Your (Almost) Daily Playlist: 10-25-23

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Released as a single in 1971, Helen Reddy’s “I Am Woman” tanked. She rerecorded the song. The new version was released as a single the following year, debuting on the Hot 100 at number 99. Two weeks later it was number 97. Then it fell off the chart. Lots of television appearances and many phone calls from Reddy’s husband to radio stations across the US led to the song re-entering the Hot 100, eventually becoming the first of three US number one singles for Reddy and winning her the very first American Music Award for Favorite Pop/Rock Female Vocalist.

The late Helen Reddy was born on this date in 1941. Several of her recordings are included on today’s playlist.

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Your (Almost) Daily Playlist: 9-15-22

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Today’s playlist celebrates the September 15 birthdays of Cannonball Adderley, Night Ranger’s Kelly Keagy, and Jimmy Gilmer; the September 16 birthdays of Wire’s Colin Newman, B.B. King, Built To Spill’s Doug Martsch, Elastica’s Justine Frischmann, T La Rock, The Long Blondes’ Kate Jackson, Babybird’s Stephen Jones, The Bellamy Brothers’ David Bellamy, Marc Anthony, Hinds’ Ana Perrote, The Mock Turtles’ Martin Coognan, The Prisoners’ Graham Day, and Little Willie Littlefield; and the September 17 birthdays of Naughty By Nature’s Vin Rock, Hank Williams, The Prodigy’s Keith Flint, Doug E. Fresh, Five Man Electrical Band’s Les Emmerson, Brand Nubian’s Lord Jamar, The Mystics’ Phil Cracolici, The Tubes’ Fee Waybill, Flo Rida, Anastacia, Ned’s Atomic Dustbin’s Jonn Penney, Bill Black, and Dorothy Loudon.

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Throwback Thursday: 1971

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I recently read a book about the music of 1971. It was pretty bad. I should have been clued off seeing that the book derived its title from the name of a Rod Stewart album that came out in…1972. The author and I agree that 1971 was a great year for music, though he focused mainly on white acts. Marvin Gaye’s What’s Going On, recently named the number one album of all-time in Rolling Stone, was dismissed as being overrated due to white guilt, something the author clearly doesn’t feel. I humbly suggest that the playlist below shows more of the greatness (and diversity) of 1971’s music than this book.

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