Tunes Du Jour Celebrates PRIDE!

Music has long been a powerful force for self-expression and building community for LGBTQ+ artists and listeners alike. This Pride playlist celebrates the incredible diversity within the LGBTQ+ community through a wide range of styles, eras, and voices.

From enduring anthems like Diana Ross’ “I’m Coming Out” and Queen’s defiant “I Want To Break Free” to recent hits from Lil Nas X, Janelle Monae, and Troye Sivan, the songs seamlessly blend messages of pride, self-acceptance, and living authentically. Legendary artists like Elton John, George Michael, and Melissa Etheridge stand alongside bold new voices like Rina Sawayama and Perfume Genius, showing how LGBTQ+ musicians have blazed trails across decades.

The playlist pays tribute to tracks that turned the spotlight on LGBTQ+ experiences through storytelling, like The Kinks’ “Lola,” Pet Shop Boys’ “It’s a Sin,” and Bronski Beat’s “Smalltown Boy.” It also uplifts joyful, celebratory bops, such as “I’m Still Standing,” “Go West,” and the iconic “It’s Raining Men.” 

With a mix of pop smashes, singer-songwriter confessionals, rock anthems, and hip-hop ground-breakers, the eclectic playlist reflects how LGBTQ+ artists have fruitfully influenced every corner of the musical landscape. From Carl Bean’s pioneering disco hit “I Was Born This Way” to Gossip’s “Standing in the Way of Control,” these songs unite in championing self-love, equality, and the fundamental human rights that the LGBTQ+ community continues fighting for.

Ultimately, this playlist invites listeners of all identities and backgrounds to share in the uplifting spirit of Pride. It’s a vibrant, multi-dimensional celebration of the perseverance, creativity, and unshakeable truth at the heart of the LGBTQ+ experience.

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Your (Almost) Daily Playlist: 11-19-23

Inspired by an unhoused woman who would sing gospel songs in front of a Washington, DC hotel, the familiar refrain of “la da dee la da da” in Crystal Waters’ “Gypsy Woman (She’s Homeless)” was meant as a temporary placeholder until the real lyrics were written. Here’s to writers block!                                                                                                                                                                           Crystal Waters was born on this date in 1961. A couple of her tracks are included on today’s playlist.

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Queer Music Of The 1970s

Today’s Pride playlist focuses on music from the 1970s. After making it I noticed it was light on the ladies. More women will turn up as this series goes on. Here’s what you’ll hear on today’s playlist:

“Lola” – The Kinks

“I know what I am and I’m glad I’m a man and so is Lola.” You can interpret this line as meaning that I’m glad I’m a man and Lola is also glad that I’m a man, though if you consider the earlier line “I’m not dumb, but I can’t understand why she walked like a woman but talked like a man” you’ll realize that Lola is also a man. A man who made the top ten in 1970 and makes her presence known to this day.

“Rocket Man (I Think It’s Gonna be A Long, Long Time)” – Elton John

Of course this playlist needs some Elton John. I recall reading an essay about “Rocket Man” some years ago where the author posits this song’s lyrics are about a gay man. A man who is leaving his wife and children to live his life though loneliness that will surround him, at least initially. A man who is “not the man they think I am back home.” And then there’s the phallic imagery of a rocket. That’s part of this writer’s essay. Lyricist Bernie Taupin has never acknowledged this theory, as far as I know.

“John I’m Only Dancing” – David Bowie

In the traditional song “Frankie and Johnny,” a young woman named Frankie sees her boyfriend dancing with another woman and shoots him. As Johnny falls to the floor, he tells Frankie he loves her and was telling this other woman about her. “John I’m Only Dancing” flips the script. John sees his boyfriend dancing with a woman, and the boyfriend explains that it’s just dancing he’s doing with the woman. Pretty rad for 1973.

“Walk on the Wild Side” – Lou Reed

Speaking of David Bowie, he co-produced Lou Reed’s “Walk on the Wild Side,” a song that opens with a verse about Holly Woodlawn, who hitchhiked across the United States and by the time she arrived at her destination, “he was a she.” Somehow, this tale of “outsiders” became Reed’s only pop hit. I love the song, though I don’t know how Candy Darling was able to utter the title phrase with her mouth full.

“I’maman” – Jobriath

Jobriath was the first openly gay man signed to a major record label (Elektra).

“Jimmy’s Got a Little Bit of Bitch in Him” – Funkadelic

That’s one way to put it.

“I Got The” – Labi Siffre

Eminem’s first hit was “My Name Is,” the single version of which included lyrics one may consider to be homophobic. The music bed was built around a sample from Labi Siffre’s “I Got The.” Pity Eminem didn’t know beforehand that Siffre is an openly gay man who refused to approve the sample use until Eminem changed the lyrics for the album version. Said Siffre “Dissing the victims of bigotry – women as bitches, homosexuals as faggots – is lazy writing. Diss the bigots, not their victims.”

“Get Dancin’” – Disco Tex & the Sex-O-Lettes

Joseph Montanez Jr. became openly gay Sir Monti Rock III, who adopted the camp persona of Disco Tex, and with openly gay Frankie Valli & The Four Seasons producer Bob Crewe came up with “Get Dancin’,” to the best of my knowledge the only top ten hit with the lyric “My chiffon is wet.”

“Killer Queen” – Queen

Killer Queen. Queen. Freddie Mercury.

“At Seventeen” – Janis Ian

Janis Ian came out as a lesbian in 1993.

“A.C.D.C.” – Sweet

She’s got girls. She’s got men.

“Ain’t Nobody Straight in L.A.” – The Miracles

Not true. I’ve met three straight people since I moved to L.A. in 2003.

“Sweet Transvestite” – Tim Curry

Sometimes I’m amazed by certain movie characters that catch on in the mainstream in a big way. Tim Curry’s Frank N. Furter is one of them, though it took a few years from the 1975 release of The Rocky Horror Picture Show for it to happen.

“53rd & 3rd” – Ramones

The corner in a then gayish neighborhood where a Viet Nam War vet is trying to turn a trick.

“All the Time” – Barry Manilow

Barry Manilow publicly came out as gay in 2017.

“I Go To Rio” – Peter Allen

Peter Allen, Liza Minnelli’s first husband, was in a relationship with a male model from 1974 to 1984, when the model passed away from an AIDS-related illness. Allen passed away from an AIDS-related illness eight years later.

“The Killing of Georgie” – Rod Stewart

In which a gay man dies from a gay bashing on 53rd & 3rd. Not your typical top 40 fare in 1977, and yet.

“Jet Boy, Jet Girl” – Elton Motello

Sung from the persona of a 15 year-old boy who likes to kiss, get head from, and wishes to penetrate another boy, this song surprisingly didn’t make the top 40. Or top 100.

“Fuck Off” – Wayne County & The Electric Chairs

Considered to be rock music’s first openly transgender singer, Jayne County wrote and sang this song that to me is THE anthem of LGBTQI+ people.

“I Was Born This Way” – Carl Bean

Openly gay Carl Bean had a hit on the disco chart in 1978 with this song about being openly gay.

“Glad To be Gay” – Tom Robinson Band

Rad.

“I Love the Nightlife (Disco ‘Round)” – Alicia Bridges

Alicia Bridges came out as a lesbian in 1998.

“Muscleboys” – Mumps

Hey – there’s a new compilation of recordings from gay punk band Mumps that just came out. Someone whose blog you’re now reading worked on it. J

“Cherry Poppin’” – Mitch Ryder

With The Detroit Wheels, Mitch Ryder had a handful of hit singles in the 1960s, the most famous of which was his medley of “Devil With a Blue Dress On” and “Good Golly, Miss Molly.” This song about his love of anal sex with other guys is not as well-known.

“Ever Fallen In Love (With Someone You Shouldn’t’ve)” – Buzzcocks

Written and sung by Buzzcocks’ bisexual singer and songwriter Pete Shelley.

“Instant Replay” – Dan Hartman

The late Dan Hartman was a gay man who kept his sexual orientation and HIV status secret form the public during his lifetime.

“You Make Me Feel (Mighty Real)” – Sylvester

On the other end of the spectrum is Sylvester, who was openly gay, outspoken, and refused to conform to the typical straight or gay presentation of one’s self.

“There But for the Grace of God Go I” – Machine

Carlos and Carmen Vidal move far away from the Bronx so they can raise their newborn daughter away from the Blacks, the Jews and the gays. How do you think the daughter turned out?

“Go West” – Village People

Village People’s openly straight lead singer Victor Willis said the lyrics he contributed to this song were not intended to be gay in any way, but as a gay man, it’s hard to not hear the song about two people in love beginning a new life in a place that’s peaceful and near the beach where they can be carefree and happy to not be about going west to California, particular gay mecca San Francisco. I’ll also add that Village People’s “Macho Man,” “In the Navy,” Y.M.C.A.,” “San Francisco,” and “Fire Island” sound kinda gay to me as well.

“Manimal” – The Germs

The Germs’ lead singer Darby Crash went to great lengths to hide the fact that he was gay, so as not to alienate the group’s fans. He took his own life in 1980, aged 22.

The Spotify embed link is still not working, so here is the link: https://open.spotify.com/playlist/4sRn5vjsgNdNm80iiSUf0M?si=ae606e31c882414a

A Philly Soul Playlist

Not all records classified as Philly Soul come from Philadelphia-based artists, though all share characteristics – orchestral string arrangements married to rhythm and blues with a funk influence that bridged the way toward disco. Here are thirty examples of the genre, with the songwriting-production team of Kenny Gamble and Leon Huff working on the lion’s share of these releases.

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Pride 50

On June 28, 1969, what was supposed to be a routine raid on a gay bar by the New York City police turned violent when patrons at the Stonewall Inn fought back, thus setting off the gay liberation movement. That pivotal moment was recognized one year later with a gathering in New York’s Greenwich Village, where the Stonewall Inn is located, and Gay Pride marches in Los Angeles and Chicago. The following year, Gay Pride marches sprang up in Boston, Dallas, Milwaukee, London, Paris, West Berlin and Stockholm. The Pride movement grew with each passing year, and it continues to expand to this day.

Tunes du Jour celebrates 50 years of Pride with today’s playlist. Be seen. Be heard. Be proud. Celebrate. Love.

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Ringo + Cheryl Lynn

It’s Cheryl Lynn’s Birthday And I Need To Dance!

The Gong Show debuted on NBC in June of 1976. The program was a competition between amateur performers, whose acts were rated by three celebrity judges, rotating between Rip Taylor, Rex Reed, (Juicy) Jaye P. Morgan, Jamie Farr, Arte Johnson, Phyllis Diller, Steve Garvey, and Potsie Weber. The judges gave each act a rating between 1 and 9, unless any of them found the act particularly odious, in which case he or she would bang the gong and end the performance. The act who scored the highest cumulative rating of any given episode won a trophy and a cash prize of $516.32.

Performers on The Gong Show included Paul Reubens and John Paragon, prior to the creation of their alter-egos Pee Wee Herman and Jambi the genie; Andrea McArdle, just before she won the role of Annie in the Broadway musical based on the Little Orphan Annie comic strip; and Cheryl Lynn, who would go on to sign a record deal with Columbia Records.

Ringo + Cheryl Lynn
On The Gong Show, Cheryl Lynn scored a 30 with her performance of “You Are So Beautiful.” However, she didn’t win the $516.32, as a juggler on the same episode also scored a 30, and audience applause settled the tie score in his favor. Still, the exposure netted Lynn the recording agreement, and odds are she made more than $516.32 from her pop/disco/r&b hit “Got to Be Real.”

“Got to Be Real” was Lynn’s only top 40 single on the pop chart. On the r&b chart, she scored twelve top 40 singles.

Today, Cheryl Lynn turns 59 years old. Tunes du Jour’s weekly dance party kicks off with the disco classic “Got to Be Real.”


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It’s Berry Gordy’s Birthday And I Need To Dance!

It’s interesting that Berry Gordy, the head of Motown Records who in 1970 told his top male vocalist Marvin Gaye that the new song Gaye had written, “What’s Going On,” was “the worst thing I ever heard in my life” and that he shouldn’t do protest songs, would five years later have Motown be the first major label to release a pro-gay anthem.

Bunny Jones, a heterosexual Christian woman, owned several beauty salons in Harlem. Most of her employees were gay. Seeing how they needed to suppress their natural selves and being aware of the issues they faced, she wrote song lyrics about a man who says he’s “happy, carefree and gay,” the way God made him.

Set to music written by Chris Spierer, also straight, Jones looked for a male vocalist to record her song. After catching a performance of Hair at the Westbury Music Fair, she approached one of the show’s actors, Charles “Valentino” Harris, and told him of the song.

In 1975, at age 22, Valentino recorded his only record, a single entitled “I Was Born This Way.” Jones released it on a label she started, named Gaiee. On her own she sold 15,000 copies of the song. This got the attention of Berry Gordy, whose Motown Records picked up the single for distribution.

Valentino’s record got some club play, particularly in the UK where it was a #1 disco hit.

Two years later Motown approached a gospel singer named Carl Bean and asked him if he would record a new version of “I Was Born This Way.” Unbeknownst to Motown, Bean was gay. In early 1978, Bean’s version of the tune reached #15 on the Billboard Disco chart.

The song has since become something of a classic. Two years after Bean’s success with “I Was Born This Way,” Motown released Diana Ross’ “I’m Coming Out.” It would hold the #1 position on the Disco chart for five weeks and have much crossover success at pop and r&b radio as well.

Today Berry Gordy celebrates his 85th birthday. Friday is dance day at Tunes du Jour. Here are twenty of Motown’s best disco/dance tracks from the 1970s thru 1990.

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Big_Love_single

It’s Friday And I Need To Dance!

Ebola is now in the US. Isis is on its way. Unarmed civilians are getting shot by law enforcement officials. Civil wars, mass kidnappings, volcanoes, a new Lenny Kravitz album. It’s a scary world!

I got my flu vaccination earlier this week, so I have one less thing to worry about. There is a movement against the flu vaccine, but the flu is mighty unpleasant and can lead to death. I’d rather go on living and enjoying my life with a little mercury in my system than deal with chills, fever, a runny nose, a sore throat, muscle pains, a severe headache, coughing, and/or fatigue. If I wanted to be in that much pain I’d listen to the new Lenny Kravitz album.

Though I get my flu shot every year, the needle always scares me. This year the doctor used a very small needle. I barely felt it and I’m happy to say I suffered no side effects. I feel great and energized, which is great because it’s Friday and I need to dance.

Big_Love_singleThe cover art can be obtained from Warner Bros. Records.

We’ll kick off this week’s dance playlist with the only Fleetwood Mac song to make the US dance chart, “Big Love.” The track was written, co-produced and sung by FM’s Lindsey Buckingham, who turns 65 today.

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