Beck + Winston

Soy Un Perdedor…Not

Back in March I participated in two contests. First was a storytelling contest, part of the L.A. Scripted Comedy Festival. My story about the time I inadvertently hired a hooker to show me around Prague was well-received; however, I didn’t win. First and second-place winners were chosen by audience applause. I knew when they introduced one woman that she would win. Clearly she packed that room. Her story was good and she did a god job conveying it, but it was not the best performance of the evening. As happy as I was with the job I did, I wouldn’t have given myself first place either. A woman named Stephanie, who I had never seen nor met before, killed it. Her story had humor, surprises, and sadness told through a comic prism. She should have won first place. I should have won second. 🙂

The next day I was in a Toastmasters International Speech contest. What’s an international speech? Damned if I know. The speeches were a mixed bag. Most tried to inspire. Some succeeded to varying extents; some were corny and clichéd. My speech was original, inspiring and filled with humor. Every joke hit, some harder than anticipated. When I rehearsed the speech at home, it clocked in at just over five minutes. Per contest rules, a contestant’s speech cannot go over seven minutes thirty seconds. Mine came in at seven minutes thirty-one seconds. Though anybody in attendance, including the other contestants, would tell you I did the best job, I was disqualified due that one second.

Did that make me a loser? I went over my time limit because I got plenty of laughs. I inspired people. I know I worked the stage beautifully and delivered a strong speech. I didn’t win the contest? So what. Toastmasters may think that the most important aspect of a speech is its duration and that one second over means you don’t qualify. I think what’s most important is speaking with passion, getting your audience to laugh and think, using vocal variety and body language, and giving a performance that is at once a show and yet grounded and relatable. Screw that one-second over rule. I won that contest.

Not getting first place at either contest didn’t negatively impact me. I wanted to put “First Place Winner” on my resume as a marketing tool for myself, but not having that doesn’t change anything. I’m still good at what I do.

Beck + Winston
In 1993, when Beck’s friend asked the singer to come by and record something with another friend who made hip-hop beats, Beck agreed and came up with a rap. When his friend played back the tape, Beck thought “Man, I’m the worst rapper in the world – I’m just a loser.” From there he composed a chorus for his song. “I’m a loser, baby, so why don’t you kill me.”

That song, “Loser,” became a smash for Beck, who has since recorded many acclaimed albums, culminating in a win for Album of the Year at the Grammy Awards earlier in 2015.

I may have lost those contests, but my winning moment is coming. I’m a driver. I’m a winner. Things are gonna change. I can feel it.

Today Beck turns 45. Here are twenty career highlights.


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Beck, Kanye and Beyoncé

“I just know that the Grammys, if they want real artists, to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé. Because when you keep on diminishing art and not respecting the craft and smacking people in their face after they deliver monumental feats of music, you’re disrespectful to inspiration. And we as musicians have to inspire people who go to work every day, and they listen to that Beyoncé album and they feel like it takes them to another place.” – Kanye West on the Grammy Award for Album of the Year going to Beck’s Morning Phase rather than Beyoncé’s self-titled release

“I thought she was going to win. Come on, she’s Beyoncé! You can’t please everybody, man. I still love [West] and think he’s genius. I aspire to do what he does.” – Beck

“I wasn’t saying Beck; I said the Grammys. Beck knows that Beyoncé should have won; you know that. Come on, man. I love Beck! But he didn’t have the Album of the Year.” – Kanye West

Kanye West, official spokesperson for the Bey Nation, gave his opinion and the Internet blew up! It was a repeat of 2009, when West announced that Taylor Swift stole the MTV Best Female Video Award that should have gone to Beyoncé. The American people were up in arms! So much vitriol was sent West-ward and his detractors found plenty of reasons to go after him the ensuing years. As the wise trophy thief said, “the haters gonna hate hate hate hate hate.”

Kanye’s point was about creating art and reaching new heights in one’s craft. The only intelligent responses to further this discourse, per the many comments I saw on Facebook and Twitter, are “You’re classless” and “You’re garbage.” One person who didn’t call Kanye garbage was Shirley Manson, the lead singer of the band Garbage. She called him “a complete twat.”

At least all of us can sleep better knowing that Kanye loves Beck. They are two of my favorite all-time artists for many of the same reasons. They seldom repeat themselves, making each album they release different than the previous one. Neither follows trends. Both challenge themselves. Both are masters of their craft. Both can be sincere. Both can be funny. Neither has released a bad record.

However…

Beyoncé should have gotten the Album of the Year Grammy. Her self-titled album was a revelation. Following up her uneven 4, she took a giant leap forward and strived to make something more artistic than what we were used to from her. She succeeded. The Beck record, Morning Phase, sounds beautiful, but there were no surprises. It was announced early in 2014 that Beck would be releasing a new album that was in a mellow vein. I got what I expected. It was as fine as I thought it would be, and stronger than his last couple of releases. I like Morning Phase very much, more than the other nominated Albums of the Year performed by Ed Sheeran, Sam Smith and Pharrell Williams, but it’s nothing we haven’t heard Beck do before. Ironically, in Beyoncé’s quest to be more artistic, her album outsold its predecessor. Like Kanye said, she had the Album of the Year.

Enough of the Grammy voters felt otherwise and awarded Beck. That’s fine. There have been worse slights in the Grammy Album of the Year category than Beyoncé losing to Beck. What about the 1996 awards, when Beck’s Odelay lost to Celine Dion’s Falling into You? Or in 2000, when Beck’s Midnight Vultures lost to Steely Dan’s Two Against Nature? Or in 2005, when U2’s Hot to Dismantle an Atomic Bomb beat Kanye’s Late Registration and in 2004, when Ray Charles & Friends’ Genius Loves Company beat Kanye’s The College Dropout and Green Day’s American Idiot? Steely Dan, U2 and Ray Charles have released many albums deserving of Album of the Year. These weren’t them. U2 should have won 1992’s Album of the Year for Achtung Baby. They lost to Eric Clapton Unplugged. In 2007, Kanye’s Graduation and Amy Winehouse’s Back to Black both lost Album of the Year to Herbie Hancock’s River: The Joni Letters, a record that literally nobody has ever heard. In 1980, Christopher Cross’ self-titled debut beat Pink Floyd’s The Wall. In 1966, The Beatles’ Revolver lost to Frank Sinatra’s A Man and His Music. In 2012, Mumford & Sons’ Babel beat albums by Frank Ocean, Jack White and The Black Keys. The nominees for 1984’s Album of the Year Grammy were Prince’s Purple Rain, Bruce Springsteen’s Born in the USA, Tina Turner’s Private Dancer, Cyndi Lauper’s She’s So Unusual, and Lionel Richie’s Can’t Slow Down. Four classic albums plus one by Lionel Richie. The winner? Lionel Richie! WTF on a stick?!?! In 1991 the Album of the Year Grammy didn’t go to R.E.M., nominated for Out of Time. It went to Natalie Cole’s Unforgettable…with Love. Eligible but not nominated that year? A little album called Nevermind by a band named Nirvana. Oh well, whatever. In 1982, Toto IV beat…it doesn’t matter who else was nominated. It’s Toto Fuckin’ IV, people.

It looks like Beyoncé will have to wait longer before she is in the same hallowed company as Toto.

In less contentious news this week, ISIS killed U.S. hostage Kayla Mueller, Boko Haram killed thirteen soldiers and 81 civilians in Chad, and the Chief Justice of Alabama’s Supreme Court forbade probate judges in that state to issue marriage license to same-sex couples, despite a judge’s ruling that such unions are legal and the U.S. Supreme Court refusing to issue a stay on that ruling.

Congratulations, Beck!

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Grammy Predictions

The 2014 Grammy Awards will be handed out tomorrow night. Here are my fearless predictions:

RECORD OF THE YEAR – “Stay With Me” – Sam Smith
ALBUM OF THE YEAR – Beyoncé – Beyoncé
SONG OF THE YEAR – “Stay With Me” – Sam Smith
BEST NEW ARTIST – Sam Smith
BEST POP SOLO PERFORMANCE – “All of Me” – John Legend
BEST POP DUO/GROUP PERFORMANCE – “A Sky Full of Stars” – Coldplay
BEST TRADITIONAL POP VOCAL ALBUM – Cheek to Cheek – Tony Bennett & Lady Gaga
BEST POP VOCAL ALBUM – X – Ed Sheeran
BEST DANCE RECORDING – “F for You” – Disclosure featuring Mary J. Blige
BEST DANCE/ELECTRONIC ALBUM – While(1<2) – Deadmau5
BEST ROCK PERFORMANCE – “Fever” – The Black Keys
BEST ROCK SONG – “Blue Moon” – Beck
BEST ROCK ALBUM – Turn Blue – The Black Keys
BEST ALTERNATIVE MUSIC ALBUM – Reflektor – Arcade Fire
BEST R&B PERFORMANCE – “Drunk in Love” – Beyoncé featuring Jay-Z
BEST R&B SONG – “Drunk in Love” – Beyoncé featuring Jay-Z
BEST URBAN COMTEMPORARY ALBUM – Beyoncé – Beyoncé
BEST R&B ALBUM – Give the People What They Want – Sharon Jones & the Dap-Kings
BEST RAP PERFORMANCE – “i” – Kendrick Lamar
BEST RAP/SUNG COLLABORATION – “The Monster” – Eminem featuring Rihanna
BEST RAP SONG – “i” – Kendrick Lamar
BEST RAP ALBUM – Oxymoron – ScHoolboy Q
BEST COUNTRY SOLO PERFORMANCE – “Automatic” – Miranda Lambert
BEST COUNTRY DUO/GROUP PERFORMANCE – “Somethin’ Bad” – Miranda Lambert and Carrie Underwood
BEST COUNTRY SONG – “Automatic” – Miranda Lambert
BEST COUNTRY ALBUM – Platinum – Miranda Lambert
BEST COMEDY ALBUM – Mandatory Fun – “Weird Al” Yankovic
BEST SONG WRITTEN FOR VISUAL MEDIA – “Let It Go” – Adele Dazeem
BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE – The Rise & Fall of Paramount Records, Volume One
BEST ENGINEERED ALBUM (NON-CLASSICAL) – Morning Phase – Beck
PRODUCER OF THE YEAR (NON-CLASSICAL) – Max Martin
BEST REMIXED RECORDING (NON-CLASSICAL) – “All of Me” (Tiesto’s Birthday Treatment Remix) – John Legend

Enjoy the show!

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Winston + Bobby Brown

The Song Retains The Name

Winston + Bobby Brown
Today is Bobby Brown’s 46th birthday. A former member of New Edition, Brown had his first solo hit in 1988 with “Don’t Be Cruel,” which reached #8 on the Hot 100. Though it shares its title with an Elvis Presley #1 hit from 1956, Brown’s “Don’t Be Cruel” is not a remake.

That brings us to today’s playlist, which I call The Song Retains the Name. It consists of different songs with the same title. I initially planned to include twenty such songs, but more kept springing to mind. Before I knew it, I passed 100 entries. There are plenty more, so I decided to open this up to my reader(s). If you have songs that share titles you’d like to add, feel free to do so.

(NOTES: I included The Jacksons’ “This Place Hotel” because when it was released in 1980 its title was “Heartbreak Hotel.” Thought he didn’t have to, Michael Jackson, the song’s writer, later changed its name to “This Place Hotel” to avoid confusion with the Elvis Presley song “Heartbreak Hotel.” Whitney Houston didn’t feel the need to make the same Hotel accommodation.

Also, though it is listed on Spotify as “The Best of My Love,” the Eagles track does not have a “The” on the 45 or the band’s On the Border album.)

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Winston + Butt

It’s Friday And I Need To Dance!

Winston + Butt
Spike Lee needed a dance song for a scene in his film School Daze, so he reached out to Marcus Miller, whose writing credits include Luther Vandross’ “Power of Love” and “Til My Baby Comes Home” and Miles Davis’ “Tutu.” Miller asked his former bandmate Mark Stevens (brother of Yvette Stevens, who changed her name to Chaka Khan) to help him. Together they came up with “Da Butt.” Washington D.C. band E.U. (Experience Unlimited) recorded the tune, which reached #35 on the Billboard Hot 100 in 1988. E.U. made the Hot 100 again in 1996 – a record of theirs entitled “Knock Him Out Sugar Ray” was sampled by Beck in his #61 hit “Where It’s At.”

It’s the first Friday of 2015 and I need to dance. Let’s kick off this week’s party with “Da Butt.”

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Best Songs Of 2014

I don’t understand Beyoncé. She spells her name with an accent over the second e, but she pronounces her name with the accent on the second syllable. That makes no sense to me. Musically, however, I was down with Cé in 2014. She challenged herself artistically with her latest album, snuck out at the tail end of 2013, and for the most part she succeeded. Yonc places four songs in my year-end list, more than anybody else, with two of those songs in my top ten. And to think, she owes her whole career to me.

The big trend that nobody talks about is that Sweden has invaded in a big way. Tove Lo and Neneh Cherry (welcome back!) are on my year-end list, and First Aid Kit are in this week’s top ten. Three acts may not look like a big trend to you, but let’s encourage Sweden. They still have a ways to go to make up for Ace of Base. Elsewhere in Scandinavia, Norway is represented by Röyksopp, Annie and Bjarne Melgaard. Come on, Denmark and Finland – let’s step it up! Other foreign acts representing this year are Britain’s George Ezra, Katy B, Disclosure, Sam Smith, SBTRKT and alt-J; Scotland’s Paolo Nutini and Belle & Sebastian; Canada’s Mac DeMarco, Tegan & Sara and Arcade Fire; Australia’s Courtney Barnett and Sia; France’s Daft Punk, Nigeria’s Chimamanda Ngozi Adichie; and Neverland’s Michael Jackson.

There’s little hip hop on my 2014 list. Very little. Two songs, both performed by Kendrick Lamar. This is the poorest showing for rap in a year-end list since the early eighties, I think. I’m too lazy to look for my old listings, but I’m pretty sure that’s accurate. Was hip hop really that lame this year or am I turning into my mother?

Country music fared a little better than hip hop. Three songs, two of those performed by Miranda Lambert. The third song is “Follow Your Arrow,” performed by Kasey Musgraves, which is my #1 song of 2014. This is the first time a country song has topped my year-end list, I think. I’m too lazy to look for my old listings, but I’m pretty sure that’s accurate. The song, about being true to yourself and not letting others dictate your path, resonated with me when I was at a crossroads in my professional life. Do I continue working for the man in a soul-sucking job or do I pursue my passions? I opted to follow my arrow. If I crash and burn, Musgraves will hear from my lawyer. Also, it was rad to hear a simple, catchy tune coupled with the lyrics “Kiss lots of boys or kiss lots of girls if that’s what you’re into.” It was radder that this song won the Country Music Association’s Song of the Year award, despite being only a modest hit on the country chart. Raddest was that two male country singers, Billy Gilman and Ty Hendon, who each have sold hundreds of thousands of records, announced that they kissed lots of boys and that’s what they’re into. I’m paraphrasing.

I now present to you my favorite songs of 2014. The list was compiled from my weekly top ten lists. I crunched the numbers and this is the result. Songs that are in Glenn’s Ten at the present time (e.g. First Aid Kit’s “Cedar Lane,” Mark Ronson/Bruno Mars’ “Uptown Funk!,” Perfume Genius’ “Queen”) are not included; I’ll put them on my 2015 list. Here are the 83 tracks that made my weekly top ten in 2014:

1. “Follow Your Arrow” – Kacey Musgraves
2. “Ain’t It Fun” – Paramore
3. “Happy” – Pharrell Williams
4. “Every Time the Sun Comes Up” – Sharon Van Etten
5. “Do You” – Spoon
6. “Partition” – Beyoncé
7. “Drunk in Love” – Beyoncé featuring Jay-Z
8. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
9. “Seasons (Waiting on You)” – Future Islands
10. “Beggin for Thread” – Banks
11. “Avant Gardener” – Courtney Barnett
12. “Budapest” – George Ezra
13. “Habits (Stay High)” – Tove Lo
14. “Gotta Get Away” – The Black Keys
15. “Love Never Felt So Good” – Michael Jackson
16. “Somethin’ Bad” – Miranda Lambert featuring Carrie Underwood
17. “Hundreds of Ways” – Conor Oberst
18. “Step” – Vampire Weekend featuring Danny Brown, Heems and Despot
19. “Put Your Number In My Phone” – Ariel Pink
20. “Blue Moon” – Beck
21. “All the Rage Back Home” – Interpol
22. “i” – Kendrick Lamar
23. “5 AM” – Katy B
24. “Secrets” – Mary Lambert
25. “Cinnamon and Lesbians” – Stephen Malkmus
26. “Just One Drink” – Jack White
27. “Chandelier” – Sia
28. “Automatic” – Miranda Lambert
29. “How Can You Really” – Foxygen
30. “Out of the Black” – Neneh Cherry featuring Robyn
31. “XO” – Beyoncé
32. “Wait for a Minute” – Tune-Yards
33. “Control” – Broken Bells
34. “Bored in the U.S.A.” – Father John Misty
35. “Latch” – Disclosure featuring Sam Smith
36. “New Dorp, New York” – SBTRKT featuring Ezra Koenig
37. “All About that Bass” – Meghan Trainor
38. “I Blame Myself” – Sky Ferreira
39. “Do It Again” – Röyksopp and Robyn
40. “Birth in Reverse” – St. Vincent
41. “Prince Johnny” – St. Vincent
42. “Bother” – Les Sins
43. “Brother” – Mac DeMarco
44. “Everything Is Awesome!!” – Tegan and Sara featuring The Lonely Island
45. “Dark Sunglasses” – Chrissie Hynde
46. “Heart is a Drum” – Beck
47. “Sing About Me, I’m Dying of Thirst” – Kendrick Lamar
48. “Let Me Down Easy” – Paolo Nutini
49. “Talking Backwards” – Real Estate
50. “Stranger to My Happiness” – Sharon Jones and the Dap-Kings
51. “High Hopes” – Bruce Springsteen
52. “Electric Lady” – Janelle Monae featuring Solange
53. “Crying for No Reason” – Katy B
54. “After the Disco” – Broken Bells
55. “***Flawless” – Beyoncé featuring Chimamanda Ngozi Adichie
56. “West Coast” – Lana Del Rey
57. “Nothing More than Everything to Me” – Christopher Owens
58. “Left Hand Free” – alt-J
59. “The Party Line” – Belle & Sebastian
60. “Low Key” – Tweedy
61. “Come Get It Bae” – Pharrell Williams
62. “Do What U Want” – Lady Gaga featuring R. Kelly
63. “Alone in My Home” – Jack White
64. “Fever” – The Black Keys
65. “Me and Liza” – Rufus Wainwright
66. “You Are Your Mother’s Child” – Conor Oberst
67. “Inside Out” – Spoon
68. “Instant Crush” – Daft Punk featuring Julian Casablancas
69. “I Wanna Know” – Best Coast
70. “Eyes to the Wind” – The War on Drugs
71. “Forever” – Haim
72. “It Comes Back to You” – Christopher Owens
73. “Just One of the Guys” – Jenny Lewis
74. “My Own World” – Eleanor Friedberger
75. “Spit Three Times” – Neneh Cherry
76. “Lazaretto” – Jack White
77. “Russian Kiss” – Annie featuring Bjarne Melgaard
78. “Another Night” – The Men
79. “Dangerous” – Big Data featuring Joywave
80. “Gust of Wind” – Pharrell Williams
81. “A Place with No Name” – Michael Jackson
82. “Give Life Back to Music” – Daft Punk
83. “We Exist” – Arcade Fire

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Let’s Sing About Sex

Today is the 57th birthday of English singer-songwriter Billy Bragg. My favorite song of his is “Sexuality,” a #2 US Modern Rock hit from 1991. Co-written with The Smiths’ Johnny Marr, “Sexuality” is, as described by Wayne Studer in his book Rock on the Wild Side, “a bouncy, ringing celebration of healthy, open-minded live-and-let-live attitudes about the human body and human relationships.” Singing “your laws do not apply to me” and “I demand equality,” this is a protest song that remains relevant 20+ years later.

In celebration of “Sexuality,” today’s playlist consists of twenty songs with the word sex or some variant thereof in the title. Get down!

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Grammy Nominees Were Announced And I Need To Dance!

This year’s Grammy nominations were announced this morning. Here they are:

Record of the Year
Iggy Azalea ft. Charli XCX – “Fancy”
Sia – “Chandelier”
Sam Smith – “Stay With Me (Darkchild Version)”
Taylor Swift – “Shake It Off”
Meghan Trainor – “All About That Bass”

Song of the Year
Same as Record of the Year, except instead of “Fancy” you’ve got Hozier’s “Take Me to Church”

Album of the Year
They plan on announcing the nominees in this category tonight during the A Very Grammy Christmas television special. Ariana Grande, Maroon 5 and Album of the Year nominations? Cancel your Friday night plans!

Best New Artist
Bastille
Iggy Azalea
Haim
Sam Smith
Some lady I’ve never heard of

Best Pop Vocal Album
Coldplay – Zzzzz
Miley Cyrus – Zzzzz
Ariana Grande – Zzzzz
Katy Perry – Zzzzz
Ed Sheeran – Zzzzz
Sam Smith – Zzzzz

Best Rock Album
Beck – Morning Phase
Ryan Adams – Ryan Adams
The Black Keys – Turn Blue
Tom Petty & The Heartbreakers – Hypnotic Eye
U2 – Are You Fucking Kidding Me?!?!

Best Urban Contemporary Album
Jhené Aiko – How Do You Pronounce That?
Beyoncé – I’m Now The Most Nominated Woman In Grammy History, So Bow Down Bitches
Chris Brown – Undeserved
Mali Music – Who?
Pharrell Williams – Gurl!

Best Country Album
Miranda Lambert – Platinum
+ four others

Best Spoken Word Album (a/k/a Best Audiobook)
Forget the titles; look at this list of nominated performers – James Franco, John Waters, Joan Rivers, Gloria Gaynor, Elizabeth Warren and Jimmy Carter! They better present this one on the telecast! Gurl!

Best Rock Song
Paramore – “Ain’t It Fun”
Beck – “Blue Moon”
The Black Keys – “Jack White Better Not Be Nominated”
Ryan Adams – “Gimme Something Good”
Jack White – “The Black Keys Better Not Be Nominated”

Best R&B Song
Beyoncé featuring Jay-Z – “Drunk In Love”
Usher – “I’m Going to Lose to Beyoncé”
Chris Brown featuring Usher and Rick Ross – “I Don’t Deserve a Nomination and I’m Going to Lose to Beyoncé”
Luke James featuring Rick Ross – “You Never Heard of Me and I’m Going to Lose to Beyoncé”
Jhené Aiko – “Though I Also Have an Accent over the Second E in My First Name I’m Going to Lose to Beyoncé”

Best Country Song
Miranda Lambert – “Automatic”
+ four others

Best Dance Recording
Seriously, there is a category for the best audiobook. The Grammy Awards’ tag-line is “Music’s Biggest Night.” Unless Elizabeth Warren sang her memoirs this category should not exist.

This post doesn’t cover all nominations. In total, the Grammy Awards have nominees in 12,623 categories, three of which are presented on the air. Tune in sometime in January or February to see who wins as well as a rare live television appearance from the reclusive Taylor Swift!

As for now, it’s Friday, which is dance day on Tunes du Jour. As tomorrow is Ira Gershwin’s 118th birthday, we’ll kick off this week’s dance party with Donna Summer, who by now may have dined with the famed lyricist.

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Glenn’s Ten – 8/12/14

Demi Lovato’s “Really Don’t Care” moves from #4 to #1 in Glenn’s Ten this week. There are three new entries – “New Dorp, New York” performed by SBTRKT featuring Ezra Koenig, “Chandelier” by Sia and “Dark Sunglasses” by Chrissie Hynde. This is SBTRK’s first appearance in Glenn’s Ten, while guest vocalist Koenig has been in the countdown a handful of times with his band, Vampire Weekend. Sia has been in Glenn’s Ten previously as a co-writer of Britney Spear’s “Perfume;” this is her first time in the ten as an artist. Chrissie Hynde showed up in Glenn’s Ten many times with her band Pretenders and with UB40 on a cover of Sonny & Cher’s “I Got You Babe.”

Glenn’s Ten for this week is:
1. “Really Don’t Care” – Demi Lovato featuring Cher Lloyd
2. “Do You” – Spoon
3. “New Dorp, New York” – SBTRKT featuring Ezra Koenig
4. “All the Rage Back Home” – Interpol
5. “Chandelier” – Sia
6. “Nothing More than Everything to Me” – Christopher Owens
7. “You Are Your Mother’s Child” – Bright Eyes
8. “Dark Sunglasses” – Chrissie Hynde
9. “Left Hand Free” – Alt-J
10. “Heart is a Drum” – Beck

Rounding out today’s playlist are ten tunes that were #1 on this date in Glenn’s Ten history, in reverse chronological order.

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