Twenty songs, some performed by artists who fall somewhere under the LGBTQ umbrella, others with queer lyrical content. It’s all men this time around. Performers include Lou Reed, Tim Buckley and Billy Preston.
[8tracks width=”300″ height=”250″ playops=”” url=”http://8tracks.com/mixes/8288353″] Click here to like Tunes du Jour on Facebook!I’ve never watched a single Olympics event, so take the idea that this playlist is inspired by the Olympics with a grain of sodium chloride.
Artists include Against Me!, Belle & Sebastian and ABBA.
[8tracks width=”300″ height=”250″ playops=”” url=”http://8tracks.com/mixes/8223170″] Click here to like Tunes du Jour on Facebook!Some of these songs are celebratory. Some are somber. All are moving.
[8tracks width=”300″ height=”250″ playops=”” url=”http://8tracks.com/mixes/7288241″] Click here to like Tunes du Jour on Facebook!On our premier episode of A Hint of Mint, we’re celebrating Cinco de Mayo as well as the birthdays of a country music queen, the original Jersey Boy, a synth rock icon, that British woman who sold several boatloads of her last album, and an orange juice pitchman, plus we’re remembering a soul music great who recently passed.
Happy listening!
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There was a trend in eighties pop music of superstars banding together for a cause. As trends go, it was certainly better than the medley craze of that same decade. Its high points included “We Are the World,” “Do They Know It’s Christmas?,” “Sun City” and “King Holiday.”
“King Holiday” was the result of a conversation rapper Kurtis Blow had with Martin Luther King, Jr.’s son Dexter. The civil rights leader’s birthday was celebrated as a national holiday for the first time on January 20, 1986. To commemorate the occasion, Blow, along with Grandmaster Melle Mel, Bill Adler and Phillip Jones, composed “King Holiday,” which Blow and Jones produced.
To perform the song, they gathered an impressive list of crossover stars of the day. Joining Kurtis Blow and Melle Mel on the record were Run-D.M.C., Whitney Houston, Lisa Lisa, Full Force, James “JT” Taylor (of Kool & the Gang), Teena Marie, Whodini, Fat Boys, El DeBarge, Stephanie Mills, New Edition, Stacy Lattisaw and Menudo (featuring Ricky Martin). The single made the top 30 on Billboard’s Black Music chart. All proceeds from its sale were donated to the Martin Luther King Jr. Center for Nonviolent Social Change.
Today Tunes du Jour jumps back in time to sing celebrate sing sing celebrate the birthday of Dr. Martin Luther King, Jr.
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In 1967, the National Academy of Recording Arts and Sciences split the Grammy Awards category for Best Rhythm & Blues Solo Performance into two – one for men and one for women. The first recipient in the female category was Aretha Franklin, for “Respect.”
The 1968 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for “Chain of Fools.”
The 1969 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for “Share Your Love with Me.”
The 1970 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for “Don’t Play That Song (You Lied).”
The 1971 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for “Bridge over Troubled Water.”
The 1972 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for Young, Gifted and Black.
The 1973 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for “Master of Eyes.”
The 1974 winner of Best Rhythm & Blues Solo Performance, Female, was Aretha Franklin, for “Ain’t Nothing Like the Real Thing.”
The 1975 winner of Best Rhythm & Blues Solo Performance, Female, was Aret…wait! It was NOT Aretha. Who broke Ms. Franklin’s chain chain chain? It was a young singer named Natalie Cole, whose debut single, “This Will Be,” won her that Grammy and also earned her the award for Best New Artist, making Natalie the first African-American to win in that category.
“This Will Be” is one of my favorite records of all-time. The music is festive, as a song celebrating the discovery of an everlasting love should be. Cole’s performance is letter-perfect. The part where she sings “huggin’ and squeezin’ and kissin’ and pleasin’ together forever through rain or whatever” works me into a frenzy still, almost forty years later. In addition, the record is under three minutes, so there is not time to get sick of it. It ends while your heart is racing. If it came out two years later there likely would have been an extended version but it didn’t so there isn’t.
By the way, Aretha Franklin was not nominated for Best Rhythm & Blues Solo Performance, Female for 1975. After that year off, she returned to that category in 1976 with “Something He Can Feel.” She lost to Natalie Cole, who took home the award for “Sophisticated Lady (She’s a Different Lady).” Both women were again nominated for Best Rhythm & Blues Solo Performance, Female for 1977, but they lost to Thelma Houston. That’s one for another blog post.
Today Tunes du Jour celebrates Natalie Cole’s 64th birthday. Here are three of my favorite Cole performances.
