Inspired by the April 30 birthdays of Sugarhill Gang’s Wonder Mike, MC5’s Wayne Kramer, Bobby Vee, Travis $cott, Snap!’s Turbo B, Bon Iver’s Justin Vernon, Dresden Dolls’ Amanda Palmer, Johnny Horton, Mac Demarco, Santo & Johnny’s Johnny, and Broadway composer Sheldon Harnick.
Inspired by the April 12 birthdays of David Cassidy, Saint Etienne’s Sarah Cracknell, Herbie Hancock, Indigo Girls’ Amy Ray, Steppenwolf’s John Kay, Mellow Man Ace, Everclear’s Art Alexakis, Pat Travers, Tiny Tim, Hot Butter’s Stan Free and Get Wet’s Sherri Beachfront.
Inspired by the April 7 birthdays of John Oates, Billie Holiday, Kraftwerk’s Florian Schneider, Janis Ian, Bobby Bare, Carol Douglas, Alexis Jordan, Mongo Santamaria and Percy Faith.
Inspired by the March 15 birthdays of The Beach Boys’ Mike Love, Sly Stone, Terence Trent D’Arby, the Grateful Dead’s Phil Lesh, Blink-182’s Mark Hoppus, Buzzcock’s/Magazine’s Howard Devoto, Black Eyed Peas’ will.i.am, Lightnin’ Hopkins, Sugar Ray’s Mark McGrath, Rockwell, Twisted Sister’s Dee Snider and Lil Dicky.
Inspired by the January 27 birthdays of Amy Rigby, Cowboy Junkies’ Margo Timmins, Bobby “Blue” Bland, Tricky, Faith No More’s Mike Patton, and Wolfgang Amadeus Mozart.
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Your knees start shakin’ and your fingers pop
Like a pinch on the neck from Mr. Spock
I think I read somewhere that there is a new Star Trek movie opening this weekend, or sometime soon. I didn’t pay too much attention. I’ve never seen any Star Trek movie, nor have I seen any episode of the TV show Star Trek, or any of its offshoots.
I saw part of one episode from the original series. Joan Collins was a guest star. I watched when she was on screen; I changed the channel when she wasn’t. That small fact told my friend Laura’s brother more about me than I knew about myself at that time.
I don’t know what Star Trek is about. I know there’s a spaceship called the Enterprise, and that’s about it. I don’t know when the show takes place. I don’t know the characters’ personality types or if they all get along or if any of them hook up.
I’ve heard William Shatner recite the lyrics to “Mr. Tambourine Man” and “Space Oddity” and other songs that were classics until the moment I heard Bill do ‘em. I’ve heard Leonard Nimoy “sing” a song about Hobbits (don’t get me started on my lack of knowledge about Hobbits! I’m not even sure the word Hobbits should be capitalized.). Those recordings weren’t enough to entice me into checking out the work that made those guys famous.
I’m also familiar with the song “Star Trekkin’” by a group called The Firm, not to be confused with the Jimmy Page band The Firm, though equally awful. “Star Trekkin’” went to #1 on the UK singles chart in 1987, and by doing so removed the bragging rights of anyone else who hit #1 on the UK singles chart. “Oh, you had a #1 UK single, Nicole Scherzinger? You know what else was a #1 UK single? ‘Star Trekkin”’.”
William Shatner was on another television show somewhat recently. I don’t recall what it was. I think it was set in a courtroom or a law office. I never watched it.
I don’t know if Leonard Nimoy did anything after the Star Trek TV series.
Though I don’t know from and couldn’t care any less about Star Trek, I do recognize some Star Trek references in pop culture, like in the lyrics that opened this post, which are from Beastie Boys’ “Intergalactic,” one of 1998’s best singles and the song that kicks off Tunes du Jour’s 1998 playlist on this Throwback Thursday. I take it when Mr. Spock touches someone’s neck, their knees shake and their fingers pop, like mine do when I listen to Beastie Boys. Let’s get poppin’!
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Per the site WhoSampled.com, Joe Cocker’s “Woman to Woman” (1972) has been sampled 24 times. Joe Cocker! Twenty-four times! Who knew?
The best-known track to sample “Woman to Woman” is 2Pac’s “California Love,” which utilizes the instrumental riff from the beginning of the Cocker song as one of its hooks. Here is “Woman to Woman:”
“California Love” kicks off this week’s Throwback Thursday playlist, spotlighting the music of 1996.
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“I just know that the Grammys, if they want real artists, to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé. Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you’re disrespectful to inspiration. And we as musicians have to inspire people who go to work every day, and they listen to that Beyoncé album and they feel like it takes them to another place.” – Kanye West on the Grammy Award for Album of the Year going to Beck’s Morning Phase rather than Beyoncé’s self-titled release
“I thought she was going to win. Come on, she’s Beyoncé! You can’t please everybody, man. I still love [West] and think he’s genius. I aspire to do what he does.” – Beck
“I wasn’t saying Beck; I said the Grammys. Beck knows that Beyoncé should have won; you know that. Come on, man. I love Beck! But he didn’t have the Album of the Year.” – Kanye West
Kanye West, official spokesperson for the Bey Nation, gave his opinion and the Internet blew up! It was a repeat of 2009, when West announced that Taylor Swift stole the MTV Best Female Video Award that should have gone to Beyoncé. The American people were up in arms! So much vitriol was sent West-ward and his detractors found plenty of reasons to go after him the ensuing years. As the wise trophy thief said, “the haters gonna hate hate hate hate hate.”
Kanye’s point was about creating art and reaching new heights in one’s craft. The only intelligent responses to further this discourse, per the many comments I saw on Facebook and Twitter, are “You’re classless” and “You’re garbage.” One person who didn’t call Kanye garbage was Shirley Manson, the lead singer of the band Garbage. She called him “a complete twat.”
At least all of us can sleep better knowing that Kanye loves Beck. They are two of my favorite all-time artists for many of the same reasons. They seldom repeat themselves, making each album they release different than the previous one. Neither follows trends. Both challenge themselves. Both are masters of their craft. Both can be sincere. Both can be funny. Neither has released a bad record.
However…
Beyoncé should have gotten the Album of the Year Grammy. Her self-titled album was a revelation. Following up her uneven 4, she took a giant leap forward and strived to make something more artistic than what we were used to from her. She succeeded. The Beck record, Morning Phase, sounds beautiful, but there were no surprises. It was announced early in 2014 that Beck would be releasing a new album that was in a mellow vein. I got what I expected. It was as fine as I thought it would be, and stronger than his last couple of releases. I like Morning Phase very much, more than the other nominated Albums of the Year performed by Ed Sheeran, Sam Smith and Pharrell Williams, but it’s nothing we haven’t heard Beck do before. Ironically, in Beyoncé’s quest to be more artistic, her album outsold its predecessor. Like Kanye said, she had the Album of the Year.
Enough of the Grammy voters felt otherwise and awarded Beck. That’s fine. There have been worse slights in the Grammy Album of the Year category than Beyoncé losing to Beck. What about the 1996 awards, when Beck’s Odelay lost to Celine Dion’s Falling into You? Or in 2000, when Beck’s Midnight Vultures lost to Steely Dan’s Two Against Nature? Or in 2005, when U2’s Hot to Dismantle an Atomic Bomb beat Kanye’s Late Registration and in 2004, when Ray Charles & Friends’ Genius Loves Company beat Kanye’s The College Dropout and Green Day’s American Idiot? Steely Dan, U2 and Ray Charles have released many albums deserving of Album of the Year. These weren’t them. U2 should have won 1992’s Album of the Year for Achtung Baby. They lost to Eric Clapton Unplugged. In 2007, Kanye’s Graduation and Amy Winehouse’s Back to Black both lost Album of the Year to Herbie Hancock’s River: The Joni Letters, a record that literally nobody has ever heard. In 1980, Christopher Cross’ self-titled debut beat Pink Floyd’s The Wall. In 1966, The Beatles’ Revolver lost to Frank Sinatra’s A Man and His Music. In 2012, Mumford & Sons’ Babel beat albums by Frank Ocean, Jack White and The Black Keys. The nominees for 1984’s Album of the Year Grammy were Prince’s Purple Rain, Bruce Springsteen’s Born in the USA, Tina Turner’s Private Dancer, Cyndi Lauper’s She’s So Unusual, and Lionel Richie’s Can’t Slow Down. Four classic albums plus one by Lionel Richie. The winner? Lionel Richie! WTF on a stick?!?! In 1991 the Album of the Year Grammy didn’t go to R.E.M., nominated for Out of Time. It went to Natalie Cole’s Unforgettable…with Love. Eligible but not nominated that year? A little album called Nevermind by a band named Nirvana. Oh well, whatever. In 1982, Toto IV beat…it doesn’t matter who else was nominated. It’s Toto Fuckin’ IV, people.
It looks like Beyoncé will have to wait longer before she is in the same hallowed company as Toto.
In less contentious news this week, ISIS killed U.S. hostage Kayla Mueller, Boko Haram killed thirteen soldiers and 81 civilians in Chad, and the Chief Justice of Alabama’s Supreme Court forbade probate judges in that state to issue marriage license to same-sex couples, despite a judge’s ruling that such unions are legal and the U.S. Supreme Court refusing to issue a stay on that ruling.
Congratulations, Beck!
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Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.
That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.
(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.
Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)
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As you may have heard, our sleepy little hamlet of Los Angeles got some rain over the past week. I assume you heard this because Los Angeles is the center of the world and our weather is likely reported everywhere, especially when we get rain, which lesser cities take for granted. More rain is forecast for this week.
If you were near a radio in the United States in 1972, you heard Albert Hammond’s hit single “It Never Rains in Southern California,” and learned that while in L.A. it never rains, it pours. Man, it pours.
Today’s playlist consists of songs with word rain or some variation thereof in the title. It includes Albert Hammond’s “It Never Rains in Southern California,” one of two top forty singles Hammond had as an artist. (The other was 1974’s “I’m a Train.” Remember that one? Didn’t think so.) As a songwriter, Hammond’s hits include The Hollies’ “The Air That I Breathe,” Leo Sayer’s “When I Need You,” Starship’s “Nothing’s Gonna Stop Us Now,” Whitney Houston’s “One Moment in Time,” Chicago’s “I Don’t Wanna Live Without Your Love,” Ace of Base’s “Don’t Turn Around,” Julio Iglesias and Willie Nelson’s “To All the Girls I’ve Loved Before” and The Pipkins’ “Gimme Dat Ding.” His son is a founding member of The Strokes.
Back to the weather. Get your umbrella and enjoy today’s playlist while the sun is still shining.