Inspired by the May 1 birthdays of Ray Parker Jr., Rita Coolidge, Judy Collins, Little Walter and Jay Reatard.
Your (Almost) Daily Playlist (4-27-20)
Inspired by the April 27 birthdays of The B-52’s‘ Kate Pierson, Lizzo, Sheena Easton, Badfinger’s Pete Ham, Ann Peebles, The Main Ingredient’s Cuba Gooding Sr., Ace Frehley and Robin S.
Your (Almost) Daily Playlist (4-7-20)
Inspired by the April 7 birthdays of John Oates, Billie Holiday, Kraftwerk’s Florian Schneider, Janis Ian, Bobby Bare, Carol Douglas, Alexis Jordan, Mongo Santamaria and Percy Faith.
Your (Almost) Daily Playlist (2-13-20)
Inspired by the February 13 birthdays of New Order’s Peter Hook, Peter Gabriel, Robbie Williams, Feist, Black Flag’s Henry Rollins, Freedom Williams, the Monkees’ Peter Tork, Tennessee Ernie Ford, and songwriter Boudleaux Bryant, who, sometimes with his wife Felice, composed many of the Everly Brothers hits, including “Bye Bye Love,” “All I Have to Do Is Dream,” “Wake Up Little Susie,” “Bird Dog,” “Devoted To You,” and “Love Hurts.”
Your Daily Playlist (1-19-20)
Inspired by the January 19 birthdays of Phil Everly, Dolly Parton, Janis Joplin, Robert Palmer, Caron Wheeler, America’s Dewey Bunnell, Deep Purple’s Rod Evans, and Shelley Fabares, and by National Popcorn Day.
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Throwback Thursday – 1976 (Part II)
In October of 1975, the band Queen played for their manager, John Reid, a song they recently finished recording that they wanted to release as their next single. Reid told them the track would not get any airplay. He played it for another artist he managed, Elton John, who reportedly said “Are you mad? You’ll never get that on the radio!”
Queen stayed firm, not relenting when their record company begged them to at least edit the song down from its nearly six-minute duration.
To promote the song, the band was invited to play on England’s hugely successful Top of the Pops television program. They were unable to appear due to tour commitments, so they did something that wasn’t very common in 1975 – they filmed a videoclip. Top of the Pops aired the clip. As the song rose up the charts, the video was shown repeatedly. Soon other artists in the UK made videos for their records, which is why when MTV launched in the United States in 1981, many of the clips they aired were of UK acts.
The single, “Bohemian Rhapsody,” went to #1 in England in December of that year, where it stayed for nine weeks. It got knocked from the top spot by a song whose title consisted of a phrase used in “Bohemian Rhapsody” – ABBA’s “Mamma Mia.” “Bohemian Rhapsody” hit #1 again there in December of 1991, a few weeks after the death of the band’s lead singer and the song’s composer, Freddie Mercury.
In the United States, the song didn’t go to #1, but it did hit the top ten in 1976 and 1992.
For this week’s Throwback Thursday playlist, Tunes du Jour revisits 1976 (part I can be found here), kicking off with the Queen classic “Bohemian Rhapsody.”
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It’s National Teachers Day And I Need To Dance!
On the off-chance I don’t win an Oscar for Best Original Screenplay, which, seeing as I have yet to write a single scene, is a remote possibility, I’d like to present the text of my acceptance speech here and now.
“Thank you! Thank you so much! Thank you! (wink at Meryl) Wow! I wasn’t expecting to win. This is such a surprise. Let me read you the speech I wrote for this occasion.
I’d like to thank the Academy, specifically the members who voted for me. I’d like to thank everyone who bought a ticket to see my movie. I’d like to thank the cast and crew. It takes a village! Am I right? Of course I’m right! I’m a right-er! (smile, acknowledge the laughter in the audience)
Mostly, I’d like to thank all those who taught me about writing and provided encouragement. I’d like to thank all of my English teachers, my writing teachers, my stand-up comedy teachers and my improvisation teachers. I’d like to thank my fellow classmates, workshops and meetup members and the friends and family members who provided feedback and support. In particular, I’d like to…oh, they’re playing the music, indicating it’s time for me to leave. Until next year, remember I love you all, except those who voted for my competitors.”
Today is National Teachers Day. Our weekly dance party kicks off with Daryl Hall and John Oates’ “Adult Education.”
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Throwback Thursday – 1982
As a songwriter, Gloria Jones charted with Gladys Knight & the Pips’ “If I Were Your Woman,” the Four Tops’ “Just Seven Numbers (Can Straighten Out My Life),” and Marvin Gaye and Diana Ross’ “My Mistake (Was to Love You).” As a producer, Gloria Jones hit the top ten on the disco chart with Gonzalez’s “Haven’t Stopped Dancing Yet.” But as a lead singer, Jones failed to make the pop, r&b or dance charts.
In 1973, while on a trip to the United States, British DJ Richard Searling purchased a copy of a Gloria Jones single from 1965. The A-side was a song called “My Bad Boy’s Comin’ Home,” but it was the B-side that really got Searling’s attention.
Northern soul music (uptempo American soul music in a sixties Motown vein yet without commercial success) had a large cult following in the northern England at that time, and Searling played the Gloria Jones b-side during his sets.
Northern soul fan David Ball loved the song. When he and his musical partner, Mark Almond, who together comprised the duo Soft Cell, were looking for a song to cover, they went with the Jones song, thinking it would be interesting for a synth band to cover a soul tune. Their record label asked them to add guitar, bass and drums to the track, but the duo refused. Despite this, the label put out the singer. Almond told Rolling Stone magazine “We thought if we were really lucky, we’d scrape into the top 75 in Britain. We didn’t think anything would happen over here [in the US].”
Soft Cell’s recording of “Tainted Love” became a smash worldwide. In the US, it spent 43 weeks on Billboard’s Hot 100, a record at that time. Said Gloria Jones of the Soft Cell recording “Their version was far better than mine.”
This week, Tunes du Jour celebrates Throwback Thursday with twenty great tunes from 1982, kicking off with Soft Cell’s version of “Tainted Love,” but first, check out Gloria Jones’ original:
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It’s Umberto Tozzi’s Birthday And I Need To Dance!
Who is Umberto Tozzi? Is that what you just asked?
Born in Italy in 1952, Umberto Tozzi is a singer-songwriter who has sold over 70 million records throughout the world. In 1979 he released a single of his composition “Gloria,” which became a big hit in his home country, remaining in the top ten for 16 weeks, six of those at #2. The song also went top ten in Germany, France, Switzerland, Austria, Belgium, South Africa and Spain.
In 1982, singer Laura Branigan collaborated with Trevor Veitch on English-language lyrics set to the original’s melody. Her recording of “Gloria,” co-produced by Greg Mathieson, arranger and keyboardist on the Tozzi version, reached #2 on the Billboard Hot 100.
Friday is dance day at Tunes du Jour. Our weekly party kicks off with the track for which Umberto Tozzi is best-known in the United States.
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