Disco music was born in the early seventies in black, Hispanic and gay clubs. It really permeated the mainstream in 1977 with the release of the film Saturday Night Fever, whose soundtrack album became the biggest-selling album of all time in the United States.
As disco became a major commercial force, rockers, including The Rolling Stones, Rod Stewart and Kiss, turned to the genre to score some of the biggest hits of their careers.
In 1979, a Chicago rock radio station hosted an anti-disco demonstration at Comiskey Park. Tens of thousands of people brought disco records that were set ablaze while the crowd chanted “disco sucks.” I’d posit that anti-gay and anti-black sentiments played a part in the anti-disco movement.
After the Comiskey Park demonstration, disco retreated from the mainstream in the U.S. but remained popular in the U.K., Europe, and elsewhere in the world as well as in gay clubs stateside, evolving into house music and hi-nrg.
Despite the efforts of some folks, disco, while suffering some setbacks, didn’t die. Its influence can be heard on the pop charts today.
Similarly, despite the efforts of some folks, the LGB and T populations, while suffering some setbacks, continue to make great strides toward equality.
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If you’re like me, you woke up at 2:17 AM last night, wondering if any animals besides humans can dance, and then you had trouble falling back asleep. If this sounds like you, I suggest you seek therapy. If you’re in L.A., please pass on to me the name of your doctor.
I Googled “Can animals dance?”. I read about a sea lion who loves to shake it to Earth, Wind & Fire’s “Boogie Wonderland.” That doesn’t prove anything. Only a corpse wouldn’t move to that song.
A neuroscientist at the Neurosciences Institute in La Jolla, California discovered that parrots and elephants can dance, but other animals cannot. He defines dance as a natural untrained reaction to music involving moving to the beat. By that definition, most humans can’t dance, either. I know. I’ve been to straight weddings.
The Week reported that scientists found that bees, cockatoos, peacock spiders, dung beetles, manikin birds and freshwater algae can dance. First off, I didn’t know algae was an animal. Secondly, doesn’t algae merely move along with the ebb and flow of the tide? By that definition, everyone’s a good dancer, even attendees at straight weddings.
Looking at dancing animals on YouTube was a depressing experience. I’m sure that sea lion at Sea World doing the “Thriller” moves would rather be in his native habitat than forced to do Michael Jackson impersonations for crowds that pay way too much money, none of which the sea lion sees. The moves probably didn’t come naturally to him. Had he been asked, I’m sure he would’ve said “No, I’m not going to be your monkey.”
Speaking of monkeys, the Daily Mail reported that bonobos like to dance to very fast music. The article was accompanied by several photos of polar bears striking Saturday Night Fever poses. Polar bears are classified as an endangered species, so I can see their concern with stayin’ alive stayin’ alive. Still, I wouldn’t confuse them for bonobos. I know a bear when I see one. I’ve been to gay weddings.
I saw a video of a cockatoo dancing to Backstreet Boys. There’s no accounting for taste, but I must admit, the moves were good. Not Michael Jackson good, but if that is the standard, then no animals can dance. By that measurement, most humans can’t dance. Most Jacksons can’t dance.
Today is the birthday of Michael Jackson’s older sisters, Rebbie and LaToya, not particularly good dancers from any video evidence I’ve seen. Rebbie had a hit song called “Centipede.” I’ve read nothing in my research about whether or not centipedes can dance, but I doubt they can, given they have fifty left feet.
Friday is dance day at Tunes du Jour. All animals are welcome to participate, whether human or centipede (though please don’t bring up The Human Centipede.)
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“Which song is better – ‘Ghostbusters’ or ‘Total Eclipse of the Heart?’”
That question was posed by a co-worker. Are you fudgetown kidding me? It’s like asking “Which movie is better – The Godfather or Paul Blart-Mall Cop 2?”
Okay. That comparison is unfair. “Total Eclipse of the Heart” is far more enjoyable than Paul Blart-Mall Cop 2. I haven’t seen Paul Blart-Mall Cop 2, but I’m confident that “Total Eclipse…” is funnier. “I don’t know what to do, I’m always in the dark / We’re living in a powder keg and giving off sparks.” Ha! And how ‘bout dem sleigh bells?!? How many other summer hits employed sleigh bells?
So yes, I love “Total Eclipse of the Heart,” because it’s so delightfully awful. “Ghostbusters,” on the other hand, is genius. If you were called to write the theme song for a Bill Murray/Ernie Hudson feature film entitled Ghostbusters, would you turn in “Ghostbusters” or “Total Eclipse of the Heart?” Exactly!
“Ghostbusters” is so danged catchy. A lot of people thought so. Huey Lewis thought so. Lewis accused Parker, Jr. of ripping off the Huey Lewis and the News hit “I Want a New Drug” for the melody of “Ghostbusters.” I hear a similarity, but to me it’s like “Hey, Ray – there’s a shitty song called ‘I Want a New Drug.’ Can you make it better, please?” And he did.
“I Want a New Drug” isn’t even fun bad. “I want a new drug – one that won’t make me sick / One that won’t make me crash my car, or make me feel three feet thick.” Really? Did someone misplace their rhyming dictionary?
“Ghostbusters” has no clumsy lyrics. It’s all very efficient. “Who you gonna call? Ghostbusters! Who you gonna call? Ghostbusters! I think you better call. Ghostbusters! Ha ha. Who you gonna call? Ghostbusters! I can’t hear you. Who you gonna call? Ghostbusters! Louder! Ghostbusters! Who you gonna call? Ghostbusters! Who can you call? Ghostbusters! Who you gonna call? Ghostbusters! Ha ha ha. Uh, it likes the girls, too. Ghostbusters!” Then fade, way too soon if you ask me.
“Ghostbusters” was nominated for an Oscar for Best Original Song, but it lost to Stevie Wonder’s “I Just Called to Say I Love You,” a far shittier song than “Total Eclipse of the Heart” and “I Want a New Drug.” I’m not going to quote any lyrics from “I Just Called…,” as I’m pissed off that someone wrote and recorded that atrocity and then Motown stuck Stevie Wonder’s name on it. There’s no way the man who wrote “Maybe Your Baby” also wrote “I Just Called….” By the way, who plays guitar on Stevie Wonder’s “Maybe Your Baby?” Ray Parker, Jr.
Today is Ray Parker, Jr.’s 61st birthday. His hits, solo and with his band Raydio, include “A Woman Needs Love (Just Like You Do),” “Jack and Jill,” “You Can’t Change That” and “The Other Woman.” He also wrote or co-wrote hits for Rufus featuring Chaka Khan and New Edition and has appeared on records by Aretha Franklin, The Carpenters, Barry White, Bill Withers, Deniece Williams, yes I said The Carpenters, The Temptations, Spinners, Boz Scaggs, Gladys Knight and the Pips, Tina Turner, Herbie Hancock, Diana Ross, Cheryl Lynn, LaToya Jackson and Jack Wagner. Jack Wagner. Hey, Jack Wagner – who you gonna call? Ray Parker, Jr.
Our weekly dance party kicks off with Parker, Jr.’s most beloved song, “Ghostbusters.” Try dancing to Bonnie Tyler’s “Total Eclipse of the Heart.” You can’t! Another point for “Ghostbusters.” (Let’s not discuss Nicki French’s hi-NRG remake of “Eclipse” at this time.)
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In one of her best-known songs, Loretta Lynn sings of being a coal miner’s daughter, growing up poor in a cabin in rural Kentucky with her dad, her mom whose fingers were bloody from doing the laundry, and her seven siblings. For Christmas the kids got a new pair of shoes with money made from selling a hog.
The song hits home for me, as it is pretty much the story of my life, with a few minor differences. I’m not a coal miner’s daughter; I’m the son of a garment manufacturer. I didn’t grow up poor in rural Kentucky; I was born in Brooklyn and grew up in middle-class suburbs of New York City. My mom’s fingers never bled from doing laundry, as best as I recall, and I have one brother and one sister. We celebrated Hanukkah, when I got gifts such as Diana Ross’ Greatest Hits and Aretha Franklin’s Ten Years of Gold with money my dad made from selling shmatas. Other than that, the similarities between my life and that of Loretta Lynn are uncanny.
Today Loretta Lynn turns 83 years old, just like me (except for the part about today being my birthday and me being 83). Here are twenty gems from her catalog.
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I love jury duty. It breaks up my usual routine and gives me the opportunity to meet people I probably would not meet otherwise. I’ve served on juries four times. I’m very good at it.
Three of those times were for criminal cases. One was for grand jury. In grand jury, one goes to the courthouse every day for a month and hears a little evidence from plenty of lawsuits filed, in an effort to determine if there is enough evidence for the case to go to trial. We decided there was enough evidence for every single case we heard, and what doosies we were treated to! I don’t remember the details, but I recall it being a parade of nuts. Every day, one wacky witness after another, all in different cases, performed for us. A few of them were sober. To get paid to witness it was a treat.
The first criminal case I served on had to do with drug dealing and possession. The defendant was Latino. As we started our deliberations, we took a vote amongst the jurors to see which way everyone was leaning regarding the defendant’s innocence. Nine of us thought he was guilty. Three people, coincidentally the only three white heterosexual males, voted not guilty. I love that about New York! After a couple of days of deliberation we convinced those three that the defendant was guilty, even if he is Latino. We told the judge our verdict, which was relayed to the defendant’s attorney. The defendant didn’t hear it. He had already skipped town.
My next case was a drunk driving arrest. I was an alternate juror, so I sat through the trail, but initially didn’t deliberate with the other jurors. I was needed in case the regular jurors couldn’t come to a unanimous decision and one of them couldn’t come back the next day to continue the deliberations. That is what happened. I was surprised. The defendant, who wasn’t Latino, was obviously guilty. It turns out there was one holdout, but her reasoning was very different from that of Jimmy Stewart’s character in Twelve Angry Men. Per this one angry woman, the arresting officer did not follow proper procedure to a t. She said in her job as a teacher, if she did not follow proper procedure to a t, she would be disciplined. Though she agreed the defendant was driving drunk, she felt we needed to send the police department a message about following procedures to a t. My fellow jurors told me things were heated during the previous day’s deliberations, but somehow I was able to calmly explain to the one angry woman that it is not the police department who are on trial here. She changed her vote to guilty.
The last jury I served on was for a case involving a double homicide. That was a rough one; I’m too sensitive for such ordeals. The trial lasted a month, during which time we were shown many photographs of the deceased. At least my fellow jurors were a great bunch of people. Despite the intensity of the case, everyone was professional and respectful during our deliberations, which lasted for several days.
I bring up jury duty because of Wonder Woman. While serving on the drug trial, I rode the courthouse elevator with TV’s Wonder Woman, Lynda Carter, whose husband was on trial in the same building for a banking scandal. Unlike the defendant in my trial, Mr. Carter, who is actually Mr. Altman, was acquitted.
In February 1980, Lynda Carter, pro-choice and LGBT rights advocate and spokesperson for irritable bowel syndrome, guest-starred on The Muppet Show, where she sang “The Rubberband Man,” a song written by Thom Bell and Linda Creed about Bell’s son, whose schoolmates mocked him for being chubby, calling him “the fat man.” “The Fat Man” was Bell’s original title for the song, about a large man who knew how to get a party going with his dance moves. It was meant to uplift young Bell, to show that his weight wasn’t something that needed to drag him down. He had talents and abilities that people admired. I don’t think that was clearly conveyed in Carter’s performance.
Three years prior to Carter’s performance of “The Rubberband Man” on The Muppet Show, Tina Turner performed it on The Brady Bunch Hour, a TV variety series featuring the original cast of the sitcom The Brady Bunch except for Eve Plumb (figures, right?) serving us hilarious comedy sketches and memorable musical moments such as this one. Turner performs the song in front of a swimming pool in which four women do a non-strenuous water ballet. Every so often, the tape of audience applause fires up for no discernible reason, other than the producers’ realization of “Holy shit! That’s Tina Turner!“
The best version of “The Rubberband Man” is the original recording, the last top forty hit for Spinners that featured Philippé Wynne on lead vocals. Wynne joined the group in 1972 and left in 1977, the year after “The Rubberband Man” peaked at #2 on the pop chart. He died from a heart attack in 1984. Today Tunes du Jour celebrates Wynne’s birthday by kicking off our weekly dance playlist with Spinners’ “The Rubberband Man.”
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1) He’s had a record 79 Grammy Award nominations. He’s won 27.
2) He arranged the Frank Sinatra/Count Basie version of “Fly Me to the Moon,” which astronaut Neil Armstrong played when he first landed on the moon.
3) Jones produced the soundtrack of the motion picture The Wiz. He later said he hated working on it, as he didn’t like most of the songs nor did he like the film’s script. However, on the set on The Wiz he got to know the singer who played the scarecrow, Michael Jackson. Jackson asked him to recommend a producer for his next album. Jones threw out a few names and also offered to produce it himself. Jackson took him up on his offer, though his record label thought it was a bad idea. The album, 1979’s Off the Wall, went on to sell 20 million copies and won Jackson his first Grammy Award.
4) While widely known as the producer of Michael Jackson’s Thriller, Bad and Off the Wall albums, Jones is also the producer of the hit records “We Are the World” by USA for Africa; “It’s My Party,” “You Don’t Own Me” and “Judy’s Turn to Cry” by Lesley Gore; “Angel” by Aretha Franklin; “I’ll By Good to You,” “Stomp” and “Strawberry Letter 23” by The Brothers Johnson; “One Mint Julep” by Ray Charles; and “Love is in Control (Finger on the Trigger)” by Donna Summer, among others. He also worked with Bono, Stevie Wonder, Miles Davis, Little Richard, Paul Simon, Duke Ellington, Ella Fitzgerald, Herbie Hancock, Billie Holiday, B.B. King, Louis Armstrong, Dizzie Gillespie, Sarah Vaughan, Diana Ross, Dinah Washington, Peggy Lee, Chaka Khan, Tony Bennett, George Benson, Luther Vandross, Sammy Davis Jr., Johnny Mathis, James Ingram and Patti Austin, plus plenty more.
5) “Quincy Jones is one of the most versatile and potent figures of popular culture….When you listen to his impressive and monumental body of work, it’s easy to understand how and why he’s touched such a broad audience of music lovers. He’s done it all.” – Michael Jackson
6) Time magazine named him one of the most influential jazz musicians of the 20th century.
7) In the early 1960s he became the Vice President of Mercury Records, the first African-American at a major record company to reach that executive level.
8) His middle name is Delight.
9) Along with Bob Russell, he became the first African-American to be nominated for an Oscar for Best Original Song for “The Eyes of Love” from Banning.
10) With seven Oscar nominations, he is tied with sound designer Willie Burton as the African-American with the most Oscar nominations.
11) Jones produced the film The Color Purple, his first foray into film production. He asked Steven Spielberg to direct it, which he did. It was nominated for eleven Academy Awards.
12) Among his 33 movie scores are the ones for The Color Purple, In the Heat of the Night, In Cold Blood, and Bob & Carol & Ted & Alice.
13) He has a daughter with actress Nastassja Kinski as well as six other children.
14) He’s the father of actress Rashida Jones. She’s pretty.
15) In 1988 he formed Quincy Jones Entertainment, who produced the television program The Fresh Prince of Bel-Air.
16) He never learned how to drive.
17) Among the charities Jones supports are American Foundation for AIDS Research (AmfAR), Global Down Syndrome Foundation, Gay and Lesbian Alliance Against Defamation (GLAAD), MusiCares, Elton John AIDS Foundation, Rape Foundation, UNICEF, NAACP, Nelson Mandela Centre of Memory, and Barbara Davis Center for Childhood Diabetes.
18) In 1974 Jones suffered a brain aneurysm. He was given a 1 in 100 chance of surviving. Family and friends, including Richard Pryor, Marvin Gaye and Sidney Poitier, planned a memorial service for him, which he got to attend.
19) Today he turns 82 years old.
20) “The thing is to find your lightning – and ride your lightning.” – Quincy Jones
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Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.
That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.
(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.
Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)
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Prince wrote the song “The Glamorous Life” for the Apollonia 6 album. According to Apollonia, he wrote the song about her. Per Nilsen, who has written a couple of book about Prince, quotes Apollonia as saying “He used to make all these stupid jokes, ‘You’re the kind of chick who would wear a mink coat in the summertime.’ To this day I don’t have my own mink coat!”
Prince ended up giving the song to Sheila E. for her debut solo album. Prior to meeting Prince Sheila worked with Marvin Gaye, Diana Ross, Lionel Richie, Herbie Hancock, George Duke, Billy Cobham, Jeffrey Osborne, Con Funk Shun, and her dad, Pete Escovedo.
In 1984 “The Glamorous Life” hit #7 on the pop chart, #9 on the r&b chart, and #1 on the dance chart.
Today Sheila E. turns 57 years old. We kick off our weekly dance party with her first hit single.
It’s interesting that Berry Gordy, the head of Motown Records who in 1970 told his top male vocalist Marvin Gaye that the new song Gaye had written, “What’s Going On,” was “the worst thing I ever heard in my life” and that he shouldn’t do protest songs, would five years later have Motown be the first major label to release a pro-gay anthem.
Bunny Jones, a heterosexual Christian woman, owned several beauty salons in Harlem. Most of her employees were gay. Seeing how they needed to suppress their natural selves and being aware of the issues they faced, she wrote song lyrics about a man who says he’s “happy, carefree and gay,” the way God made him.
Set to music written by Chris Spierer, also straight, Jones looked for a male vocalist to record her song. After catching a performance of Hair at the Westbury Music Fair, she approached one of the show’s actors, Charles “Valentino” Harris, and told him of the song.
In 1975, at age 22, Valentino recorded his only record, a single entitled “I Was Born This Way.” Jones released it on a label she started, named Gaiee. On her own she sold 15,000 copies of the song. This got the attention of Berry Gordy, whose Motown Records picked up the single for distribution.
Valentino’s record got some club play, particularly in the UK where it was a #1 disco hit.
Two years later Motown approached a gospel singer named Carl Bean and asked him if he would record a new version of “I Was Born This Way.” Unbeknownst to Motown, Bean was gay. In early 1978, Bean’s version of the tune reached #15 on the Billboard Disco chart.
The song has since become something of a classic. Two years after Bean’s success with “I Was Born This Way,” Motown released Diana Ross’ “I’m Coming Out.” It would hold the #1 position on the Disco chart for five weeks and have much crossover success at pop and r&b radio as well.
Today Berry Gordy celebrates his 85th birthday. Friday is dance day at Tunes du Jour. Here are twenty of Motown’s best disco/dance tracks from the 1970s thru 1990.
Every April, to coincide with Tax Day, my former Sony colleague Rich Appel creates the IRS countdown. In this case, IRS stands for It Really Shoulda, as in It Really Shoulda been a top ten hit. People vote for songs that they feel should have but didn’t make the top ten of Billboard’s Hot 100. Rich collates all of the entries and comes out with the Top 100 IRS songs.
Today is my birthday. Usually on birthdays, Tunes du Jour creates a playlist around the music of the birthday boy or girl. As Friday is dance day in these parts, I decided I would take inspiration from Rich’s IRS countdown and present to you a playlist of songs that I love to dance to that didn’t crack the pop top ten. Here are fifty such IRS tracks. (Actually, fifty-one, not because that’s how old I am but because the Diana Ross entry is two songs.) It’s my birthday and I need to dance!
