Inspired by Black Music Month, LGBTQ Pride Month, and the June 29 birthdays of Flight of the Conchords’ Bret McKenzie, Men At Work’s Colin Hay, DJ Shadow, Little Eva, Pussycat Dolls’ Nicole Scherzinger, Emily Skinner, and Broadway composer Frank Loesser.
Inspired by Black Music Month, LGBTQ Pride Month, and the June 25 birthdays of George Michael , Carly Simon, Harold Melvin, Eddie Floyd, Toto’s David Paich, Peggy Scott-Adams, and Dazz Band’s Skip Martin.
Inspired by May the Fourth and the May 4 birthdays of Nic Ashford, Little Boots, Sharon Jones, Dick Dale, The Angels’ Peggy Santiglia, Green Day’s Mike Dirnt, New Radicals’ Gregg Alexander, and Pia Zadora.
2020 seemed like just another year, until this week. Something mind-boggling happened. No, the president of the U.S. didn’t display empathy. Get this: The Village People are presently in the Top 40 on the Adult Contemporary chart with a ballad taken from their 2019 Christmas album. The key terms in that sentence: Village People, presently, Top 40, Adult Contemporary, ballad, Christmas. It’s 2020! The song is called “If You Believe” and it jumped from #53 to #25 this week with a 310% increase in radio airplay over last week. “If You Believe?” More like “Hard to Believe!” Am I right, people?
Today’s playlist is inspired by the May 3 birthdays of James Brown, Frankie Valli, Father John Misty, Soft Cell’s David Ball, Pete Seeger, Christopher Cross, Mary Hopkin and Napoleon XIV.
Inspired by the March 14 birthdays of Quincy Jones, Este Haim, Taylor Hanson, Michael Martin Murphey, Colby O’Donis and Billy Crystal.
Inspired by the March 12 birthdays of James Taylor, Blur’s Graham Coxon, Liza Minnelli, Libertines’ Pete Doherty, La Roux’s Elly Jackson and Jack Kerouac; and the March 11 birthdays of Cheryl Lynn and Bobby McFerrin.
Inspired by the February 17 birthdays of Green Day’s Billie Joe Armstrong, Gene Pitney, Paris Hilton, Bobby Lewis, Tommy Edwards, John Leyton and Röyksopp’s Svein Berge.
Randy Badazz Alpert received many requests to license “Rise,” a song he co-wrote that became a #1 hit for his uncle Herb in 1979, as a sample in hip hop tracks. He said no to Ice Cube, Vanilla Ice, Eazy-E, and the others who requested permission. However, when he received a cassette from the producer then known as Puff Daddy of a new song utilizing the sample, he consented. He loved the new tune and felt it could make his song go to #1 again.
He was right. The new recording was “Hypnotize” and it was performed by the Notorious B.I.G. “Hypnotize” topped the Billboard Hot 100 in May of 1997, less than two months after the rapper was killed in Los Angeles.
This week’s Throwback Thursday playlist spotlights the best of 1997, kicking off with The Notorious B.I.G.’s “Hypnotize,” which uses a sample from a songwriter whose middle name really is Badazz.
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Translated literally, the French expression “ooh la la” means “Oh there there.”
Per About.com, “ooh la la” is an interjection that “can indicate surprise, disappointment, commiseration, distress, annoyance… any moderately strong reaction to something that was just said or done. Note that there is no connotation of sexiness or impropriety in French.”
Per UrbanDictionary.com, “ooh la la” is “a universally understood way of saying ‘check out that hot piece of ass.’” I detect a slight connotation of sexiness and impropriety.
Per OxfordDictionaries.com, “ooh la la” is “used to express surprise or excitement” or “to convey a sexual innuendo.”
The music duo Goldfrapp, made up of Alison Goldfrapp and Will Gregory, released a single called “Ooh La La” in 2005. Written by the duo, the song tells of Alison’s lust for someone without a romantic component.
Goldfrapp’s “Ooh La La” became their first top ten pop single in the UK and their third #1 on the US dance chart. It was nominated for a Grammy Award for Best Dance Recording, and Rolling Stone magazine placed it at #10 on their list of the year’s best singles.
Today, Alison Goldfrapp turns 50 years old. Tunes du Jour’s weekly dance party is heavy on her group’s music, kicking off with “Ooh La La.”
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In a moment I’ll introduce you to Anohni, who was nominated for an Oscar this year in the category of Best Original Song, but first I want to talk a little about Kesha, Grimes and Sam Smith.
You may have heard about Kesha’s much-publicized battle to get out of her recording agreement. She claims that Dr. Luke, the producer to whose company, Kemosabe Records, she is signed, drugged and sexually assaulted her on several occasions. As a courtroom proceeding about those allegations had not yet been tried, a New York Supreme Court justice denied Kesha’s motion for a preliminary inunction extraditing her from recording for Kemosabe.
This led to the proliferation of the hashtag #FreeKesha. A group of fans protested outside Sony Music’s headquarters, demanding that the music corporation free Kesha. Kesha isn’t signed to Sony Music, but no matter. Sony should cease distribution of Kemosabe Records, which would leave Kesha still signed to Kemosabe, but hey – it was a nice day for a good protest, and what else is there in the world to complain about? Ongoing wars? Poisoned public water supplies? Human rights violations? More important to get a pop star out of her recording agreement. #Priorities
Many public figures offered support to Kesha, among them Lady Gaga, Lily Allen, Adele, Janelle Monáe, Fiona Apple, Kelly Clarkson, Demi Lovato, Tegan and Sara, HAIM, Alessia Cara, Lorde, Wale, Best Coast, George Takei, Anne Hathaway, Reese Witherspoon, Lena Dunham, Mariska Hargitay, Troye Sivan, Halsey, Iggy Azalea, Sara Bareilles, JoJo, Adam Lambert, Ariana Grande, Miley Cyrus, Margaret Cho, Zedd, and Jack Antonoff. Taylor Swift donated $250,000 to Kesha to help with her financial needs.
Also supporting Kesha is Claire Elise Boucher, the Canadian singer-songwriter who records under the name Grimes. In response to a question from a Time Out reporter about Kesha’s legal situation, Grimes, whose “Kill v. Maim” is #3 this week in Glenn’s Ten, said the following about recording agreements: “You shouldn’t be allowed to sign a human being, regardless of what the allegations are or what anyone said or did. It’s basically like slavery.” Yes, making millions of dollars doing your dream job is basically the same as being forcibly taken from your home and forced to do a job you don’t want to do for no pay, much like Spaghetti Carbonara is basically the same thing as a nuclear missile, which is to say, both exist. (Grimes’ two most recent albums were released by the 4AD label, with whom, I assume, she is signed to a recording agreement.)
If Kesha’s allegations against Dr. Luke are true, then I hope at the very least she is let out of her agreement with Kemosabe, as being forced to aid your rapist make money is unconscionable, and that is where the slavery comparison applies.
British singer-songwriter Sam Smith may or may not know what slavery is, but he exhibited a lack of grasp on history last weekend at the Academy Awards. As he couldn’t pronounce Anohni or The Weeknd, Common announced as the winner of the Best Original Song award the easiest name to remember and pronounce, Sam Smith.
In his acceptance speech, Smith claimed to be the first openly gay person to win an Oscar, which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin, Pedro Almodovar and the other openly gay people who have won. Maybe Smith meant to say he’s the first openly gay person to win an Oscar for Best Original Song in 2016. He says he got his information from actor Sir Ian McKellen via an interview Smith read, which is true, if you leave out the part where McKellen refers to no openly gay winners in the Acting categories.
It was pointed out to Smith that he is not the first openly gay person to win an Oscar, to which he responded “I think I’m the second openly gay person to win it,” which is true, if you don’t count Dustin Lance Black, Elton John, Melissa Etheridge, John Schlesinger, Stephen Sondheim, Bill Condon, Alan Ball, Scott Rudin and the other openly gay people who have won less one. In the real world, Smith is not even the first openly gay person in the category of Best Original Song. When told that openly gay Howard Ashman won that category twice, Smith replied “I should know him. We should date.” Ashman died of AIDS-related complications in 1991, the year for which his title song from Beauty and the Beast won, but sure, Sam, date him. You’ll be the first openly necrophiliac to win an Oscar. #Trailblazer. I do agree with one thing Smith said. He should know of Ashman.
Which brings us to Anohni. Along with her collaborator, J. Ralph, Anohni was nominated for Best Original Song for “Manta Ray” from the film Racing Extinction. Unlike Sam Smith, The Weeknd and Lady Gaga, Anohni, a transsexual woman, was not invited to perform her nominated song at the Oscar ceremony. In a year in which The Academy was taken to task for a lack of diversity among the nominees, the producers felt it was more important for the president of the Academy of Motion Pictures Arts and Sciences to give a speech on the show about the importance of diversity in Hollywood than it was to allow only the second transgender person to be nominated for an Oscar to perform (not a Sam Smith second person, but truly the second). Besides, The Danish Girl received nominations, including one for Best Actor for Eddie Redmayne as the titular character Lili Elbe, one of the first known recipients of gender correction surgery, and who better to represent trans women at the Oscars than a heterosexual cisgender man? Also, the award show needed time for clueless Clueless actress Stacey Dash insult the .04% of viewers who know who she is. #Priorities
Here’s your chance to get to know Anohni, who previously recorded under the name Antony. Her distinctive voice will grab you and her songs will move you. Check out twenty of her best, including guest appearances on other artists’ tracks:
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