Celebrating Daryl Hall’s birthday today on the playlist
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Tunes Du Jour Presents 1987
The year 1987 stands out as a significant moment in music history, marked by a diverse array of singles that have maintained their appeal over the decades. This year saw the release of songs that would go on to define careers, shape genres, and become enduring favorites.
The pop landscape of 1987 was populated by distinctive vocalists and memorable melodies. Whitney Houston’s exuberant “I Wanna Dance With Somebody (Who Loves Me)” captured the essence of joy in music, while George Michael’s “Faith” showcased his evolution as a solo artist. Madonna continued her prominence with “Open Your Heart,” demonstrating her knack for combining catchy hooks with provocative themes. Michael Jackson’s “Bad” further cemented his status as a pop icon, blending funk and rock elements with his signature vocal style.
Rock music saw bands crafting anthems and pushing creative boundaries. U2’s “With or Without You” exemplified their ascent to global recognition, its atmospheric sound and emotional depth marking a new era for the band. Bon Jovi’s “Livin’ on a Prayer” became a quintessential rock anthem, its narrative of perseverance resonating widely. R.E.M.’s “The One I Love” signaled their transition from college rock darlings to mainstream success. Bruce Springsteen’s “Brilliant Disguise” showcased his storytelling prowess, while Peter Gabriel’s “Big Time” continued his innovative approach to both music and video.
The year also saw the continued evolution of electronic and alternative music. New Order’s “True Faith” merged dance beats with introspective lyrics, creating a template for future electronic pop. Pet Shop Boys’ “It’s a Sin” demonstrated the potential for electronic music to tackle serious themes, while The Cure’s “Why Can’t I Be You?” showed how alternative bands could create irresistibly catchy tunes without compromising their unique sound. The Smiths’ “Girlfriend in a Coma” exemplified Morrissey and Johnny Marr’s ability to blend dark humor with infectious melodies.
1987 was a landmark year for hip-hop and R&B. The Beastie Boys’ “(You Gotta) Fight for Your Right (To Party!!!)” fused punk rock attitude with hip-hop and heavy metal styles, helping to bring rap to a wider audience. Eric B. & Rakim’s “I Know You Got Soul” set new standards for technical proficiency and lyrical complexity in hip-hop. In R&B, Anita Baker’s “Caught Up in the Rapture” showcased her sophisticated, jazz-influenced style.
The year also saw notable releases from established artists exploring new territories. Prince’s “Sign ‘☮’ The Times” demonstrated his musical versatility and social consciousness, while Paul Simon’s “You Can Call Me Al” incorporated South African musical elements, reflecting the growing interest in global music.
Nineteen eighty-seven produced an impressive number of singles that have maintained their popularity over time. From pop to rock, R&B to alternative, the year offered a variety of sounds and styles that continue to resonate. The enduring appeal of these tracks speaks to the creativity and talent that was evident in this notable year of musical history.
Your (Almost) Daily Playlist: 1-16-24
“I only make records when I feel I have something to say. I’m not interested in releasing music just for the sake of selling something.“ – Sade Adu
Sade’s last album came out in 2010. The album preceding that one came out in 2000.
Sade Adu, lead singer and namesake of the band Sade, was born on this date in 1959. A handful of Sade’s best tunes are included on today’s playlist.
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Your (Almost) Daily Playlist: 12-17-23
Norman Whitfield and Barrett Strong collaborated to write several hits for The Temptations, among them “Papa Was A Rollin’ Stone,” “I Can’t Get Next To You,” “Psychedelic Shack,” “Ball Of Confusion,” and “Just My Imagination (Running Away With Me).” The latter was inspired by Strong’s crush on a woman who didn’t know he existed. It became The Temptations’ third number one single on the Hot 100.
Lead vocalist on “Just My Imagination,” the late Eddie Kendricks of the Temptations was born on this date in 1939.
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Your (Almost) Daily Playlist: 1-3-23
James Mtume (b. January 3, 1946) is best-known for his oft-sampled “Juicy Fruit,” though he also has writing and producing credits on records by Stephanie Mills, Roberta Flack, Spinners, Levert and Phyllis Hyman and also played on records by Miles Davis, McCoy Tyner, Lonnie Liston Smith, Sonny Rollins and Gato Barbieri. He died just a few days after his birthday last year.
Today’s playlist includes Mtume’s best-known track plus 29 other juicy cuts.
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Throwback Thursday: 1986
For many years I’ve been saying that 1986 was a crap year for music. I prove myself wrong with this week’s Throwback Thursday playlist. Listen to these gems! How did I get this so wrong until now? My theory is this: In 1986 I was still listening to top 40 radio more than other formats. While there were many great hit songs in ’86 (as evidenced by the playlist below), there was also a lot of garbage songs that were successful on the pop chart. My thoughts of all those garbage songs outweighed my fond memories of all of the good songs. Well, no more, missy! Nineteen eighty-six was a good year for music. The proof is in the pudding (pudding meaning this week’s Throwback Thursday playlist).
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Throwback Thursday: 1988
Nineteen eighty eight was, on the US pop music chart, one of those in-between years. The “New Wave” British invasion had greatly subsided and England wasn’t as much of a presence on the charts as it was a few years earlier. Rap was increasing in popularity and hitting the top 40 more frequently, though it was still a far cry from the dominant position it holds today. Of the hip hop song’s on today’s playlist, only two made it onto the Billboard Hot 100 – LL Cool J’s “Goin’ Back to Cali,” which peaked at #31, despite selling a million copies, and Rob Base & D.J. E-Z Rock’s “It Takes Two,” which peaked at #36, despite selling two million copies. Alternative music lived up to its genre name as an alternative to the music on the pop chart, so if you wanted to hear Sonic Youth or The Dead Milkmen or The Primitives, you had to tune into college radio or the stations on the left side of your FM dial. Those artists, alongside U2, R.E.M. and INXS, could be found on Billboard’s Modern Rock chart, which premiered in September of 1988. New Jack Swing tracks from artists such as Keith Sweat remained popular on Black radio and crossed over, while Black artists such as Tracy Chapman and Living Colour failed to make much of an impression on Black radio. So-called Hair Metal was a presence on the pop chart; grunge would help fix that in a few years. Configuration-wise, CDs outsold vinyl LPs for the first time in 1988, though cassettes outsold both.
Here are thirty of 1988’s finest:
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