Tunes Du Jour Presents 1957

The year 1957 stands as a pivotal moment in the evolution of popular music, where rock ‘n’ roll, rhythm and blues, and even a touch of jazz converged to create a soundtrack that would resonate for decades. The hits of the year showcase not only the diverse range of genres but also the rise of some of the most influential voices in music history. A prime example is The Crickets’ “That’ll Be the Day,” a track that embodies the early rock ‘n’ roll spirit, blending Buddy Holly’s unmistakable vocal delivery with a catchy, driving beat. It’s a song that helped shape the sound of the era.

Elvis Presley’s “Jailhouse Rock” is another cornerstone of 1957, with its infectious energy and rebellious attitude. Presley was at the height of his powers, blending rock, blues, and a hint of swagger that would influence generations of performers. Meanwhile, Fats Domino’s “Blueberry Hill” offered a smoother, more melodic contrast. Domino’s effortless combination of rhythm and blues with pop sensibility helped bridge the gap between different audiences, securing his place as one of the genre’s pioneers.

But 1957 wasn’t just about rock ‘n’ roll—it was a year that embraced the full spectrum of American music. Take Harry Belafonte’s “Day-O (Banana Boat Song),” a calypso tune that brought Caribbean sounds to mainstream audiences. Similarly, the soulful ballad “You Send Me” by Sam Cooke introduced a voice that would soon come to define soul music. Cooke’s ability to combine gospel roots with pop elegance opened the doors for future R&B artists.

The variety of sounds continued with tracks like “Whole Lotta Shakin’ Goin’ On” by Jerry Lee Lewis and “Lucille” by Little Richard, both of which pushed the boundaries of what rock music could be with their raw energy and wild performances. On the other end of the spectrum, Ella Fitzgerald and Louis Armstrong’s rendition of “Summertime” added a jazzy sophistication to the year’s musical offerings, reminding listeners that timeless standards still had a place in the changing musical landscape.

Ninety fifty-seven was a year when rock ‘n’ roll solidified its place in popular culture, while artists from various genres continued to innovate and inspire. Whether through the heartfelt croon of Johnny Mathis on “Chances Are” or the rough-edged blues of Muddy Waters’ “Got My Mojo Working,” the music of this year still echoes today as a testament to a time when creativity flourished across musical boundaries.

Throwback Thursday: 1961

The years between 1958 and 1963 are often thought of as a sleepy time for rock and roll, a quiet time between the genre’s initial burst onto the charts and the onslaught of the British Invasion. However, lots of great records were charting during those years. Check out this playlist of thirty hits from 1961 for proof.

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Throwback Thursday – 1961

From 1958 to 1960, Ben E. King was the lead singer of The Drifters, scoring hits with “There Goes My Baby,” “Save the Last Dance for Me,” “This Magic Moment” and “I Count the Tears.” He suggested to the group’s manager, George Treadwell, that they record the spiritual tune “Stand by Me Father,” but Treadwell turned him down. King also asked Treadwell for a greater share of the group’s royalties. Again, Treadwell turned him down. King said goodbye.

King left the group after recording just thirteen songs with them. He soon made the top ten as a solo act with 1961’s “Spanish Harlem.”

Around that time, King was working on a song based on “Stand by Me Father.” He had some lyrics and a melody. He finished the lyrics with his producer, Jerry Leiber. Leiber’s songwriting/production partner, Mike Stoller, added some chords behind the melody, as well as a bass line.

Per Leiber, it’s that last addition that makes Ben E. King’s “Stand By Me” a classic. “The lyrics are good, King’s vocal is great. But Mike’s bass line pushed the song into the land of immortality. Believe me – it’s the bass line.”

“Stand By Me” kicks off this week’s Throwback Thursday playlist, spotlighting hits from 1961.


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Ruth Brown And 1950s Rhythm And Blues

So successful was Ruth Brown in the 1950s that her label, Atlantic Records, which started in 1947, was nicknamed The House the Ruth Built.

Her first single for the label, “So Long,” reached #4 on the Rhythm & Blues chart in 1949. Her next hit, “Teardrops from My Eyes,” spent 11 weeks at #1 on that chart. She earned the nickname the Queen of R&B, and over the next ten years scored an additional nineteen r&b top ten singles, including four more number ones. In total she spent thirty-two weeks at #1 on the r&b singles chart. In 1953, Brown crossed over to the pop top 40 with “(Mama) He Treats Your Daughter Mean.”

In the 1960s Brown focused on her family life. She returned to music the following decade, and added acting gigs to her resume. In 1979 she was a regular character on the sitcom Hello, Larry, and she famously portrayed Motormouth Maybelle in the original 1988 movie version of Hairspray, a role which had echoes of her life performing at segregated dances in the sixties. She won the 1989 Tony Award for Best Performance by a Leading Actress in a Musical for her performance in the Broadway show Black and Blue. Her companion album, Blues on Broadway, won Brown the Grammy Award for Best Jazz Performance, Female.

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Brown was also influential in the creation of the Rhythm and Blues Foundation, founded in 1988. Per the nonprofit’s mission statement, the Rhythm and Blues Foundation is “dedicated to the historical and cultural preservation of Rhythm & Blues music and recognition of participants in its community by providing services and programs to Rhythm & Blues artists and their fans.”

In 1993, Ruth Brown was inducted into the Rock and Roll Hall of Fame.

She died in 2006 from complications resulting from a heart attack and stroke.

Inspired by Ruth Brown, who was born on January 12*, 1928, today’s playlist presents twenty of the best rhythm and blues recordings from the 1950s.


(*I initially prepared this entry to be posted on January 12. However, once I was about to post it, I read in a few places that the information I had was incorrect, and that Brown’s birth date was January 30, so I saved it for today. Just after I finished re-editing it this afternoon, I looked on Wikipedia and see they (now) list her birthday as January 12, which some other sites confirmed.)

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