Anita Baker was born on this date in 1958. Her classic album Rapture is not on Spotify, though a few of its cuts are. They’re included on today’s playlist.
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Your (Almost) Daily Playlist: 12-10-23
“Nightshift” was Commodores’ biggest hit following the departure of usual lead singer Lionel Richie. The group’s Walter Orange, a co-writer of the song, sings lead on verse one. Orange also sang lead on Commodores’ hits “Brick House” and “Too Hot Ta Trot.” So there.
Commodores’ Walter Orange was born on this date (or maybe yesterday’s date) in 1946. Two of the group’s songs on which he sang lead are included on today’s playlist.
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Your (Almost) Daily Playlist: 8-1-23
FUN FACT: Coolio is not the name on this rapper’s birth certificate. He was born Artis Leon Ivey Jr. and got his stage name from a nickname he had as a teenager: Coolio Iglesias. Of course that’s a play on singer Julio Iglesias, with whom Coolio performed a version of “Smoke Gets In Your Eyes” in 1999. So next time you listen to “Gangsta’s Paradise,” remember that there’s a little bit of Julio in Coolio 
The late Artis Leon Ivey Jr. was born on this date in 1963. A couple of his best-known tracks are on today’s playlist.
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Your (Almost) Daily Playlist: 1-3-23
James Mtume (b. January 3, 1946) is best-known for his oft-sampled “Juicy Fruit,” though he also has writing and producing credits on records by Stephanie Mills, Roberta Flack, Spinners, Levert and Phyllis Hyman and also played on records by Miles Davis, McCoy Tyner, Lonnie Liston Smith, Sonny Rollins and Gato Barbieri. He died just a few days after his birthday last year.
Today’s playlist includes Mtume’s best-known track plus 29 other juicy cuts.
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Throwback Thursday: 1986
For many years I’ve been saying that 1986 was a crap year for music. I prove myself wrong with this week’s Throwback Thursday playlist. Listen to these gems! How did I get this so wrong until now? My theory is this: In 1986 I was still listening to top 40 radio more than other formats. While there were many great hit songs in ’86 (as evidenced by the playlist below), there was also a lot of garbage songs that were successful on the pop chart. My thoughts of all those garbage songs outweighed my fond memories of all of the good songs. Well, no more, missy! Nineteen eighty-six was a good year for music. The proof is in the pudding (pudding meaning this week’s Throwback Thursday playlist).
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Throwback Thursday: 1984
Madonna! Prince! Bruce! Michael! Chaka! Cyndi! Rockwell! Boy! The best of 1984’s pop stars/hits made a mark that remain part of our consciousness nearly forty years later. The influence of upstarts who didn’t crack the Hot 100 – The Smiths, The Replacements, Run-D.M.C. – has been acknowledged in the years since. For those who wish to relive those days, for those who wish they were living then, and for those who wish to associate 1984 with something other than a misunderstood piece of classic literature or the most recent Wonder Woman movie, this playlist is for you. Happy Throwback Thursday!
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Your (Almost) Daily Playlist (11-5-20)
Inspired by the November 5 birthdays of Art Garfunkel, Ryan Adams, Ike Turner, Herman’s Hermits’ Peter Noone, Fishbone’s Angelo Moore, Gram Parsons, Bryan Adams, Inner City’s Paris Grey, Loleatta Holloway, A Flock of Seagulls’ Mike Score and Dominatrix’s Dominique Davalos; and the November 4 birthdays of Squeeze’s Chris Difford, Diddy/Puff Daddy, Fat Boys’ Kool Rock-Ski, and Frances Faye.
Throwback Thursday – 1985
In 1984, Madonna peaked at #18 on the Billboard Hot 100 with her first charting single, “Holiday.” By the following year, she had established herself as the Queen of the Pop Charts. She followed “Holiday” with three singles that hit the top ten in 1984: “Borderline,” “Lucky Star” and “Like a Virgin,” the latter hitting #1 and remaining there for six weeks. She opened 1985 with the #2 hit “Material Girl,” followed closely by the #1 “Crazy for You.” “Crazy” is from the film Vision Quest, in which Madonna had a small part as a nightclub singer.
Madonna had a much larger role in the film Desperately Seeking Susan. Released in April 1985, the smash film featured a new track from Madonna, “Into the Groove.” As one might expect when a new superstar has a new song, and a great song at that, the track received lots of radio airplay. “Groove” hit #1 on the Dance Club chart, and the only record on which it appeared, a 12-inch single where it was the b-side of “Angel,” went gold, selling over a million units in the US.
Though it was a big seller with a ton of airplay and club play, “Into the Groove” never hit Billboard’s Hot 100. Though that chart is supposed to accurately reflect a song’s popularity in the US, Billboard imposes rules that hang around longer than they should, throwing off historians looking into a song’s popularity. One of the arcane rules in 1985 was that a song had to be available on a commercial 7-inch vinyl single to be eligible to chart. Commercial availability solely on a 12-inch vinyl single, even one that sold over a million copies, is not enough. Widespread radio play on a variety of formats (the song hit the top twenty on the r&b chart, which for reasons that made sense to Billboard’s chart editors, allowed 12-inch singles to chart) is not enough.
Eventually, Billboard got around to revising these rules. The advent of cassingles (cassette tape singles) and CD singles expanded the formats eligible. The music industry’s decision to hold back the release of singles in any format to force consumers to shell out big bucks for a full-length album to get the one song they liked forced Billboard to make radio airplay without a commercial single good enough for a Hot 100 chart placement, but that change didn’t come into being until December of 1998, thirteen years too late for Madonna and historians.
This week’s Throwback Thursday kicks off with one of the best-known songs to have never charted on Billboard’s Hot 100, Madonna’s “Into the Groove.” It is followed by other music highlights of 1985.
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