livid when he found them eating rather than working on their new record. His anger subsided when the song, “Gimme Some Lovin,” recorded in just one or two takes, became a worldwide smash. It is now considered a rock n roll classic.
The late Spencer Davis was born on this date in 1939. A couple of the Group’s tracks are included on today’s playlist.
Today’s playlist celebrates the September 24 birthdays of The Dixie Cups’ Rosa Lee Hawkins, Gerry & The Pacemakers’ Gerry Marsden, Shep & The Limelites/The Heartbeats’ Shep, Kreayshawn, The Muppets’ Jim Henson, Eagles of Death Metal’s Jesse Hughes, Linda McCartney, and Trinidad James; and the September 25 birthdays of Childish Gambino, Rosalía, T.I., Santigold, Womack & Womack’s Cecil Womack, Ween’s Dean Ween, The Fresh Prince, The Kendalls’ Royce Kendall, and Catherine Zeta-Jones.
Sir George Martin autographed my copy of The Beatles’ A Hard Day’s Night album, a record he produced. He was about to set to work on a docuseries and I was asked to help with the music licensing.
A movie director takes words on a page, a script, and brings them to life, guiding actors to deliver the best performances possible and deciding on the best ways to convey the story. A music producer plays the same roles in the creation of a record, taking words on a page, a song, and brings them to life, guiding singers and musicians to deliver the best performances possible and providing input as to how the recorded song should sound.
Sir George Martin, born on January 3, 1926, is recognized as one of the most influential producers in the history of pop music. He is best known for producing all of the albums by The Beatles except for Let It Be. It was Martin who suggested the string quartet on “Yesterday.” It was Martin, with recording engineer Geoff Emerick, who combined two distinct recordings of “Strawberry Fields Forever,” played in different keys and at different tempos, into the one with which you’re familiar. Martin suggested speeding up a ballad Paul McCartney and John Lennon wrote, which resulted in the #1 hit “Please Please Me.” His production of “I Feel Fine” includes one of the earliest uses of guitar feedback. Martin conduction the string section on “Eleanor Rigby.” He brought in a 40-piece orchestra for “A Day in the Life.” On “Tomorrow Never Knows,” Martin’s use of tape loops, reversing a recording of a guitar solo in playback, and having Lennon’s vocals go through an organ’s speaker, helped Lennon achieve his desire of a recording to sound like his mind on LSD. He played piano on “In My Life,” and sped up his recording of the piano part to match the song’s tempo. He suggested the group replace original drummer Pete Best.
Sir George, who died in 2016, also produced artists other than The Beatles. Here are thirty of his finest productions.
In the late 70s, people often confused my dad for Kenny Rogers. They’re close in age, and my dad was a white guy with a beard (still is both) and drove around in fancy sportscars you would imagine a country music superstar would drive, so one could see why he was stopped to sign autographs. Many people confused my brother for John Travolta. We grew up one town over from where Travolta grew up, and my brother had the dimple in his chin (still does). Once while the family was eating at a local restaurant, a couple came over to our table to meet John Travolta. They thought they were slick when their opening line was a question directed to my dad: “Excuse me, are you Sam Travolta?” Sam was John’s dad. If I remember correctly, he owned a tire shop in town. My dad replied that he is not Sam Travolta. He’s Kenny Rogers. The celebrity I was often mistaken for was Kermit the Frog. I’m not joking. Frequently people told me of my resemblance to the actor/singer/banjo player/TV host/piece of felt. On a public bus once a woman came up to me and asked “Has anyone ever told you you look like Kermit the Frog?” Yes! All the time! It’s not easy being green.
Today’s playlist is inspired by the September 24 birthdays of Jim Henson, Gerry Marsden, Jack Scott, The Dixie Cups’ Rosa Lee Hawkins, Linda McCartney, Kreayshawn and Shep.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 29 birthdays of Flight of the Conchords’ Bret McKenzie, Men At Work’s Colin Hay, DJ Shadow, Little Eva, Pussycat Dolls’ Nicole Scherzinger, Emily Skinner, and Broadway composer Frank Loesser.
