Inspired by the September 7 birthdays of Pretenders‘ Chrissie Hynde, Buddy Holly, Chic‘s Alfa Anderson, Gloria Gaynor, Air’s Jean-Benoît Dunckel, N.W.A.’s Eazy-E, Jermaine Stewart, Owen Pallett and Starland Vocal Band’s Margot Chapman.
Your (Almost) Daily Playlist (6-19-20)
Inspired by Black Music Month, LGBTQ Pride Month, and the June 19 birthdays of Heart’s Ann Wilson, Macklemore, Shirley Goodman, Paula Abdul, Al Wilson, Spanky McFarlane, Lester Flatt, Scott Avett and Hot’s Gwen Owens.
Your (Almost) Daily Playlist (3-12-20)
Inspired by the March 12 birthdays of James Taylor, Blur’s Graham Coxon, Liza Minnelli, Libertines’ Pete Doherty, La Roux’s Elly Jackson and Jack Kerouac; and the March 11 birthdays of Cheryl Lynn and Bobby McFerrin.
Your (Almost) Daily Playlist (2-24-20)
Inspired by the February 24 birthdays of N.E.R.D.’s Chad Hugo, Manfred Mann’s Paul Jones, M People’s Mike Pickering, George Thorogood, Rupert Holmes, Plastic Bertrand and Barry Bostwick.
It’s Alicia Bridges’ Birthday And I Need To Dance!
“I will never do a disco album. I’d prefer to do deodorant commercials. I didn’t sing since I was ten years old so I could stand up like a moron and go ‘Getfunkynow, getfunkynow, getboogie-woogie, getfunkynow’.”
– Alicia Bridges, Sounds magazine
Alicia Bridges. You know, the lady who sang “I love the nightlife, I gotta boogie on the disco round.” She co-wrote that song as well. That record is a disco classic, peaking at #2 on the Billboard Disco chart. It crossed over to the pop chart, hitting #5, and the r&b chart, where it reached #31. It was Bridges’ only top 40 hit on any chart. Nowadays she shills for Arrid Extra Dry. Not really.
Today, Alicia Bridges turns 63 years old. Friday is dance day at Tunes du Jour, and we’ll celebrate Ms. Bridges’ birthday with a playlist she’s bound to hate, full of disco hits, kicking off with “I Love the Nightlife (Disco ‘Round).” Getboogiewoogie!
Oh, and what is a disco round?
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It’s Cher’s Birthday And I Need To Dance!
In the early 1990s a demo of a song written by four men circulated through Warner Bros. Records. Though people at the label appreciated the song’s chorus, nobody wanted to record it.
Thinking that with some work the song may be good for Cher, whose last top ten pop hit was 1989’s “Just Like Jesse James,” Warner sent the demo to London’s Metro Studio, where two additional songwriters took a stab at improving the composition. Producers Mark Taylor and Brian Rawling created a dance track for the revised song, which they presented to Cher. She liked it.
She recorded the song. She and her producers played with a new technology called Auto-Tune, which added a robotic sound effect to her voice. When Warner heard that, they asked that it be removed, but Cher was adamant it stay.
In October of 1998, more than a half-decade after the composition’s original incarnation, Warner released Cher’s recording of “Believe.” On March 13, 1999, the song, the first pop tune to feature Auto-Tune, became Cher’s fifth #1 single in the United States, making her, then age 52, the oldest woman to top the US charts. It was her first #1 single since “Dark Lady” in 1974, the longest span ever between #1 records. It was the biggest-selling single stateside of 1999.
The record hit #1 in the UK, where it became the best-selling single of all-time by a female artist. It also topped the charts in Germany, Canada, The Netherlands, Australia, France, Sweden, Italy, Spain, Belgium, Norway, Denmark, Switzerland, New Zealand and Ireland.
Today the woman born Cherilyn Sarkisian turns 70 years old. Our weekly dance party kicks off with “Believe.” Have a superb weekend!
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It’s Friday And I Need To Dance!
“If disco had stuck around, we don’t how much less terrorism we might have in the world now.”
– Gloria Gaynor
Recently, Bono, the singer with U2, made headlines when he suggested that to fight ISIS we send comedians to entertain them, which is his stupidest idea since foisting U2’s most recent album on unsuspecting people by automatically including it in their iTunes libraries. Talk about a sneak attack!
To her credit, Gloria Gaynor didn’t go as far as suggesting we deploy KC & the Sunshine Band to the Middle East. She merely wondered aloud if more disco equals less terrorism.
She may be onto something. Case in point – I listen to a lot of disco, and I’ve never killed anyone.
Do you need more evidence? I’ve gone to many a classic disco night, and I’ve yet to witness a single beheading.
People have claimed that playing heavy metal albums backwards reveals satanic messages. You know what happens when you play a Village People album backwards? It sounds exactly the same!
To do my part in fighting terrorism, I present to you some of my favorite disco tunes of all time, with “all time” meaning the years 1975 thru 1979. To show how serious I am in this fight against evil, today’s playlist includes twenty-five songs instead of the usual twenty. You’re welcome.
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It’s Earth Day And I Need To Dance!
“I remember writing ‘Earth Song’ when I was in Austria, in a hotel. And I was feeling so much pain and so much suffering of the plight of the Planet Earth. And for me, this is Earth’s Song, because I think nature is trying so hard to compensate for man’s mismanagement of the Earth. And with the ecological unbalance going on, and a lot of the problems in the environment, I think earth feels the pain, and she has wounds, and it’s about some of the joys of the planet as well. But this is my chance to pretty much let people hear the voice of the planet. And this is ‘Earth Song.’ And that’s what inspired it. And it just suddenly dropped into my lap when I was on tour in Austria.”
– Michael Jackson
Today is Earth Day. Our weekly dance party kicks off with Michael Jackson’s “Earth Song,” which spent six weeks at #1 in the UK beginning in December 1995, but didn’t chart on the US Hot 100.
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Luther Vandross Was Here
In 1974, David Bowie hired Luther Vandross to sing background vocals and do vocal arrangements for his Young Americans album. Bowie told the then 23-year-old singer “You’re going to make it…next year is your year!”
Bowie’s timing was a little off (depending on how you define “making it”). Luther cracked the top 40 as a solo artist for the first time with “Never Too Much” in 1981. Before then, he was a much in-demand session vocalist and arranger.
Tunes du Jour celebrates the birthday of Luther Vandross with twenty tracks on which the soul great is the lead singer, a backup singer, the arranger, the producer, the songwriter, or some combination thereof.
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It’s Cheryl Lynn’s Birthday And I Need To Dance!
The Gong Show debuted on NBC in June of 1976. The program was a competition between amateur performers, whose acts were rated by three celebrity judges, rotating between Rip Taylor, Rex Reed, (Juicy) Jaye P. Morgan, Jamie Farr, Arte Johnson, Phyllis Diller, Steve Garvey, and Potsie Weber. The judges gave each act a rating between 1 and 9, unless any of them found the act particularly odious, in which case he or she would bang the gong and end the performance. The act who scored the highest cumulative rating of any given episode won a trophy and a cash prize of $516.32.
Performers on The Gong Show included Paul Reubens and John Paragon, prior to the creation of their alter-egos Pee Wee Herman and Jambi the genie; Andrea McArdle, just before she won the role of Annie in the Broadway musical based on the Little Orphan Annie comic strip; and Cheryl Lynn, who would go on to sign a record deal with Columbia Records.
On The Gong Show, Cheryl Lynn scored a 30 with her performance of “You Are So Beautiful.” However, she didn’t win the $516.32, as a juggler on the same episode also scored a 30, and audience applause settled the tie score in his favor. Still, the exposure netted Lynn the recording agreement, and odds are she made more than $516.32 from her pop/disco/r&b hit “Got to Be Real.”
“Got to Be Real” was Lynn’s only top 40 single on the pop chart. On the r&b chart, she scored twelve top 40 singles.
Today, Cheryl Lynn turns 59 years old. Tunes du Jour’s weekly dance party kicks off with the disco classic “Got to Be Real.”
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