Today is World Kindness Day. While every day would be a great day to practice basic human decency, some people are nasty assbags with no regard for others. If you’re one of those walking masterpieces of jackholery, here’s a wild idea: try being kind for ONE WHOLE DAY and see what it does. For example, let’s say you’re the personal assistant to someone who lives in a building with other residents. When you’re walking out of the building’s front door just in front of a neighbor who is holding his 17-year-old blind dog and leading his other pupper on a leash, maybe – and I’m just spitballing here – don’t let the door slam in their face, you self-absorbed piece of human garbage. And if said neighbor thoughtfully moves your precious Tesla charging cable to prevent damage (gasp – the audacity of helping!), perhaps, don’t show up at his door and berate him for protecting your property. Wild concept: Show some gratitude for his thoughtfulness. Consider saying “thank you,” you self-important, unreasonable, entitled, high-handed weenie.
FFS people, be kind! Rewind!
(Any resemblance to persons unfortunately living is purely intentional.)
Jazz is a genre that defies easy definition, yet its influence is undeniable across decades of music history. At its core, jazz represents freedom – freedom of artistic expression, freedom to improvise and venture into uncharted musical territory. From the early days of jazz pioneers like Louis Armstrong, Duke Ellington, and Billie Holiday, this artistic freedom has been the driving force behind the ever-evolving sounds of jazz.
The genius of jazz lies in its ability to seamlessly blend composition and spontaneity. Take Miles Davis’ seminal album Kind of Blue, where masterful musicians like John Coltrane and Cannonball Adderley were given a simple modal framework to build upon through their improvisations. The result was a transcendent exploration of space, melody, and emotion that still captivates listeners today. Similarly, Dave Brubeck’s “Take Five” broke new ground with its innovative use of quintuple meter, exemplifying jazz’s boundary-pushing spirit.
Yet jazz is more than just innovative time signatures and harmonic progressions. It’s a language of human experience, a means of conveying the full spectrum of emotions through sound. Billie Holiday’s haunting rendition of “Strange Fruit” transformed a song into a searing indictment of racism and injustice. Nina Simone’s stirring vocals on “My Baby Just Cares for Me” radiate warmth and playfulness. And Chet Baker’s rendition of “My Funny Valentine” captures the exquisite vulnerability of heartbreak with effortless cool.
As the genre evolved through the latter half of the 20th century, jazz continued to defy conventions and push creative boundaries. The modal jazz of John Coltrane’s “A Love Supreme” was a spiritual exploration unlike anything that came before it. Ornette Coleman’s pioneering free jazz broke down traditional concepts of melody and harmony. And the fusion era saw artists like Herbie Hancock, Weather Report, and Grover Washington Jr. incorporate elements of funk, rock, and R&B into their jazz foundations.
From its humble beginnings in New Orleans to its modern global influence, jazz has remained a quintessential expression of artistic freedom. Its ability to constantly reinvent itself while maintaining a deep reverence for its roots is what makes it one of the most vital and culturally significant art forms of our time. Jazz is more than just a genre – it’s a living, breathing embodiment of the human spirit’s endless capacity for creativity and innovation.
1972. The Vietnam War raged on, Watergate loomed, and the social landscape shifted beneath our feet. Amidst this backdrop of upheaval, our ears tuned in to a soundtrack that transcended mere melodies—it pulsed with the countercultural spirit and the burgeoning individuality of an era. Let us step back in time, dust off the record player, and explore the timeless tunes that wove themselves into the fabric of our lives—a kaleidoscope of genres and voices that defined a generation.
Al Green crooned “Let’s Stay Together,” his velvet voice weaving an unwavering plea for commitment.
Roberta Flack tenderly sang “The First Time Ever I Saw Your Face,” etching raw vulnerability into our hearts.
Don McLean painted a poignant picture of a generation in transition with his epic “American Pie.”
Alice Cooper’s rebellious anthem “School’s Out” became the rallying cry for youth liberation, its raucous energy echoing through high school corridors.
Across the pond, T. Rex electrified listeners with glam rock swagger in “Bang a Gong (Get It On).”
Johnny Nash offered optimism with “I Can See Clearly Now,” a beacon of hope cutting through the haze.
Meanwhile, Elton John’s cosmic odyssey “Rocket Man” and David Bowie’s otherworldly anthem “Starman” transported us to distant galaxies, reflecting the era’s fascination with space exploration and introspection.
Jimmy Cliff addressed racial injustice and social struggles in “The Harder They Come.”
Big Star captured the bittersweet angst of adolescence in “Thirteen.”
The bluesy, swaggering classic “Tumbling Dice” by The Rolling Stones left an indelible marks on musical history.
And let’s not forget Elvis Presley, who still had magic to spare with “Burning Love.”
From the introspective musings of Lou Reed’s “Perfect Day” to the raw energy of Led Zeppelin, each track on this playlist embodies the spirit of its time while transcending it—a symphony that continues to resonate across generations.
The music of 1972 continues to evoke nostalgia and stir emotions across generations. These iconic tunes remind us of the enduring legacy of artists who dared to push boundaries and challenge the status quo. So turn up the volume and let these timeless tunes whisk you back to celebrate the enduring beauty of music that transcends generations.
Norman Whitfield and Barrett Strong collaborated to write several hits for The Temptations, among them “Papa Was A Rollin’ Stone,” “I Can’t Get Next To You,” “Psychedelic Shack,” “Ball Of Confusion,” and “Just My Imagination (Running Away With Me).” The latter was inspired by Strong’s crush on a woman who didn’t know he existed. It became The Temptations’ third number one single on the Hot 100.
Lead vocalist on “Just My Imagination,” the late Eddie Kendricks of the Temptations was born on this date in 1939.
The first session of the recording of “(Sittin’ On) The Dock of the Bay” took place on November 22, 1967. A second session took place on December 7 of that year. The distinctive whistling at the end of the record was improvised by Otis Redding during recording, serving as a placeholder for a planned third verse that he never got to write before his passing in a plane crash on December 10.
The late great Otis Redding was born on this date in 1941. Lotsa Otis on today’s playlist.
I love me some Curtis Mayfield. “Superfly,” “Freddie’s Dead, “ “People Get Ready,” “This Is My Country,” “Choice of Colors,” “Amen,” “It’s All Right,” “Gypsy Woman,” “Keep On Pushing.” Then there are his songs popularized by other artists: “Let’s Do It Again,” “On and On,” “He Will Break Your Heart,” “Something He Can Feel.” What a great catalogue! I guess you could say he made an IMPRESSION on me. Get it? Boy, I’m good.
The late Curtis Mayfield was born on this date in 1942. Some of his work is included on today’s playlist.
