Tunes Du Jour Celebrates International Jazz Day

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Jazz is a genre that defies easy definition, yet its influence is undeniable across decades of music history. At its core, jazz represents freedom – freedom of artistic expression, freedom to improvise and venture into uncharted musical territory. From the early days of jazz pioneers like Louis Armstrong, Duke Ellington, and Billie Holiday, this artistic freedom has been the driving force behind the ever-evolving sounds of jazz.

The genius of jazz lies in its ability to seamlessly blend composition and spontaneity. Take Miles Davis’ seminal album Kind of Blue, where masterful musicians like John Coltrane and Cannonball Adderley were given a simple modal framework to build upon through their improvisations. The result was a transcendent exploration of space, melody, and emotion that still captivates listeners today. Similarly, Dave Brubeck’s “Take Five” broke new ground with its innovative use of quintuple meter, exemplifying jazz’s boundary-pushing spirit.

Yet jazz is more than just innovative time signatures and harmonic progressions. It’s a language of human experience, a means of conveying the full spectrum of emotions through sound. Billie Holiday’s haunting rendition of “Strange Fruit” transformed a song into a searing indictment of racism and injustice. Nina Simone’s stirring vocals on “My Baby Just Cares for Me” radiate warmth and playfulness. And Chet Baker’s rendition of “My Funny Valentine” captures the exquisite vulnerability of heartbreak with effortless cool.

As the genre evolved through the latter half of the 20th century, jazz continued to defy conventions and push creative boundaries. The modal jazz of John Coltrane’s “A Love Supreme” was a spiritual exploration unlike anything that came before it. Ornette Coleman’s pioneering free jazz broke down traditional concepts of melody and harmony. And the fusion era saw artists like Herbie Hancock, Weather Report, and Grover Washington Jr. incorporate elements of funk, rock, and R&B into their jazz foundations.

From its humble beginnings in New Orleans to its modern global influence, jazz has remained a quintessential expression of artistic freedom. Its ability to constantly reinvent itself while maintaining a deep reverence for its roots is what makes it one of the most vital and culturally significant art forms of our time. Jazz is more than just a genre – it’s a living, breathing embodiment of the human spirit’s endless capacity for creativity and innovation.

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Ray Charles And The Birth Of A Classic

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In 1927, Howard Hoagland Carmichael was working at a law firm in his native Indiana. He befriended cornet player Bix Beiderbecke, who introduced Hoagland to trumpet player Louis Armstrong. Smitten by the jazz music his friends played, Hoagy, as he was known, quit the law firm and moved to New York, attempting to make it in the music business as a composer.

Another friend of Hoagy, saxophone player and bandleader Frankie Trumbauer, suggested to the former attorney “Why don’t you write a song called ‘Georgia?’” and helped get the lyrics started by adding “It ought to go ‘Georgia, Georgia’.” Big help that Frankie was.

At a party one night, Hoagy sat at the piano and began to bang out a tune based on Trumbauer’s suggestion. His college roommate, Stu Gorrell, who moved to New York to make a name for himself in banking, was with him, and suggested a song title – “Georgia on My Mind.”

Neither Carmichael nor Gorrell had ever been to Georgia. In fact, it has been suggested that Gorrell, who wrote the lyrics to “Georgia on My Mind,” was not writing about the state at all. He wrote the song’s words about Carmichael’s sister, who at that time was going through a messy divorce. Her name? Georgia.

On September 15, 1930, Hoagy Carmichael and His Orchestra made the first recording of “Georgia on My Mind.” Bix Beiderbecke played cornet in what turned out to be his last recording session. He died from pneumonia less than a year later at age 28.

That record wasn’t a big seller, but one year later, on September 24, 1931, Frankie Trumbauer, the man who suggested Carmichael write a song about Georgia, recorded the tune and had a #10 hit with it.

In the years that followed other jazz greats recorded renditions of “Georgia on My Mind,” including Louis Armstrong, Fats Waller, Django Reinhardt, Glenn Miller, Artie Shaw, and Gene Krupa with Anita O’Day.

Prior to “Georgia on My Mind,” Stu Gorrell had never written a song. The closest he came to doing so was suggesting that Carmichael name a tune he wrote “Star Dust.” Subsequent to “Georgia on My Mind,” Gorrell never wrote another song. He went on to become a Vice President at Chase Bank.

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Ray Charles was born in Albany, Georgia on September 23, 1930, eight days after Carmichael first recorded “Georgia on My Mind.” Charles became familiar with the tune from all the versions of it performed over the years. He would hum the tune in his car on the way to gigs. He would hum the tune in his car on the way home from gigs. His driver, Tommy Brown, had an idea. Said Charles, “Cat said, ‘You hum it so much, why don’t you record it?’”

Charles took Brown’s advice. In 1960, “Georgia on My Mind” became Ray Charles’ first #1 pop hit.

On April 24, 1979, “Georgia on My Mind,” written by two men who had never been to Georgia, and possibly about the sister of one of those men, was adopted by the Georgia General Assembly as Georgia’s state song.

Today’s playlist is made up of twenty classic Ray Charles’ recordings, including the sublime “Georgia on My Mind.”

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