Tunes Du Jour Presents Thom Bell Productions

Thom Bell, one of the primary architects of the Philadelphia soul sound of the 1970s, transformed popular music through his sophisticated approach to arrangement, production, and songwriting. As a producer, Bell crafted numerous classics with The Stylistics (“You Make Me Feel Brand New,” “Betcha by Golly, Wow”), Spinners (“I’ll Be Around,” “Could It Be I’m Falling In Love”), and The Delfonics (“La-La (Means I Love You),” “Didn’t I (Blow Your Mind This Time)”). His signature style combined lush orchestration with tight rhythm sections, creating a smooth yet emotionally resonant backdrop for the distinctive vocal harmonies of these groups.

Beyond his production work, Bell’s talents as an arranger and songwriter were equally significant to his legacy. His intricate string and horn arrangements elevated songs like “People Make the World Go Round” by The Stylistics and “The Rubberband Man” by The Spinners into something far more sophisticated than typical pop fare. As a songwriter, often collaborating with Linda Creed, he penned enduring hits including “You Are Everything” and “Break Up to Make Up.” While this playlist highlights his work as a producer, Bell’s arranging skills also enhanced recordings by artists he didn’t produce, including Archie Bell & The Drells, Dusty Springfield, Jerry Butler, and many others, extending his musical influence far beyond his core production credits.

What distinguished Bell’s work was his classical training combined with deep soul sensibilities—creating arrangements that balanced complexity with accessibility. Unlike many producers of his era who relied on formula, Bell approached each artist uniquely, tailoring his sound to complement specific vocal qualities. This musical versatility allowed him to help shape not just the Philadelphia soul sound but to influence broader pop music trends throughout the 1970s and beyond. His productions maintain their artistic integrity and emotional impact decades later, testament to a visionary who understood that the most profound musical innovations often happen in the mainstream, where artistry and accessibility converge.

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Tunes Du Jour Presents 1968

In the tumultuous year of 1968, the world was ablaze with social and political upheaval, and the music of the time resonated deeply with the spirit of change. As we reflect on the sounds that defined this pivotal era, it’s impossible not to be swept away by the eclectic mix of genres and emotions that filled the airwaves. From soulful ballads to psychedelic rock anthems, the music of 1968 was a reflection of the turbulent times in which it was created.

One cannot delve into the musical landscape of 1968 without acknowledging the timeless classics that continue to capture hearts and minds today. Marvin Gaye’s “I Heard It Through the Grapevine” remains a soulful testament to the power of love and betrayal, while The Beatles’ “Hey Jude” stands as an enduring anthem of hope and resilience. Meanwhile, Otis Redding’s “(Sittin’ On) The Dock of the Bay” evokes a sense of quiet contemplation amidst the chaos, its melancholic melody lingering long after the last note fades away.

The year also saw the rise of revolutionary artists who pushed the boundaries of conventional sound and style. Jimi Hendrix’s electrifying rendition of Bob Dylan’s “All Along The Watchtower” redefined the possibilities of guitar-driven rock, while Sly & the Family Stone’s “Dance To The Music” infused funk with a vibrant energy that transcended racial and cultural divides. Steppenwolf’s “Born To Be Wild” became the anthem of a generation, capturing the restless spirit of rebellion that coursed through the veins of youth around the world.

Each track on this playlist is a testament to the power of music to unite, inspire, and console, even in the darkest of times. Let us remember the year that was 1968 and the enduring legacy of the artists who helped shape it.

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Throwback Thursday: 1968

Today’s Throwback Thursday playlist makes a strong case for 1968 being the best year for pop music in the rock era. So many classics hit that year. Yes, I know I didn’t include all of them. I didn’t want to be too classic rock heavy, as other genres produced timeless pieces as well. There’ll be a part 2 one of these weeks. Until then, enjoy!

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