Today’s playlist celebrates the November 4 birthdays of Godspeed You! Black Emperor’s Efrim Menuck, Squeeze’s Chris Difford, Diddy, Fat Boys’ Kool Rock-Ski, and Frances Faye; and the November 5 birthdays of Simon & Garfunkel’s Art Garfunkel, The Byrds’ Gram Parsons, Ike Turner, Ryan Adams, Bryan Adams, Inner City’s Paris Grey, Herman’s Hermits’ Peter Noone, A Flock of Seagulls’ Mike Score, Charles Bradley, Loleatta Holloway, Fishbone’s Angelo Moore, and Dominatrix’s Dominique Davalos.
The music of 1999 shows the century coming to a close in grand style, as if to say the next year the party will be over, oops, out of time, so this year we better party. Latinx artists were crossing over to the mainstream pop chart. Cher and Santana, who first charted in the 1960s, scored the biggest hits of their careers. Artists who made their chart debuts include Eminem and Britney Spears. Pure pop exploded, though the charts made room for country, hip hop, electronica, and big beat. As one who values diversity, I loved hearing all these different genres and styles bump up against each other on the radio. Here are 30 prime examples of the music that hit in 1999.
In 2001 HBO aired a Britney Spears concert around the time Jive Records released the singer’s album Britney. A few days before the first promo for the concert was to run on HBO, Jive’s head of publicity had the idea that Britney’s then-brand new single “I’m a Slave 4 U” should be used in the promo spots. The song was written (and produced) by the team of Pharrell Williams and Chad Hugo. I was running the licensing department at Jive at that time. I went to Pharrell and Chad’s publishers, EMI, to secure the necessary permissions. It was on a Wednesday. The spot was scheduled to premier the coming Saturday. The person at EMI with whom I spoke told me the song is so new that it is not yet in their system, and therefore she couldn’t license it. “Can’t you just add it to your system? You know they’re signed to your company.” “No. You won’t be able to use the song.”
Oh, really? A song cannot be licensed simply because someone at that company can’t think outside the box and figure out a way to effect the deal before the usual ingestion process is complete? That explanation doesn’t work for me. EMI will forego a license fee if the song isn’t used, which is fine, as their employee is the one not allowing it. Also, standing to forego revenue? Pharrell and Chad, who rely on EMI to make the deals for their music so they can get paid.
I called the Jive executive who paired Pharrell and Chad with Britney and told him EMI’s stance. He called Pharrell and/or Chad. Pharrell and/or Chad called EMI. On Thursday I got EMI’s approval to proceed. Don’t tell me something can’t be done.
Producer/Songwriter/NERD Pharrell Williams turns 47 today. In his honor I present to you this playlist of thirty songs Pharrell, often with Chad Hugo, had a hand in writing and/or producing and/or performing. You may be surprised at how many of these you know.
Inspired by the November 14 birthdays of Run, Veruca Salt’s Nina Gordon, and Stephen Bishop; and the November 13 birthdays of Cass McCombs, Timmy Thomas, Onyx’s Sonny Seeza and The Teddy Bears’ Carol Connors.
Inspired by the November 2 birthdays of k.d. lang, Nelly, Maxine Nightingale, The Cadillacs’ Earl Carroll, Mobb Deep’s Prodigy, J.D. Souther, Keith Emerson and Jay & the Americans’ Jay Black.
Inspired by the October 10 birthdays of David Lee Roth, John Prine, Crystal Waters, Kirsty MacColl, Tanya Tucker, Mya, Ultravox’s Midge Ure, Ivory Joe Hunter, Oscar Brown Jr. and The Honeycombs’ Dennis D’Ell.
Inspired by the July 1 birthdays of Debbie Harry, Missy Elliott, The B-52’s Fred Schneider, Village People’s Victor Willis, Evelyn King, Sufjan Stevens, Bobby Day, David Geddes, Imperial Teen’s Roddy Bottum, Elwood Blues (aka Dan Aykroyd), The Rembrandts’ Phil Solem, and Plies.
