Let’s get the festive season started!
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Shortly after British rock band Suede released their debut album in the US in 1993, they encountered a trademark issue. An American lounge singer named Suzanne deBronkart had been performing under the name “Suede” since the 1980s and had already trademarked the name for musical performances in the US. She sued for trademark violation.
Two years later, the British band reluctantly agreed to use the name “The London Suede” for all their US releases and performances. This compromise allowed them to maintain their original name in other parts of the world while respecting the existing trademark in the United States.
This name change applied to all their album releases, merchandise, and concert promotions in the US throughout their career.
(The London) Suede’s Brett Anderson was born on this date in 1967. A handful of the band’s tracks are included on today’s playlist.
A handful of Roxy Music tracks on today’s playlist in honor of the birthday of group member Bryan Ferry
Queen, the British rock band formed in London in 1970, left an indelible mark on the music industry with their innovative sound, theatrical performances, and enduring hits. Over their two-decade run with their original lineup, Queen produced a vast array of songs that continue to resonate with audiences worldwide.
At the heart of Queen’s success was their ability to blend various musical styles into a unique sound. From the operatic rock of “Bohemian Rhapsody” to the funk-inspired “Another One Bites the Dust,” the band refused to be confined to a single genre. This versatility is evident in tracks like “Crazy Little Thing Called Love,” which pays homage to 1950s rock and roll, and “Under Pressure,” a collaboration with David Bowie that seamlessly merges two iconic musical forces. Songs like “We Will Rock You” and “We Are the Champions” became anthems at sporting events, their simple yet powerful choruses designed for audience participation.
The individual talents within Queen were exceptional. Freddie Mercury’s four-octave vocal range and flamboyant stage presence made him one of rock’s greatest frontmen. Brian May’s distinctive guitar work, often created using his homemade “Red Special” guitar, can be heard on tracks like “Tie Your Mother Down” and “Brighton Rock.” Roger Taylor’s powerful drumming and high vocal harmonies feature prominently in songs like “I’m In Love With My Car,” while John Deacon’s bass lines form the backbone of hits like “Another One Bites the Dust” and “You’re My Best Friend.”
Queen’s legacy extends far beyond their chart-topping hits. Their willingness to experiment with unconventional song structures is evident in epic tracks like “The March of the Black Queen” and the sci-fi-inspired “39.” Even in their later years, facing Mercury’s declining health, the band produced powerful, introspective works like “These Are the Days of Our Lives” and “The Show Must Go On.” Today, Queen’s music continues to inspire new generations of listeners, a testament to their enduring impact on rock music.
As the calendar turned to 1980, the music world stood at a fascinating crossroads. The year marked not just the dawn of a new decade, but also a pivotal moment in popular music, where established genres evolved and new sounds emerged to captivate listeners.
The influence of disco could still be felt, though its dominance was waning. Michael Jackson’s “Rock With You” showcased his exceptional vocal talents and danceable rhythms, while Diana Ross’s “Upside Down” demonstrated the sophisticated production techniques that defined the era. These tracks, along with hits like Lipps, Inc.’s “Funkytown” and The Brothers Johnson’s “Stomp!”, proved that disco’s infectious energy still had the power to fill dance floors.
Stevie Wonder’s “Master Blaster (Jammin’)” further exemplified how established artists were adapting to the changing musical landscape, infusing reggae influences into his signature soulful sound.
However, 1980 also heralded the rise of new wave and synth-pop, genres that would come to define much of the decade’s sound. Gary Numan’s “Cars” introduced many listeners to the futuristic possibilities of synthesizer-driven music, creating an atmospheric soundscape that was both innovative and influential. Blondie’s “Call Me” further exemplified the genre’s versatility, blending punk aesthetics with disco beats to create a chart-topping hit that appealed to a broad audience. Pretenders established themselves with “Brass in Pocket,” a song that showcased Chrissie Hynde’s distinctive vocals and the band’s unique blend of punk energy and pop sensibility.
Rock and punk maintained a strong presence throughout the year. Pink Floyd’s “Another Brick in the Wall, Pt. 2” dominated charts worldwide, its memorable chorus and biting social commentary resonating with listeners. The Clash’s “London Calling” and AC/DC’s “You Shook Me All Night Long” brought raw energy and rebellious spirit to the airwaves. These tracks, along with Motörhead’s aggressive “Ace of Spades,” spoke to listeners seeking music that channeled their frustrations and aspirations. In contrast, Joy Division’s haunting “Love Will Tear Us Apart” showcased a more introspective side of post-punk, its emotional depth influencing countless artists in the years to come. The Cure’s “A Forest” further expanded the boundaries of post-punk, its atmospheric sound and introspective lyrics pointing towards the gothic rock movement that would flourish in the coming years.
The year was also marked by significant releases that left an indelible mark on popular culture. John Lennon’s “(Just Like) Starting Over” served as a poignant reminder of his enduring legacy, released shortly before his untimely death. Queen’s “Another One Bites the Dust” demonstrated the band’s ability to blend rock with funk, creating an anthem that remains popular decades later. David Bowie’s “Ashes to Ashes” continued his tradition of pushing musical boundaries, seamlessly merging art rock with electronic elements.
Oh, a guy named Prince had his breakthrough hit “I Wanna Be Your Lover.” We’d hear more from him throughout the 1980s.
As the year closed, it was clear that 1980 had set the stage for the decade to come. The eclectic mix of sounds reflected a world in transition. It was a year where artists embraced both the past and the future, creating music that was as much a reflection of its time as it was a precursor to the trends that would define the 1980s.
Happy International Left-Handers Day! 🖐
Did you know that in the 1600s, lefties were suspected of witchcraft? Fast forward to today, and we’re still navigating a world designed for righties. From scissors to can openers, life’s full of little challenges for the left-handed among us.
Even language hasn’t been kind – check a thesaurus and you might find some surprisingly negative synonyms for “left-handed.” (Have you ever been accused of giving a left-handed compliment?) But lefties in good company! Some of the world’s most creative minds have been southpaws.
To celebrate this most important of holidays, I’ve put together a playlist featuring 30 incredible left-handed musicians. From rock legends to pop icons, these artists have left their mark on music history.
Lots of songs by U2 on today’s playlist, as group member The Edge celebrates a birthday today.