Tunes Du Jour Presents 1957

The year 1957 stands as a pivotal moment in the evolution of popular music, where rock ‘n’ roll, rhythm and blues, and even a touch of jazz converged to create a soundtrack that would resonate for decades. The hits of the year showcase not only the diverse range of genres but also the rise of some of the most influential voices in music history. A prime example is The Crickets’ “That’ll Be the Day,” a track that embodies the early rock ‘n’ roll spirit, blending Buddy Holly’s unmistakable vocal delivery with a catchy, driving beat. It’s a song that helped shape the sound of the era.

Elvis Presley’s “Jailhouse Rock” is another cornerstone of 1957, with its infectious energy and rebellious attitude. Presley was at the height of his powers, blending rock, blues, and a hint of swagger that would influence generations of performers. Meanwhile, Fats Domino’s “Blueberry Hill” offered a smoother, more melodic contrast. Domino’s effortless combination of rhythm and blues with pop sensibility helped bridge the gap between different audiences, securing his place as one of the genre’s pioneers.

But 1957 wasn’t just about rock ‘n’ roll—it was a year that embraced the full spectrum of American music. Take Harry Belafonte’s “Day-O (Banana Boat Song),” a calypso tune that brought Caribbean sounds to mainstream audiences. Similarly, the soulful ballad “You Send Me” by Sam Cooke introduced a voice that would soon come to define soul music. Cooke’s ability to combine gospel roots with pop elegance opened the doors for future R&B artists.

The variety of sounds continued with tracks like “Whole Lotta Shakin’ Goin’ On” by Jerry Lee Lewis and “Lucille” by Little Richard, both of which pushed the boundaries of what rock music could be with their raw energy and wild performances. On the other end of the spectrum, Ella Fitzgerald and Louis Armstrong’s rendition of “Summertime” added a jazzy sophistication to the year’s musical offerings, reminding listeners that timeless standards still had a place in the changing musical landscape.

Ninety fifty-seven was a year when rock ‘n’ roll solidified its place in popular culture, while artists from various genres continued to innovate and inspire. Whether through the heartfelt croon of Johnny Mathis on “Chances Are” or the rough-edged blues of Muddy Waters’ “Got My Mojo Working,” the music of this year still echoes today as a testament to a time when creativity flourished across musical boundaries.

Your (Almost) Daily Playlist: 9-29-24

Shortly after British rock band Suede released their debut album in the US in 1993, they encountered a trademark issue. An American lounge singer named Suzanne deBronkart had been performing under the name “Suede” since the 1980s and had already trademarked the name for musical performances in the US. She sued for trademark violation.

Two years later, the British band reluctantly agreed to use the name “The London Suede” for all their US releases and performances. This compromise allowed them to maintain their original name in other parts of the world while respecting the existing trademark in the United States.

This name change applied to all their album releases, merchandise, and concert promotions in the US throughout their career.

(The London) Suede’s Brett Anderson was born on this date in 1967. A handful of the band’s tracks are included on today’s playlist.

Tunes Du Jour Presents The Drifters

The Drifters, known for their timeless hits, were more than just a vocal group—they were a revolving door of talent, innovation, and influence. Their manager, George Treadwell, famously owned the rights to the group’s name, allowing him to replace members as he saw fit. This created a unique dynamic in which the lineup of The Drifters was constantly evolving, but the sound remained consistent, thanks to brilliant vocalists like Clyde McPhatter, Ben E. King, and later, Johnny Moore. The shifting roster didn’t diminish the group’s success; rather, it seemed to fuel their ability to adapt to the changing music landscape of the late 1950s and early 1960s.

Before joining The Drifters, Clyde McPhatter was the usual lead singer for Billy Ward and the Dominoes, contributing to their early success with his distinctive, gospel-infused voice. Songs like “Have Mercy Baby” and “The Bells” highlighted his emotional delivery and vocal range, setting the stage for what would come next in his career. His time with the Dominoes laid the foundation for the innovative sound he would help bring to The Drifters, marking a pivotal moment in his development as one of R&B’s greatest vocalists.

The Drifters were trailblazers in many respects. Songs like “There Goes My Baby” brought orchestration into the realm of rhythm and blues, breaking new ground by blending classical strings with a soulful vocal performance. Similarly, “On Broadway” and “Up on the Roof” captured urban life’s glamour and grit, weaving storytelling with lush, intricate harmonies. The songs’ productions were often grand and ambitious, thanks in part to producers like Jerry Leiber and Mike Stoller, who knew how to balance pop accessibility with artistic flair.

The influence of The Drifters extended beyond their chart success. Ben E. King’s solo work, such as the universally beloved “Stand By Me” and “Spanish Harlem,” grew from the soulful foundation he helped build with The Drifters. Clyde McPhatter’s solo career also flourished with hits like “A Lover’s Question” and “Without Love (There Is Nothing),” which showcased his soaring voice. Their work as both individuals and part of the group helped shape the sound of R&B and soul music for years to come.

Another fascinating aspect of The Drifters was the way they handled romantic themes. Hits like “Save the Last Dance for Me” and “This Magic Moment” masterfully conveyed the highs and lows of love, set to irresistible melodies that have since become part of the Great American Songbook. The group’s ability to evoke deep emotion, whether it was longing, joy, or heartache, made their music resonate across generations. The universal appeal of songs like “Under the Boardwalk” further solidified their legacy.

The Drifters’ story is a testament to the power of adaptability. Though they were often a group in flux, the quality of their music never wavered. By blending innovation with a revolving door of vocal talent, they left an indelible mark on popular music. Whether you’re drawn to the lush productions, the heartfelt lyrics, or the seamless harmonies, The Drifters’ catalog remains a treasure trove of R&B brilliance.

Tunes Du Jour Presents Bruce Springsteen

Few artists have captured the American experience as vividly and authentically as Bruce Springsteen. With a career spanning over five decades, “The Boss” has crafted a body of work that resonates with millions, chronicling the hopes, struggles, and dreams of working-class America. While a 30-song playlist can offer a glimpse into Springsteen’s artistry, it barely scratches the surface of his vast and nuanced catalogue.

From the youthful exuberance of “Born to Run” to the somber reflection of “Streets of Philadelphia,” Springsteen’s music embodies a range of emotions and experiences. His early works, such as “Rosalita (Come Out Tonight)” and “Thunder Road,” burst with the energy of youth and the promise of escape. As his career progressed, songs like “The River” and “My Hometown” delved deeper into the complexities of adulthood and the weight of responsibility.

Springsteen’s ability to craft character-driven narratives is evident in tracks like “The Ghost of Tom Joad” and “Atlantic City.” These songs, along with many others, paint vivid portraits of individuals facing adversity, reflecting broader societal issues through personal stories. His music often serves as a voice for the voiceless, addressing topics such as economic hardship, war, and social injustice.

While Springsteen’s rock anthems like “Born in the U.S.A.” and “Glory Days” have become cultural touchstones, it’s important to note the depth and diversity of his musical style. From the introspective folk of “I’m On Fire” to the soul-influenced “Hungry Heart,” Springsteen has continually evolved his sound while maintaining his distinctive storytelling approach.

Beyond his musical contributions, Springsteen is also known for his philanthropic efforts. He has consistently used his platform to support various causes, including veteran’s rights, LGBTQ+ equality, and food banks. His commitment to social justice is not only evident in his charitable work but also woven into the fabric of his music, as exemplified by songs like “The Rising,” which offered hope and healing in the aftermath of 9/11. Bruce Springsteen’s enduring legacy lies not just in his music, but in his unwavering dedication to giving voice to the American experience in all its complexity.

Tunes Du Jour Presents Leonard Cohen

Leonard Cohen’s music holds a rare place in popular culture, weaving together poetry, spirituality, and a reflective take on human frailty. His ability to navigate profound themes of love, loss, and longing is evident across his catalog. Take “Suzanne,” one of his earliest and most enduring songs, where Cohen fuses romantic yearning with spiritual overtones. His lyrics, always precise, evoke intimate moments that feel both deeply personal and universal. “So Long, Marianne” offers a similar balance, with its reflective yet warm farewell to a past lover, capturing Cohen’s gift for turning life’s farewells into something poetic.

It’s impossible to talk about Cohen without mentioning “Hallelujah,” a song that has been interpreted countless times, but it’s his original version that remains a complex exploration of faith and doubt. While it may have been covered to the point of ubiquity, Cohen’s rendition holds a quiet intensity, never overselling the emotion, but allowing the listener to find their own place within the song’s deeply human contradictions.

Cohen was often as much a philosopher as he was a songwriter, and “You Want It Darker,” from his final album, stands as a testament to this. The song, released shortly before his death, feels like a stark and meditative final statement, confronting mortality head-on without flinching. Yet, Cohen never fully wallows in despair—songs like “Dance Me to the End of Love” and “Tower of Song” remind us of his wit and the subtle humor that often appeared in his work, even when tackling life’s heavier topics.

Beyond his introspective ballads, Cohen ventured into political commentary, as seen in “The Future” and “Democracy.” These songs, though written decades ago, feel eerily prescient today, as Cohen critiques societal decay with the same sharpness he uses to dissect personal relationships. “First We Take Manhattan” mixes defiance with a sense of foreboding, and “Everybody Knows” similarly casts a cynical eye on the world’s broken promises.

Even in his later years, Cohen’s voice—both literally and metaphorically—grew deeper and richer. Songs like “Going Home” and “Happens to the Heart” reflect a man nearing the end of his journey, but still curious, still searching. He never stopped asking the big questions, and in the process, Cohen gave his audience not just songs, but reflections on what it means to be alive, to love, to suffer, and ultimately, to accept it all.

Tunes Du Jour Presents Hispanic Heritage Month

As Hispanic Heritage Month continues, I’m excited to share a curated playlist that showcases the rich tapestry of Hispanic and Latinx music. This collection of 30 songs is not meant to be an exhaustive representation of all contributions from those of Hispanic descent—such a task would be impossible given the vast and diverse musical landscape. Instead, it serves as a vibrant sampler, offering a glimpse into the variety and brilliance of Hispanic and Latinx artistry across genres and generations.

From the infectious rhythms of salsa and reggaeton to the soulful strains of bolero and mariachi, this playlist traverses a wide musical terrain. It features iconic tracks that have become global phenomena, such as Los Del Rio’s “Macarena” and Luis Fonsi and Daddy Yankee’s “Despacito,” alongside lesser-known gems that deserve wider recognition. The selection spans decades, honoring both the pioneers who paved the way and the contemporary artists who continue to innovate and push boundaries.

As you listen, you’ll encounter the legendary Carlos Santana’s fusion of rock and Latin rhythms in “Oye Como Va,” the timeless “La Bamba” by Ritchie Valens, and the groundbreaking jazz of Mongo Santamaría’s “Watermelon Man.” The playlist also celebrates more recent contributions, including Bad Bunny’s “MONACO” and ROSALÍA’s “SAOKO,” demonstrating the ongoing evolution and global impact of Hispanic and Latinx music.

It’s important to note that this playlist merely scratches the surface of the immense contributions Hispanic and Latinx artists have made to the world of music. Each song represents a gateway to exploring entire genres, regional styles, and artistic movements. I encourage listeners to use this playlist as a starting point for further discovery, delving deeper into the rich musical heritage it represents.

As we celebrate Hispanic Heritage Month, let this playlist serve as a reminder of the incredible diversity, creativity, and influence of Hispanic and Latinx musicians. It’s a testament to the power of music to transcend borders, unite cultures, and enrich our global artistic tapestry. We hope you enjoy this musical journey and that it inspires you to continue exploring the vast world of Hispanic and Latinx music long after the playlist ends.

Tunes Du Jour Presents 1993

The music of 1993 was a vibrant mix of genres and styles that reflected the diverse cultural landscape of the early ’90s. This year saw the continued dominance of hip-hop, the rise of alternative rock, and the evolution of pop music, all while established artists pushed their creative boundaries.

Hip-hop was undeniably a driving force in 1993’s musical landscape. Dr. Dre featuring Snoop Dogg’s “Nuthin’ but a G Thang,” with its laid-back groove, epitomized the G-funk sound that defined West Coast rap. Ice Cube’s “It Was a Good Day” painted a vivid picture of a perfect day in the hood, showcasing the humor and storytelling skills that made him a beloved figure in the rap world. Meanwhile, East Coast artists like Wu-Tang Clan made their mark with the gritty “Protect Ya Neck.” The genre’s influence extended beyond coastal rivalry, with Naughty By Nature’s “Hip Hop Hooray” and Tag Team’s “Whoomp! (There It Is)” becoming nationwide party anthems.

Alternative rock continued its ascent into the mainstream. Radiohead’s “Creep” showcased the band’s angsty beginnings, its melancholic melody and introspective lyrics striking a chord with those struggling with feelings of inadequacy, while Rage Against the Machine’s “Killing in the Name,” a powerful anthem of rebellion, its aggressive sound and socially conscious lyrics that captured the angst and disillusionment of a generation, sparking protests and inspiring a generation of activists, brought politically charged rap-rock to the forefront. R.E.M., already established icons, delivered an anthem for those seeking comfort through emotional vulnerability with the poignant “Everybody Hurts.” Blind Melon’s “No Rain” became an iconic track with its unforgettable music video, featuring the “bee girl” that resonated with audiences worldwide. The year also saw the emergence of Britpop with Blur’s “For Tomorrow” and Suede’s “Animal Nitrate” hinting at the UK’s impending musical revolution.

Pop music in 1993 was anything but one-note. Janet Jackson’s “That’s the Way Love Goes” exemplified smooth R&B-infused pop, while Madonna continued to push boundaries with “Deeper and Deeper,” blending house music with her signature pop style. Whitney Houston’s cover of “I’m Every Woman” breathed new life into a classic, and Prince continued to defy categorization with “7.”

Nineteen ninety-three also saw female artists making bold statements across genres. PJ Harvey’s raw “Rid of Me,” Björk’s ethereal “Venus as a Boy,” and Liz Phair’s unapologetic “Fuck and Run” challenged conventions and expanded the scope of women’s voices in rock. In the realm of hip-hop, Salt-N-Pepa’s “Shoop” showcased women owning their sexuality, while Bikini Kill’s “Rebel Girl” became an anthem for the riot grrrl movement.

The year also highlighted the genre-blending creativity that would come to define the decade. Digable Planets’ “Rebirth Of Slick (Cool Like Dat)” brought jazz-rap into the mainstream, showcasing hip-hop’s versatility and its ability to incorporate sophisticated musical elements. This fusion of styles demonstrated how artists were increasingly willing to experiment and push the boundaries of their respective genres, setting the stage for the eclectic musical landscape that would unfold throughout the rest of the 1990s.

From the gritty sounds of West Coast hip-hop to the introspective lyrics of alternative rock, from the bold statements of female artists across genres to the genre-bending experiments that defied classification, the music scene of 1993 was bursting with creativity. This rich variety not only reflected the cultural zeitgeist of the early ’90s but also laid the groundwork for the musical evolution that would define the rest of the decade and beyond.