Winston + Gaynor

It’s Friday And I Need To Dance!

Billboard magazine’s first disco chart was published in October of 1974. Its #1 song was “Never Can Say Goodbye” performed by Gloria Gaynor. That record stayed on top for four weeks, soon crossing over to the pop chart, where it peaked at #9.

An eighteen-plus minute medley of “Honey Bee,” “Never Can Say Goodbye” and “Reach Out, I’ll Be There” reached #2 on the Disco chart in early 1975, leading to Gaynor being named “Queen of the Discos” by the National Association of Discotheque Disc Jockeys in March of that year.

Six more top ten disco hits followed in 1975 and 1976, but then her fortunes dried up. Her sole entry on the Disco chart in 1977 reached only #38. Her next charted disco single was over a year later, and peaked at #24. By this point, Donna Summer was the new Queen of Disco. Summer was also crossing over onto the pop chart, while Gaynor’s sole top 40 pop single was “Never Can Say Goodbye.” She failed to crack the Hot 100 in 1976 and 1977.

Her record company, Polydor, reached out to producer Dino Fekaris and asked him to produce for Gaynor a cover of the Righteous Brothers track “Substitute,” then a recent hit overseas for a group called Clout.

Fekaris was a staff songwriter at Motown Record for almost seven years before the company let him go. Determined not to let that career setback derail him, Fekaris got together with his songwriter and production partner Freddie Perren, who also had a stint at Motown, and wrote a song about getting over the fear of the unknown and surviving what life throws at you. They wanted a woman to record the track, but didn’t have anybody in mind. They decided to give the song to the next diva they work with. That’s when Polydor called with the Gaynor gig.

As requested by her label boss, Gaynor recorded “Substitute” to be the A-side of her next single, but the song about survival, which she recorded to be the record’s B-side, really resonated with her. Besides her career troubles, she recently lost her mother and fell on stage while performing, which required her to undergo spinal surgery and spend six months in the hospital. She recorded the tracks wearing a back brace.

“Substitute” was released in the fall of 1978. It failed to make the Hot 100.

One night around that time, Studio 54 DJ Ritchie Kaczor flipped over “Substitute” and played its B-side. The patrons ignored it that first time, but Kaczor kept playing it. Eventually, it became the club’s most popular cut. Soon, all New York City clubs were playing the track.

In November 1978 Vince Aletti wrote in Record World magazine that this song “is Gaynor’s very best work in years…delivered with such relish that one can’t help but get caught up in the emotion.”

In Boston, disco radio DJ Jack King played the single’s B-side and reported that “my listeners went nuts!” Seeing the response this song was getting, Polydor reissued the single with “Substitute” as the B-side. The A-side was now the anthem “I Will Survive.”

Winston + Gaynor
In January 1979, “I Will Survive” returned Gloria Gaynor to #1 on the Disco chart, where she remained for three weeks. In March of that year the record hit #1 on the Hot 100, where it also stayed for three weeks. It went on to become a smash around the world.

At the 22nd Annual Grammy Awards ceremony on February 27, 1980, Gloria Gaynor’s “I Will Survive” won for Best Disco Recording, the only time that award has ever been given, over Michael Jackson’s “Don’t Stop ‘Til You Get Enough,” Rod Stewart’s “Da Ya Think I’m Sexy?,” Earth Wind & Fire with The Emotions’ “Boogie Wonderland,” and then Queen of Disco Donna Summer’s Bad Girls.

“I Will Survive” kicks off Tunes du Jour’s weekly dance party.

Click here to like Tunes du Jour on Facebook.
Follow me on Twitter: @TunesDuJour

Winston + Bobby Brown

The Song Retains The Name

Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

Click here to follow Tunes du Jour on Facebook!
Follow me on Twitter: @TunesDuJour

Ringo + Barry White 2014-09-11 13.53

It’s Barry White’s Birthday And I Need To Dance!

Sometime in the 1950s, a man named Peter Sterling Radcliffe wrote a country song he called “You’re My First, You’re My Last, My In-Between.” For years he tried to get someone to record it but nobody was interested. Years later, Radcliffe was introduced to Barry White by arranger Gene Page. In the 1960s White was a session musician and producer who worked on records with The Bobby Fuller Four, Bob & Earl, Jesse Belvin and Viola Wills.

One Christmas when White was unable to buy Christmas gifts for his children, Radcliffe stepped in and bought toys for the kids. Relaying this story during an interview, White told the journalist “I was so grateful for that and said I would pay him back one day.”

In 1972, Barry White wrote, produced and arranged “Walking in the Rain with the One I Love” for a female trio named Love Unlimited. The record hit #14 on the Billboard Hot 100. The following year White released his first solo album, I’ve Got So Much to Give, which produced the #3 gold single “I’m Gonna Love You Just a Little More Baby.” The top ten single “Never, Never Gonna Give Ya Up” followed in 1974.

Now a successful recording artist, White listened to his friend Radcliffe’s twenty-year old country song. Barry heard potential in the tune. “I changed some words, part of the melody and some of the title, but kept the chord structure.”

Ringo + Barry White 2014-09-11 13.53
“You’re the First, the Last, My Everything” appeared on White’s Can’t Get Enough album. The album’s first single, “Can’t Get Enough of Your Love, Babe,” hit #1. The follow-up single, “You’re the First, the Last, My Everything,” went to #2, kept out of the top spot by Elton John’s version of “Lucy in the Sky with Diamonds.”

Pay it forward, people. You may be rewarded in more ways than the satisfaction of knowing you helped someone in their time of need.

Now if you’ll excuse me, it’s Barry White’s birthday and I need to dance!

Click here to like Tunes du Jour on Facebook!

doggies + James Brown 2014-07-04 10.41

It’s Friday The Fourth Of July And I Need To Dance!

On July 4, 1982, I went with my then-friend Robin to see Diana Ross in concert at Giants Stadium. I hadn’t been to the stadium before, but I figured on a typical day it was about a half hour drive from my home in New Jersey. As this was a holiday, I assumed there would be a lot of traffic, so I allowed for extra travel time. I didn’t want to be late.

We got to Giants Stadium five hours before show time. We parked right by the stadium entrance, went in, and found our seats. It was a beautiful sunny day, so we tanned as we waited for others to join us.

After a few hours other people showed up. The stadium was mostly full when the first opening act took to the stage. The band’s lead singer introduced them. “We’re Frankie Beverly and Maze for all you white people who don’t know who we are because you don’t listen to black music.” He sure knew how to charm an audience and win over new fans! I was momentarily ashamed that I spent my money to see and hear the white music of Diana Ross.

After Maze, Miles Davis performed. Would it have killed him to finish writing the songs before he came out? And hello, the audience is over here, not behind the curtain.

While Davis was playing, the couple sitting next to my then-friend Robin and me snorted cocaine. I’d never seen anyone do that before. They left after Davis finished, skipping the Diana Ross show altogether. That’s all I needed to see to keep me from ever doing coke. I don’t ever want to get to a point where I lose control over my thoughts and whereabouts and miss Miss Ross.

Finally, the main event. Diana Ross. Live. She performed all her big solo hits, except “Love Hangover,” and 30+ years later that still irks me. She did a medley of Supremes hits. She changed her clothes a few times. It was great!

doggies + James Brown 2014-07-04 10.41
Friday is dance day at Tunes du Jour, and while I could open today’s playlist with “Love Hangover” (Why, Miss Ross, why didn’t you preform that song???), I’m going to go with a more traditional 4th of July choice, James Brown’s “Living in America,” one of the very few Brown hits that the man neither wrote nor produced. Happy holiday!

Winston + Chuck 2014-06-30 11.25

A Change Is Gonna Come If You Make It So

A company I worked for – I won’t say which one – has an amazing catalogue of rhythm & blues music, arguably the best r&b catalogue of any record label. Despite possessing this goldmine, most of our catalogue releases were from white rock bands. I asked a member of senior management why we didn’t do more with our black artists, and the answer I got was “We don’t know how to sell that music.”

Is that not a stupid response? If you don’t know how to do that, hire someone who has that expertise, or learn how to do it. Why ignore a large swath of your potential market, especially when you already own the assets?

Years ago I was put in charge of licensing at a record label. I knew the music and I knew the components of licensing deals; however, I wasn’t a very good negotiator. I found the process intimidating. I could have left it at that – “I don’t know how to negotiate.” My company would have made money nonetheless, though not at its full potential. For that matter, I wouldn’t be working at full potential.

I took a course in negotiations. Six weeks, $300. Money well spent. I put what I learned in the class into action. Practice makes perfect, and I became an excellent negotiator. In my four years at that company our licensing revenue increased 400%. My skills also led to my next job as the Vice President of Licensing at another company.

Is a lack of some skill or knowledge holding you back? Fix that. Read a book, attend a seminar, take an on-line course or find a mentor. Saying “I don’t know how” won’t lead to success; learning how will.

Winston + Chuck 2014-06-30 11.25
Today is the last day of Black Music Month. It would be ludicrous to think a 40-song playlist would cover black music in any comprehensive way. Enjoy it for what it is – nearly three hours of fantastic music. Listen to it while you research how to learn a new skill.

Ringo + Macca 2014-06-18

Paul McCartney And Me: Lives In Parallel

On October 24, 1963, The Beatles were in Stockholm, Sweden on the first day of their first foreign tour.

On October 24, 1963, I was born.

Both of these events turned out to be remarkably influential on the culture.

The Beatles, who synthesized American rock & roll with various British music traditions, moved popular music to a whole new place, expanding the types of song structures and lyrical content heard in the hit songs of the day and opening the floodgates for many British bands to prosper around the world.

Using the medium of stand-up comedy, I went to blue collar towns and meetings of Catholic senior citizens and told them of my travails same-sex dating. Just like the USA and Sweden and other parts of the world were exposed to what was happening in Liverpool, so were the people of Allentown, Pennsylvania exposed to what was happening in my love life, which believe me, wasn’t much. The Beatles and I opened peoples’ minds to a world beyond their own. They delivered their message to 55,000 people at Shea Stadium, while I delivered mine to a couple dozen folks at Bananas of Poughkeepsie. I also played to sold-out crowds at Caroline’s on Broadway and StandUp NY, but it’s not my nature to brag about such things. I’m the quiet Beatle.

On October 24, 1979, I turned 16 years old. That same day, Paul McCartney received a medallion commemorating his achievements in music. Having written or co-written 43 songs that sold over a million copies each between 1962 and 1978, he was named the most successful composer of all time. While working on the Licensing departments at Sony, Zomba and Warner, I licensed recordings to 43 Now That’s What I Call Music compilations that sold over a million copies each. It’s like Paul McCartney and I are twins.

Ringo + Macca 2014-06-18
Today, Sir Paul McCartney (he was knighted by Queen Elizabeth II in 1997, something we don’t have in common. I am not a British citizen, and therefore not eligible.) turns 72 years old. The Beatles’ recordings are not on Spotify, so I’ve worked around that minor inconvenience to create this playlist of some of the finest songs McCartney composed or co-composed.

Ringo + Kool 002

It’s Friday And I Need To Dance!

Ringo + Kool 002

This week’s dance playlist kicks off with Kool & the Gang’s “Celebration,” which hit #1 on this date in 1981. The song had prominent television exposure for the couple of weeks prior, as it was played during the 1981 Super Bowl and when the American hostages returned home from Iran on January 26 after 444 days in captivity.

Kool & the Gang were a funk band whose fortunes were on the decline as the seventies progressed. They scored two top ten singles in 1974, “Jungle Boogie” and “Hollywood Swinging,” but no more until they recruited a new lead vocalist, James “JT” Taylor, and were paired with a new producer, Eumir Deodato.

Deodato’s first record with the band was 1979’s Ladies Night, whose title track returned the group to the top ten. This was quickly followed by the top ten hit “Too Hot.”

Deodato’s next record with the band was Celebrate!, from which “Celebration” was taken. To this day the song is played at a myriad of celebratory events, making it a dance classic.

hello

It’s Friday And I Need To Dance!

A Wisconsin artist named Molly Evans started an art project in which she stitches Lionel Richie lyrics on discarded furniture. She calls the project Lionel Stitchie. You can view her tumblr here.

hello

Today’s Friday dance party kicks off with Richie’s “All Night Long (All Night).” I want a couch that says “Tom bo li de say de moi ya,” which means exactly what you think it means. To get his Jamaican accent down, Alabama-born Richie phoned his wife’s gynecologist, who is Jamaican. The doctor asked Lionel to not interrupt his appointments.

Enjoy!

h/t mollyeeeee.com via Dangerous Minds

It’s Friday And I Need To Dance!

Every Friday, Tunes du Jour’s playlist is designed to get you dancing into the weekend. Today we kick off with The Spinners’ “The Rubberband Man,” written by the songwriting team of Thom Bell and Linda Creed, as today is Creed’s birthday.

You may not know her name, but chances are you know some of her work. With Bell, she composed several hits for 70s soul group The Stylistics, including “You Make Me Feel Brand New,” “You Are Everything,” “Break Up to Make Up,” “I’m Stone in Love With You,” “Rockin’ Roll Baby” and “Betcha By Golly Wow.” If any readers plan on marrying me, note that I insist the latter be our wedding song.

With Michael Masser, Creed wrote “The Greatest Love of All” for the Muhammad Ali biopic The Greatest. George Benson took the film’s theme song to #24 in 1977. The week of May 17, 1986, Whitney Houston took her remake of the song to #1 on the Billboard Hot 100. However, Creed didn’t get to see that. She died one month earlier of breast cancer at age 37.

I Tina

Happy Tina Turner’s Birthday!

Down the street from my first job in midtown Manhattan was a bookstore that often hosted book signings. There was also a record store one block over that held album/cassette/CD signings. Between these two places I got to meet many great artists, including Prince, Joan Rivers, Liberace and Tipper Gore. I also met Tina Turner, who turns 74 today.

I Tina

My main memory about that meeting was how flawless her skin was. She was 46 and there was not a wrinkle to be found. I’m now older than she was then and my face is devoid of wrinkles, which is why I’m often mistaken for Tina.

Tina-mania was high in 1986. After separating from her abusive husband Ike, she toiled in relative obscurity until her 1984 album Private Dancer put her back on the map in a big way. The album sold around twenty million copies worldwide and earned Tina a Grammy nomination for Album of the Year (alongside three other great albums – Bruce Springsteen’s Born in the U.S.A., Prince & the Revolution’s Purple Rain and Cyndi Lauper’s She’s So Unusual, as well as Lionel Richie’s Can’t Slow Down. Guess who won.), with its single “What’s Love Got to Do With It” winning Record of the Year and Best Pop Vocal Performance, Female and its “Better Be Good To Me” winning Best Rock Vocal Performance, Female. In 1986 she released her best-selling autobiography, I, Tina, and her follow-up to Private Dancer, Break Every Rule, which produced three top forty hits in the U.S.

Enjoy this Tina Turner-inspired playlist.