Inspired by the December 31 birthdays of Donna Summer, The Replacements‘ Paul Westerberg, John Denver, The Guess Who’s Burton Cummings, Urge Overkill’s Nash Kato, Psy, and Sabrina Johnston.
Inspired by the season and the December 25 birthdays of Eurythmics’ Annie Lennox, The Pogues’ Shane MacGowan, Dido, Air’s Nicolas Godin, Chris Kenner, Cab Calloway, Jimmy Buffett, Merry Clayton and The Silhouettes’ Bill Horton.
I started getting into Sam Cooke in 1978. That year, Art Garfunkel had a hit with his version of “Wonderful World,” while Sam Cooke’s original version appeared on the soundtrack to the movie National Lampoon’s Animal House. I was familiar with Cat Stevens’ hit version of “Another Saturday Night” and Dr. Hook’s hit version of “Only Sixteen.” I bought Sam Cooke’s Greatest Hits to hear the original versions of these songs.
Starting his career by singing gospel music, Cooke moved into the secular market in 1956. The Soul Stirrers, the gospel group for which Cooke was singing lead, were signed to Specialty Records. The label’s head, Art Rupe, didn’t like the secular music Cooke was recording, so in 1957 Cooke left for Keen Records, where his first single was the classic “You Send Me.” It went to #1 on the pop and r&b charts. Cashing in on this success, Specialty released a single of one of the Cooke recordings they had in their vault, “I’ll Come Running Back to You.” It also went to #1 on the r&b chart and went top 20 pop.
In 1960 Cooke moved to RCA Records. As Specialty did before them, Keen looked through their vaults to find a Cooke recording to release as a single. They found “Wonderful World.” Like many of his hits, Cooke wrote the song, this one with Lou Adler and Herb Alpert. The composition initially was credited to Barbara Campbell, Cooke’s fiancée, as Cooke was engaged in a dispute with Art Rupe about publishing royalties.
The song wasn’t recorded to be a single. It was done at an impromptu session. Cooke’s regular drummer wasn’t there, so he recruited the sixteen year-old nephew of one of the other musicians to play on the track. Lou Rawls was in the studio with Sam, singing the last word of each line with Cooke in the same mic.
“Wonderful World” became another hit for Cooke on the pop and r&b charts. In all, he had 29 top 40 pop hits and 34 top 40 r&b hits. In addition to singing and writing hit songs, he started SAR Records in 1960, producing recordings for Billy Preston, Bobby Womack and Johnny Taylor, in the process becoming one of the first African-American entrepreneurs in the music business.
Sam Cooke died on December 11, 1964, from a gunshot wound. He was 33.
Today Tunes du Jour remembers the great Sam Cooke on what would have been his 83rd birthday.
I didn’t get the film Muriel’s Wedding. Not as in I didn’t get the Blu-Ray of this movie for Hanukkah. I don’t even own a Blu-Ray player. No, I mean I didn’t understand it. Or rather, I didn’t buy it. Muriel, the ugly duckling girl who is mocked and abused, ends up marrying a beautiful South African swimmer and then splits up with him because of some self-esteem bullshit. WHAT? For fuck’s sake, Muriel! The man has beautiful eyes, a great body and doesn’t beat you. What more could you want? If this means I’m shallow and superficial then I don’t want to be right. She says to him “I don’t love you” and he replies “I don’t love you either but I think I could like having you around.” He’s so sweet! I dream of the day someone says something so romantic to me! Someone attractive, that is. Oh, um, SPOILER ALERT. I should have said that a few sentences ago. If you haven’t seen the movie yet and plan to (which you should, just to see what Muriel walked away from) then forget what you just read.
This is what Muriel left. This. THIS! It stretches all credibility.
Muriel’s Wedding had its good points: a) David (Muriel’s husband), b) it introduced us to Toni Collette as Muriel, c) it introduced us to Rachel Griffiths, and d) along with The Adventures of Priscilla, Queen of the Desert, it brought ABBA back into the public consciousness.
Today Tunes du Jour celebrates the birthday of ABBA’s Benny Andersson who, along with the group’s Björn Ulvaeus, co-wrote and co-produced most of their hits.