“For to be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others.” – Nelson Mandela (1918 – 2013)
Today is Human Rights Day. Here is your soundtrack:
Did You Know Sara Bareilles Released An Album This Year?
I’ve worked on nearly every Grammy compilation release since the first one.
The nominees for the 56th annual Grammy Awards were announced last Friday. The nominations always elicit strong reactions from music fans. I’m pleased with many of the Academy’s selections (Go Kendrick Lamar and Daft Punk!) and puzzled by others (Ed Sheeran is nominated for Best New Artist. Last year he was nominated for Song of the Year. Was he pre-new then?).
Today’s Tunes du Jour playlist consists of some of the tracks that have won Record of the Year. I choose to focus on the positive. I refuse to bash the Grammy voters for when they got it wrong (such as, for example, when they gave Record of the Year to Bobby McFerrin for “Don’t Worry Be Happy.” What the hell was that about? That record won over Tracy Chapman’s “Fast Car.” Are you kidding me?).
Herewith are some of the better Record of the Year winners.
It’s Sinéad O’Connor’s Birthday And I Can’t Think Of A Headline
The latter half of the eighties was a great time for alternative rock music and its fans. During the years after the new wave boom but before Nirvana penetrated the mainstream, bringing a host of new rock acts with them, we would hear fresh, interesting acts on WLIR/WDRE and see them on MTV’s 120 Minutes.
In early 1988 120 Minutes aired a video from a new Irish singer named Sinéad O’Connor. The song was “Mandinka.” It grabbed me immediately. I bought her LP The Lion and the Cobra. It was (and is) great. I became obsessed. Not in a creepy stalker kind of way. I felt the need to own every note this woman released. I bought the albums, the remixes, the non-LP singles (e.g. “My Special Child”), the singles with non-LP b-sides (the UK CD single of “Success Has Made a Failure of Our Home” with its cover of “My Heart Belongs to Daddy,” the UK CD single of “This Is a Rebel Song” with its cover of “Redemption Song”), every movie soundtrack album she appeared on (Married to the Mob, In the Name of the Father) and every compilation she appeared on (Red Hot + Blue, Help, A Very Special Christmas 2). I loved her passion, her songs, her intelligence, her tenderness, her individuality and her look. She stood out from the pack.
Today Tunes du Jour celebrates the birthday of Sinéad O’Connor with a playlist inspired by her and the music of the 120 Minutes era.
I auditioned for American Idol
In February 2002 my friend Sophie and I auditioned to be the hosts of a new US television series based on the successful UK show Pop Idol. On American Idol, amateur singers competed against each other and the public voted for the winner.
I’ve never seen American Idol. It’s not because I’m bitter I didn’t get the job. I have a different opinion than many of the show’s viewers as to what constitutes good singing. Being loud and hitting high notes do not necessarily make for great singing. A great singer is expressive, feeling the words they are singing. Aretha Franklin and Adele are two singers who can belt and hit a wide range of notes. They also know when to sing softly or when not to let vocal gymnastics get in the way of the song. They are great singers. Bob Dylan and Tom Waits are also great singers. They own their material. They feel their material. They live their material (more accurately, the personas they put forth for each song lives the material).
Dylan and Waits are also great songwriters. Dylan is the better-known of the two, but as today is Waits’ birthday, I’m going to focus on him. His songs have been recorded by a diverse group of artists, including Elvis Costello, Eagles, The Ramones, Johnny Cash, The Pogues, Solomon Burke, Steve Earle, Marianne Faithfull, The Neville Brothers, Screamin’ Jay Hawkins, Robert Plant and Alison Krauss, Norah Jones, Bette Midler, Bruce Springsteen and Neko Case, the latter two appearing on today’s playlist with Waits covers. His sole US top forty hit on the Billboard Hot 100 was not as an artist, but as the writer of “Downtown Train,” which Rod Stewart took to the top ten in 1990.
Today’s Tom Waits-inspired playlist kicks off with the singer-songwriter’s version of that one hit. Enjoy!
It’s Friday And I Need To Dance!
Every Friday, Tunes du Jour’s playlist is designed to get you dancing into the weekend. Today we kick off with The Spinners’ “The Rubberband Man,” written by the songwriting team of Thom Bell and Linda Creed, as today is Creed’s birthday.
You may not know her name, but chances are you know some of her work. With Bell, she composed several hits for 70s soul group The Stylistics, including “You Make Me Feel Brand New,” “You Are Everything,” “Break Up to Make Up,” “I’m Stone in Love With You,” “Rockin’ Roll Baby” and “Betcha By Golly Wow.” If any readers plan on marrying me, note that I insist the latter be our wedding song.
With Michael Masser, Creed wrote “The Greatest Love of All” for the Muhammad Ali biopic The Greatest. George Benson took the film’s theme song to #24 in 1977. The week of May 17, 1986, Whitney Houston took her remake of the song to #1 on the Billboard Hot 100. However, Creed didn’t get to see that. She died one month earlier of breast cancer at age 37.
Ten Facts About Little Richard
1) Mojo magazine’s list of “The 100 Records that Changed the World” placed Little Richard’s “Tutti-Frutti” at #1.
2) Pat Boone, who made a career of recording new tracks by African-American acts and sanitizing them for white audiences, covered Little Richard’s “Tutti-Frutti” in 1956 and had a bigger hit with it than Richard did. To avoid a repeat of this, Richard and his producer, Bumps Blackwell, rehearsed the follow-up single, “Long Tall Sally,” until Richard could sing it as fast as possible, with the thinking that Boone wouldn’t be able to sing it as fast. Little Richard’s version became his first top ten pop hit and the biggest-selling single in the history of Specialty Records. Unfortunately, Pat Boone also enjoyed a top ten hit with his version.
3) Richard wrote a song about a female impersonator from his hometown who was called Queen Sonya. He changed Sonya to Lucille, which became the song’s title. It became Richard’s longest-charting hit in 1957.
4) While on tour in 1957 Richard decided to give up rock & roll and enter the ministry. He left the tour ten days early. The original flight on which he had been scheduled to return home crashed into the Pacific Ocean.
5) In 1962 Richard returned to performing secular music while touring Europe. Sam Cooke was his opening act.
6) Later in 1962 Little Richard’s opening act was The Beatles. Richard taught Paul McCartney how to sing like he does.
7) In 1963 The Rolling Stones opened for Richard. Said Mick Jagger: “I couldn’t believe the power of Little Richard onstage. He was amazing.”
8) Members of Little Richard’s band at times include Jimi Hendrix and Billy Preston. This line-up can be heard on the track “I Don’t Know What You’ve Got (But It’s Got Me),” the last single released by Vee-Jay Records.
9) Rolling Stone magazine’s list of The Greatest Artists of All Time has Little Richard at #8.
10) Today is his 81st birthday.
Enjoy this playlist inspired by one of rock and roll’s originators, Little Richard.
An Atheist Jew’s Guide To Christmas Music, Part 1
Raised Jewish, I celebrated Hanukkah. For several years, my family also celebrated Christmas. We didn’t go to midnight mass, we didn’t drink egg nog, we didn’t throw a special type of log in the fireplace. (By the way, I have no idea what makes a Yule log yuley). We put tinsel and candy canes on a large potted plant my mother had in the den and bought each other small but practical gifts. For example, when I was 11 for Christmas my parents got me a salt shaker. The Christmas celebrations stopped after I innocently told Grandpa Mordechai about them. My parents were so angry with me they took away my salt shaker.
Though I no longer celebrate Christmas, I still have a major jones for Christmas music. I own many more Christmas records than any atheist Jew probably should. We’re talking in the hundreds.
I eschew Christmas classics performed by well-known middle-of-the-road acts such as Celine Dion, Michael Bublé, Kenny G (sell-out Jew), Neil Diamond (sell-out Jew) or Barbra Streisand (sell-out Jew). Frank Sinatra shows up only in a duet with Cyndi Lauper and Bing Crosby shows up only in his duet with David Bowie.
Including the Crosby/Bowie version, I have 15 renditions of “The Little Drummer Boy” in my iPod, by a diverse list of artists including Johnny Cash, The Temptations, Joan Jett, Bob Dylan, Iggy Pop and RuPaul.
I have ten versions of “Winter Wonderland,” and that’s not counting the cross-dressing parody “Walkin’ Round in Women’s Underwear,” not performed by RuPaul.
I have “Christmas in Hollis,” “Christmas in Harlem,” “Christmas in Washington,” “Christmastime in the LBC,” “Christmas in the City,” “Christmas in Heaven,” “Christmastime in Hell” and “Christmas at the Zoo.”
I have Christmas songs by most of my favorite artists of all-time, including The Beatles, Prince, Michael Jackson, Madonna, Stevie Wonder, R.E.M., Elvis Presley, The White Stripes, Kanye West, Ike and Tina Turner, Chuck Berry, and Radiohead.
Some Christmas songs aren’t Christmas songs at all. “Frosty the Snowman,” “Let It Snow Let it Snow Let It Snow” and “Winter Wonderland” don’t mention the baby Jesus or Santa Claus or presents or a bullied reindeer with a skin ailment.
Some of the Christmas songs I have are a bit odd. “I Found the Brains of Santa Claus,” a smooth jazz version of “Grandma Got Run Over By a Reindeer,” C3PO and R2D2 singing “Sleigh Ride.” I have Liberace reciting “Twas the Night Before Christmas,” though his version doesn’t hold a candle to Aretha Franklin’s version, in which the Queen of Soul took a few liberties with the words: “A bundle of gifts he had and what did I get? / As I squealed, opening the package, the same old shit!” Her lyrics are downright Disneyesque compared to Snoop Dogg’s reading of the famous poem. If you’re interested, Google the lyrics because I’m not going to print them here.
I have John Denver singing “Please Daddy (Don’t Get Drunk This Christmas).” Verse one opens with a couplet for the arithmetically-challenged: “Just last year when I was only seven / Now I’m almost eight you can see.” Santa needs to bring John some flashcards. The next two lines create a holiday image that is less Norman Rockwell and more John Waters: “You came home at quarter past eleven / And fell down underneath the Christmas tree.” Someone needs to get him to a 12-step group. He can attend a meeting with the title character of Fishbone’s “Slick Nick, You Devil You,” who came down the chimney with a keg of brew and spilled Jack Daniels all over the drapes.
I have Sarah Silverman singing “Give the Jew Girl Toys,” in which she taunts Santa by singing “You have a list / Well, Schindler did to / Liam Neeson played him / Tim Allen played you.”
Then there’s the classic “Fairtytale of New York” by the Pogues and Kirsty MacColl, which evokes the holiday spirit with the line “You scumbag, you maggot / You cheap lousy faggot,” something yelled at me every year by those Salvation Army Santas.
Better still is “Macarena Christmas.” I LOVE “Macarena” and I’m betting you do to though you probably won’t admit it. “Macarena Christmas” celebrates the birth of our lord and savior Baby Macarena by taking the chorus from the hit single and uncleverly inserting it repeatedly into a medley of Christmas songs, so it goes “Joy to the world, the Lord has come / Da le a tu cuerpo alegria Macarena, Que tu cuerpo es pa darle alegria y cosa Buena / Da le a tu cuerpo alegria Macarena / Eeeeeh, Macarena – ay / Jingle bells jingle bells jingle all the way.” Sound effects of what sounds like an infant with the hiccups are thrown in. It makes no sense, y me gusta mucho.
My favorite holiday album and one of the greatest all-time albums period is Phil Spector’s A Christmas Gift for You, featuring tracks he produced for The Ronettes, The Crystals, Darlene Love and Bob B. Soxx and The Blue Jeans. Every cut on it is classic and can be enjoyed by the whole family, except Grandpa Mordechai.
Happy Britney Spears’ Birthday!
Britney Spears was the first recording artist to thank me in her CD booklet liner notes. The album was 2000’s Oops!…I Did It Again, which set a record when it sold over 1.3 million copies in the US its first week. At the time I was running the licensing department at Zomba Recording Corporation, parent company of Jive Records, to which Britney was signed. It was a great time to be at that company. I worked with smart, creative people, and I got to apply my skills to our superstar roster (Britney, Backstreet Boys, R. Kelly, NSYNC), enabling us to increase licensing revenue four-fold during my four years of employment there.
When I started at Zomba, Britney was 17 years old and was on her second hit single, “Sometimes.” Today she turns 32. To date she has had 23 top forty hits in the US. Her latest album, Britney Jean, was released last week.
Enjoy today’s Britney-inspired playlist.
World AIDS Day
Today Tunes du Jour observes World AIDS Day with a playlist of diverse genres – pop, hip hop, rock, dance, r&b, gospel and whatever you call what Ween does.
Thematically there are songs of reminiscence, reunions, safe sex, politics, pride, goodbyes and whatever you call what Ween does.
Give it a listen and let me know what songs you discovered and if there are any great ones I missed.
Happy June Pointer’s Birthday!
As an adult my mother took night classes to earn her college degree. One of the electives she took was a course on music appreciation. During the semester my mother had to attend three concerts and write papers on each. She came to me with a deal. “If I buy you a ticket to the Pointer Sisters concert, will you write my paper for me?” Getting to see one of my favorite groups in concert without spending a dime? Deal!
Not only did my mother treat me to a great show, she taught me valuable life lessons about effective delegation of tasks and quid pro quo.
I saw the best-known incarnation of the group – as a trio consisting of sisters Ruth, June and Anita. Bonnie Pointer left the fold years earlier to pursue a solo career. As a threesome the women scored over a dozen top 40 singles on the US pop chart.
Today Tunes du Jour celebrates the birthday of the late June Pointer, who sang lead on the trio’s hits “He’s So Shy,” “Dare Me,” “Happiness” and “Jump,” which became “Jump (For My Love)” to avoid confusion with the Van Halen hit “Jump.” People were always confusing The Pointer Sisters with Van Halen.
One more thing – my mother got an “A” on her paper.