Tunes Du Jour Presents The Temptations

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Few groups have shaped American popular music as profoundly as The Temptations. From their early days of smooth doo-wop harmonies to their ventures into psychedelic soul and funk, the group’s journey mirrors the cultural and musical evolution of the 1960s and ’70s. Starting with the innocent romance of “The Way You Do the Things You Do” and “My Girl,” the Temptations created a template for vocal group harmony that would influence generations of artists.

The group’s ability to adapt and grow became evident as the social climate of America changed. By the late 1960s, they were tackling complex social issues in songs like “Ball of Confusion” and “Cloud Nine,” pushing the boundaries of what soul music could express. Their collaboration with producer Norman Whitfield led to groundbreaking tracks like “Papa Was a Rollin’ Stone” and “Psychedelic Shack,” which incorporated extended instrumental sections, innovative studio techniques, and provocative lyrics that addressed the turbulent times.

What set the Temptations apart was not just their musical versatility but also the distinctive voices within the group. David Ruffin’s gritty lead on “Ain’t Too Proud to Beg” during his tenure with the group, Eddie Kendricks’ falsetto on “Just My Imagination,” and Dennis Edwards’ powerful delivery on “Papa Was a Rollin’ Stone” showcased their individual talents. After leaving the group, these singers found solo success – Ruffin with “My Whole World Ended (The Moment You Left Me),” Kendricks with “Keep On Truckin'” and Edwards with “Don’t Look Any Further” – proving the exceptional talent that had made the group so powerful.

Their influence extended beyond their own recordings. The group’s collaboration with Diana Ross and the Supremes on “I’m Gonna Make You Love Me” demonstrated the creative synergy within Motown Records. Songs like “War” and “Law of the Land” proved their willingness to engage with political themes, with the latter and “Papa Was a Rollin’ Stone” helping establish the extended-play, orchestrated sound that would become a blueprint for disco. Ironically, the disco movement they helped inspire would later contribute to their commercial decline in the mid-1970s.

Looking at their body of work, from the optimistic “Get Ready” to the elaborate “Masterpiece,” the Temptations demonstrated remarkable artistic range. Their evolution wasn’t just about changing with the times – it was about helping to define those times through music that combined technical excellence with genuine emotional depth. The group’s legacy lives on not just in their hits, but in their demonstration that popular music could be both commercially successful and artistically ambitious.

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Tunes Du Jour Celebrates World Kindness Day

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Today is World Kindness Day. While every day would be a great day to practice basic human decency, some people are nasty assbags with no regard for others. If you’re one of those walking masterpieces of jackholery, here’s a wild idea: try being kind for ONE WHOLE DAY and see what it does. For example, let’s say you’re the personal assistant to someone who lives in a building with other residents. When you’re walking out of the building’s front door just in front of a neighbor who is holding his 17-year-old blind dog and leading his other pupper on a leash, maybe – and I’m just spitballing here – don’t let the door slam in their face, you self-absorbed piece of human garbage. And if said neighbor thoughtfully moves your precious Tesla charging cable to prevent damage (gasp – the audacity of helping!), perhaps, don’t show up at his door and berate him for protecting your property. Wild concept: Show some gratitude for his thoughtfulness. Consider saying “thank you,” you self-important, unreasonable, entitled, high-handed weenie.

FFS people, be kind! Rewind!

(Any resemblance to persons unfortunately living is purely intentional.)

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Tunes Du Jour Presents 1969

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The music of 1969 captures a unique crossroads in cultural history—a year teetering between optimism and cynicism, unity and rebellion. Looking at a playlist from this year reveals a blend of genres and voices, each reflecting a society in flux. The playlist’s tracks encompass themes of love, social change, disillusionment, and raw individualism, echoing the era’s contradictions and bold spirit.

On one end of the spectrum, songs like Elvis Presley’s “Suspicious Minds” and Tammy Wynette’s “Stand By Your Man” echo traditional themes of love, loyalty, and heartbreak, though with a hint of modern skepticism. Presley’s soulful performance marked his return to chart-topping success, while Wynette’s hit became a polarizing anthem, embraced by some for its devotion and questioned by others for its apparent passivity. Meanwhile, Glen Campbell’s “Wichita Lineman” captured a more introspective side of the decade, blending pop and country into a haunting portrayal of loneliness and perseverance.

But 1969 wasn’t all about introspection; it was also a year of unrestrained expression and pushing boundaries. Creedence Clearwater Revival’s “Bad Moon Rising” hinted at a sense of looming danger, with its ominous lyrics striking a nerve during a time of political upheaval. In contrast, “Honky Tonk Women” by The Rolling Stones embraced the gritty allure of rock and roll without aiming for a larger societal message. Jagger’s tales of chance encounters and gin-soaked nights represent the Stones’ unapologetic celebration of indulgence, sidestepping introspection in favor of pure hedonism.

Amidst the wild spirit of rock, 1969 also offered more uplifting messages with a hint of idealism. Sly & The Family Stone’s “Everyday People” and The Youngbloods’ “Get Together” conveyed calls for unity that resonated deeply in an era fraught with political and racial tensions. Sly Stone’s anthem became a rallying cry for acceptance, emphasizing individuality while embracing common ground. Similarly, “Aquarius/Let the Sunshine In” by The 5th Dimension captured the essence of the countercultural movement in all its utopian ambitions, even if the optimism was a bit idealistic in hindsight.

Then there was the music that addressed disillusionment head-on, perhaps best captured by Simon & Garfunkel’s “The Boxer” and Peggy Lee’s “Is That All There Is?” Both songs offer reflective, sometimes jaded perspectives on life’s struggles and the disappointments that can accompany maturity. Where “The Boxer” tells the story of a young man grappling with hardship and loss, Lee’s dry wit in “Is That All There Is?” confronts the emptiness that can lie beneath life’s surface pleasures.

Ultimately, this playlist from 1969 feels like a time capsule of an era balancing between hope and disillusionment. From the raw proto-punk of The Stooges to the tender balladry of Stevie Wonder’s “My Cherie Amour,” the year’s music speaks to a generation grappling with unprecedented social changes. Through these songs, 1969 continues to resonate, reminding us that music often reflects the spirit of its time while challenging listeners to consider where they stand.

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Tunes Du Jour Presents Disco

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This fall marks fifty years since Billboard magazine began publishing its disco chart, an acknowledgment of a genre that danced its way into the hearts of millions. Disco music, with its infectious rhythms and vibrant energy, was more than just a soundtrack for nightlife; it was a cultural phenomenon rooted in the experiences of Black, Latinx, and gay communities. The genre’s pulsating beats and soulful melodies offered an escape, a place where people could come together and express themselves freely on the dance floor.

Disco’s origins can be traced back to the dance halls of New York City, where marginalized communities created spaces for celebration and expression. Early tracks like The Trammps’ “That’s Where the Happy People Go” and Shirley & Co’s “Shame, Shame, Shame” laid the foundation for what would become a global movement. These songs, along with others from the era, were not just about the beats but also about creating a sense of community and shared experience on the dance floor, where people from all walks of life could come together and express themselves freely.

Black artists played a central role in shaping disco’s sound and message. Chic’s “Le Freak” and Sister Sledge’s “He’s the Greatest Dancer” brought sophisticated grooves that transcended race, while Marvin Gaye’s “Got to Give It Up” and Diana Ross’s “Upside Down” combined soul with danceable rhythms, pushing the genre into mainstream consciousness. The smooth yet dynamic production styles and vocals showcased a depth that went beyond the glittering surface often associated with disco.

Latinx influences also left an indelible mark on the genre. Songs like “Turn The Beat Around” by Vicki Sue Robinson and “Cherchez La Femme” by Dr. Buzzard’s Original Savannah Band infused Latin rhythms with disco beats, creating a vibrant and eclectic sound. This cross-pollination of cultures on the dance floor reflected the diversity of the communities that embraced disco, making it a genre that celebrated inclusivity long before it became a mainstream value.

As we commemorate fifty years since Billboard recognized disco’s impact, it’s important to remember that disco was more than just a moment in time. It was a movement that broke down social barriers and created a space where joy and liberation could thrive. Whether it’s the enduring appeal of “Stayin’ Alive” by the Bee Gees or the timeless groove of KC & the Sunshine Band’s “That’s the Way (I Like It),” disco’s legacy lives on, reminding us of the power of music to unite and uplift.

Tunes Du Jour Presents 1980

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As the calendar turned to 1980, the music world stood at a fascinating crossroads. The year marked not just the dawn of a new decade, but also a pivotal moment in popular music, where established genres evolved and new sounds emerged to captivate listeners.

The influence of disco could still be felt, though its dominance was waning. Michael Jackson’s “Rock With You” showcased his exceptional vocal talents and danceable rhythms, while Diana Ross’s “Upside Down” demonstrated the sophisticated production techniques that defined the era. These tracks, along with hits like Lipps, Inc.’s “Funkytown” and The Brothers Johnson’s “Stomp!”, proved that disco’s infectious energy still had the power to fill dance floors.

Stevie Wonder’s “Master Blaster (Jammin’)” further exemplified how established artists were adapting to the changing musical landscape, infusing reggae influences into his signature soulful sound.

However, 1980 also heralded the rise of new wave and synth-pop, genres that would come to define much of the decade’s sound. Gary Numan’s “Cars” introduced many listeners to the futuristic possibilities of synthesizer-driven music, creating an atmospheric soundscape that was both innovative and influential. Blondie’s “Call Me” further exemplified the genre’s versatility, blending punk aesthetics with disco beats to create a chart-topping hit that appealed to a broad audience. Pretenders established themselves with “Brass in Pocket,” a song that showcased Chrissie Hynde’s distinctive vocals and the band’s unique blend of punk energy and pop sensibility.

Rock and punk maintained a strong presence throughout the year. Pink Floyd’s “Another Brick in the Wall, Pt. 2” dominated charts worldwide, its memorable chorus and biting social commentary resonating with listeners. The Clash’s “London Calling” and AC/DC’s “You Shook Me All Night Long” brought raw energy and rebellious spirit to the airwaves. These tracks, along with Motörhead’s aggressive “Ace of Spades,” spoke to listeners seeking music that channeled their frustrations and aspirations. In contrast, Joy Division’s haunting “Love Will Tear Us Apart” showcased a more introspective side of post-punk, its emotional depth influencing countless artists in the years to come. The Cure’s “A Forest” further expanded the boundaries of post-punk, its atmospheric sound and introspective lyrics pointing towards the gothic rock movement that would flourish in the coming years.

The year was also marked by significant releases that left an indelible mark on popular culture. John Lennon’s “(Just Like) Starting Over” served as a poignant reminder of his enduring legacy, released shortly before his untimely death. Queen’s “Another One Bites the Dust” demonstrated the band’s ability to blend rock with funk, creating an anthem that remains popular decades later. David Bowie’s “Ashes to Ashes” continued his tradition of pushing musical boundaries, seamlessly merging art rock with electronic elements.

Oh, a guy named Prince had his breakthrough hit “I Wanna Be Your Lover.” We’d hear more from him throughout the 1980s.

As the year closed, it was clear that 1980 had set the stage for the decade to come. The eclectic mix of sounds reflected a world in transition. It was a year where artists embraced both the past and the future, creating music that was as much a reflection of its time as it was a precursor to the trends that would define the 1980s.

Tunes Du Jour Celebrates PRIDE!

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Music has long been a powerful force for self-expression and building community for LGBTQ+ artists and listeners alike. This Pride playlist celebrates the incredible diversity within the LGBTQ+ community through a wide range of styles, eras, and voices.

From enduring anthems like Diana Ross’ “I’m Coming Out” and Queen’s defiant “I Want To Break Free” to recent hits from Lil Nas X, Janelle Monae, and Troye Sivan, the songs seamlessly blend messages of pride, self-acceptance, and living authentically. Legendary artists like Elton John, George Michael, and Melissa Etheridge stand alongside bold new voices like Rina Sawayama and Perfume Genius, showing how LGBTQ+ musicians have blazed trails across decades.

The playlist pays tribute to tracks that turned the spotlight on LGBTQ+ experiences through storytelling, like The Kinks’ “Lola,” Pet Shop Boys’ “It’s a Sin,” and Bronski Beat’s “Smalltown Boy.” It also uplifts joyful, celebratory bops, such as “I’m Still Standing,” “Go West,” and the iconic “It’s Raining Men.” 

With a mix of pop smashes, singer-songwriter confessionals, rock anthems, and hip-hop ground-breakers, the eclectic playlist reflects how LGBTQ+ artists have fruitfully influenced every corner of the musical landscape. From Carl Bean’s pioneering disco hit “I Was Born This Way” to Gossip’s “Standing in the Way of Control,” these songs unite in championing self-love, equality, and the fundamental human rights that the LGBTQ+ community continues fighting for.

Ultimately, this playlist invites listeners of all identities and backgrounds to share in the uplifting spirit of Pride. It’s a vibrant, multi-dimensional celebration of the perseverance, creativity, and unshakeable truth at the heart of the LGBTQ+ experience.

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